275
Live auction
Paintings, Drawings and Sculptures from 14th to 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Roma 00186, thu 23 November 2023
Viewing
November 17,18,19 3:00-6:30 p.m.
November 20,21,22 10:30a.m.-1:30 p.m./3:00-6:30 p.m.
2
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Ecstasy of Saint Cecilia
The drawing is taken from the famous painting by Raffaello Sanzio, with the same subject, executed in 1514 for [..], Tempera e oil on parchment, cm. 27,5x21,5. Framed
2
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Ecstasy of Saint Cecilia
The drawing is taken from the famous painting by Raffaello Sanzio, with the same subject, executed in 1514 for [..], Tempera e oil on parchment, cm. 27,5x21,5. Framed
Parchment
3
Artista olandese, XVII secolo
Landscape with three bulls
Ink on brown laid paper, cm. 16,5x23,8. Framed
3
Artista olandese, XVII secolo
Landscape with three bulls
Ink on brown laid paper, cm. 16,5x23,8. Framed
Paper
5
Giovanni Battista Mercati
(Borgo Sansepolcro, 1591 - Roma, 1645)
a) View of the Suburra with Santa Maria Maggiore in the background; b) Classical ruins near San Pietro in Vincoli. Pair of drawings
a) the drawing bears an ink inscription in the upper margin: '16. DALLA SUBURRA A S.TA MARIA MAGGIORE". The drawing [..], Ink on brown laid paper , cm. 10,5x17 each
5
Giovanni Battista Mercati
(Borgo Sansepolcro, 1591 - Roma, 1645)
a) View of the Suburra with Santa Maria Maggiore in the background; b) Classical ruins near San Pietro [..]
a) the drawing bears an ink inscription in the upper margin: '16. DALLA SUBURRA A S.TA MARIA MAGGIORE". The drawing [..], Ink on brown laid paper , cm. 10,5x17 each
Paper
6
Artista bolognese, XVII secolo
The Triumph of Galatea
The drawing bears a recent inscription in italics in the bottom right-hand corner: "CASTIGLIONI", Sanguine and watercolour on brown laid paper applied on blue cardboard, cm. 10,7x27,3
6
Artista bolognese, XVII secolo
The Triumph of Galatea
The drawing bears a recent inscription in italics in the bottom right-hand corner: "CASTIGLIONI", Sanguine and watercolour on brown laid paper applied on blue cardboard, cm. 10,7x27,3
Paper
7
Scuola napoletana, XVII secolo
The Virgin interceding for the Souls in Purgatory
The drawing bears the Moser collection stamp in the bottom left-hand corner, Pencil on laid brown paper, cm. 32x26. Framed
7
Scuola napoletana, XVII secolo
The Virgin interceding for the Souls in Purgatory
The drawing bears the Moser collection stamp in the bottom left-hand corner, Pencil on laid brown paper, cm. 32x26. Framed
Paper
8
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Fruit still life with game and hare hanging on a branch
Ink and watercolour on cardboard laid on panel, cm. 24,5x36,4. Framed
8
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Fruit still life with game and hare hanging on a branch
Ink and watercolour on cardboard laid on panel, cm. 24,5x36,4. Framed
Cardboard
9
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle in the background
Watercolour and white lead on paper laid on cardboard, cm. 19x28. Framed
9
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle in the background
Watercolour and white lead on paper laid on cardboard, cm. 19x28. Framed
Paper
10
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Follower of
Romolo and Remo
The work reproduces the lower section of the famous painting by Peter Paul Rubens, with the same subject, preserved [..], Oil on laid paper, cm. 30,5x37,5. Framed
10
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Follower of
Romolo and Remo
The work reproduces the lower section of the famous painting by Peter Paul Rubens, with the same subject, preserved [..], Oil on laid paper, cm. 30,5x37,5. Framed
Laid paper
11
Peter Heinrich Lambert von Hess
(Dรผsseldorf , 1792 - Monaco, 1871)
View of St Peter's from Via dell'Arco Oscuro
The drawing bears the signature at lower left: "HESS FECIT", the date at lower right: "ROME 1831" and an inscription [..], Charcoal and pencil on cardboard, cm. 28x39,5
11
Peter Heinrich Lambert von Hess
(Dรผsseldorf , 1792 - Monaco, 1871)
View of St Peter's from Via dell'Arco Oscuro
The drawing bears the signature at lower left: "HESS FECIT", the date at lower right: "ROME 1831" and an inscription [..], Charcoal and pencil on cardboard, cm. 28x39,5
Cardboard
12
Artista italiano, XVIII - XIX secolo
Amphithรฉatre Castrense
The outline bears an inscription in brown ink in the lower margin: 'COUR DES CHARETTES CIRCENSES' and inventory [..], Watercoloured outlined on paper laid on cardboard, 20x26 cm. Framed
12
Artista italiano, XVIII - XIX secolo
Amphithรฉatre Castrense
The outline bears an inscription in brown ink in the lower margin: 'COUR DES CHARETTES CIRCENSES' and inventory [..], Watercoloured outlined on paper laid on cardboard, 20x26 cm. Framed
Paper
13
Luigi Serra
(Bologna, 1846 - Bologna, 1888)
Study for nine statues representing the Muses
Each cut-out bears the name of the depicted Muse in the lower margin; the backing card bears the signature 'LUIGI [..], Pencil, pen and white crayon on different types of blue and brown paper, 9 cuttings approx. 10x5 cm each, applied on cardboard 34x20 cm.
13
Luigi Serra
(Bologna, 1846 - Bologna, 1888)
Study for nine statues representing the Muses
Each cut-out bears the name of the depicted Muse in the lower margin; the backing card bears the signature 'LUIGI [..], Pencil, pen and white crayon on different types of blue and brown paper, 9 cuttings approx. 10x5 cm each, applied on cardboard 34x20 cm.
Paper
14
Artista italiano, XIX secolo
Series of eight academic studies from paintings by Palma il Giovane and Paolo Veronese in Palazzo Ducale in Venice
Pen and ink on brown laid paper, various sizes, maximum dimensions 46x32 cm.
14
Artista italiano, XIX secolo
Series of eight academic studies from paintings by Palma il Giovane and Paolo Veronese in Palazzo Ducale [..]
Pen and ink on brown laid paper, various sizes, maximum dimensions 46x32 cm.
15
Artista emiliano, XVIII secolo
Apostle Judas Thaddeus
Sanguine on brown laid paper applied on cardboard, cm. 44x30,5. Framed
15
Artista emiliano, XVIII secolo
Apostle Judas Thaddeus
Sanguine on brown laid paper applied on cardboard, cm. 44x30,5. Framed
16
Artista neoclassico, primi decenni del XIX secolo
Scene from Antigone by Sophocles
The work bears a long, partially legible inscription in the upper edge on the reverse side with a description [..], Tempera and oil on cardboard, cm. 47x34. Framed
16
Artista neoclassico, primi decenni del XIX secolo
Scene from Antigone by Sophocles
The work bears a long, partially legible inscription in the upper edge on the reverse side with a description [..], Tempera and oil on cardboard, cm. 47x34. Framed
Cardboard
17
Artista napoletano, XVIII secolo
Pair of beggars
Pencil and white chalk on brown laid paper, cm. 38x31,5. Framed
17
Artista napoletano, XVIII secolo
Pair of beggars
Pencil and white chalk on brown laid paper, cm. 38x31,5. Framed
Paper
18
Giovanni Battista Draghi
(Genova, 1657 - Piacenza, 1712)
Recto: Study of scene with four figures within lunette - Verso: Study of three figures walking up the ramp of a building
The drawing bears a pencil inscription in the upper left-hand corner: "GIO. BATT. DRAGHI" AND bears on the verso [..], Ink and watercolour on brown laid paper, cm. 12,5x21, irregular edge
18
Giovanni Battista Draghi
(Genova, 1657 - Piacenza, 1712)
Recto: Study of scene with four figures within lunette - Verso: Study of three figures walking up the [..]
The drawing bears a pencil inscription in the upper left-hand corner: "GIO. BATT. DRAGHI" AND bears on the verso [..], Ink and watercolour on brown laid paper, cm. 12,5x21, irregular edge
Paper
19
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the right-hand figures in the painting 'Pier Capponi tears up the pacts imposed by Charles VIII'.
The drawing bears the date in the lower left-hand corner: '20 NOV. 59'., Pencil on watermarked paper, 20.6x28 cm.
19
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the right-hand figures in the painting 'Pier Capponi tears up the pacts imposed [..]
The drawing bears the date in the lower left-hand corner: '20 NOV. 59'., Pencil on watermarked paper, 20.6x28 cm.
20
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the general composition of the painting "Pier Capponi tears up the pacts imposed by Charles VIII".
The drawing bears the signature and date in the bottom right-hand margin: 'A. GUARDASSONI / 20 NOV. 59'., Pencil on watermarked paper, 28x20.6 cm
20
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the general composition of the painting "Pier Capponi tears up the pacts imposed [..]
The drawing bears the signature and date in the bottom right-hand margin: 'A. GUARDASSONI / 20 NOV. 59'., Pencil on watermarked paper, 28x20.6 cm
21
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Study of a figure wearing a toga
The sheet bears a pencil inscription on the verso: "PODESTI", Charcoal and watercolour on paper, cm. 22,2x31,3
21
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Study of a figure wearing a toga
The sheet bears a pencil inscription on the verso: "PODESTI", Charcoal and watercolour on paper, cm. 22,2x31,3
Paper
22
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Study of a female figure at prayer and for a Moses
Pencil on paper, 22.2x31.3 cm
22
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Study of a female figure at prayer and for a Moses
Pencil on paper, 22.2x31.3 cm
23
Artista attivo a Roma, fine XVIII - inizio XIX secolo
a)Arch of Giano; b) Mausoleum of Cecilia Metella; c) Temple of Minerva Medica; d) Temple of Sibyl. Suite of four Views of Roman Monuments
Tempera on paper, cm. 8x12 each one. Antique frame
23
Artista attivo a Roma, fine XVIII - inizio XIX secolo
a)Arch of Giano; b) Mausoleum of Cecilia Metella; c) Temple of Minerva Medica; d) Temple of Sibyl. Suite [..]
Tempera on paper, cm. 8x12 each one. Antique frame
Paper
24
Francesco de' Rossi Salviati
(Roma, 1510 - Firenze , 1563)
Sphere of
Allegory of the rivers Partenope, Sebeto and Garigliano
Pen, ink and watercolour on paper laid on cardboard, cm. 26x34. Framed
24
Francesco de' Rossi Salviati
(Roma, 1510 - Firenze , 1563)
Sphere of
Allegory of the rivers Partenope, Sebeto and Garigliano
Pen, ink and watercolour on paper laid on cardboard, cm. 26x34. Framed
Paper
25
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
Circle of
Ninfa
The drawing bears an illegible inscription in the lower margin, Pen, ink and traces of watercolour on brown laid paper, cm. 9,5x4. Framed
25
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
Circle of
Ninfa
The drawing bears an illegible inscription in the lower margin, Pen, ink and traces of watercolour on brown laid paper, cm. 9,5x4. Framed
Paper
26
Artista lombardo, fine XVI secolo
The Deposition of Christ
Ink and pastel colours on laid paper with watermark applied on cardboard, cm. 46,5x39,5
26
Artista lombardo, fine XVI secolo
The Deposition of Christ
Ink and pastel colours on laid paper with watermark applied on cardboard, cm. 46,5x39,5
Paper
27
Artista russo, seconda metà XIX secolo
a) The Apollo Belvedere b) The Galatian Suicide or The Ludovisi Gaul. Pair of drawings
a) The drawing bears the date and signature on the lower right corner: "M. ะะฐะฝัะบะฐั / 22- III -1891"; b) The drawing [..], Pencil and charcoal on watermarked paper, cm. 79,5x54 each. Framed
27
Artista russo, seconda metà XIX secolo
a) The Apollo Belvedere b) The Galatian Suicide or The Ludovisi Gaul. Pair of drawings
a) The drawing bears the date and signature on the lower right corner: "M. ะะฐะฝัะบะฐั / 22- III -1891"; b) The drawing [..], Pencil and charcoal on watermarked paper, cm. 79,5x54 each. Framed
Paper
28
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Follower of
View of Rome from Prati di Castello
Unusual and rare view of Rome seen from Prati di Castello, with Saint Peter's Basilica, Castel Sant' Angelo and [..], Brown ink and grey watercolour on two sheets of laid paper with watermark joined at the centre , cm. 16x75.5 approx.
28
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Follower of
View of Rome from Prati di Castello
Unusual and rare view of Rome seen from Prati di Castello, with Saint Peter's Basilica, Castel Sant' Angelo and [..], Brown ink and grey watercolour on two sheets of laid paper with watermark joined at the centre , cm. 16x75.5 approx.
Paper
29
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Preparatory drawing for "Il Giuramento degli Anconitani"
The drawing is a preparatory study for the large canvas of the same subject executed by Podesti between 1844 and [..], Pencil on ten jointed boards, 126.5x168.5 cm
29
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Preparatory drawing for "Il Giuramento degli Anconitani"
The drawing is a preparatory study for the large canvas of the same subject executed by Podesti between 1844 and [..], Pencil on ten jointed boards, 126.5x168.5 cm
30
Antonio Ermolao Paoletti
(Venezia, 1834 - Venezia, 1912)
Attributed to
Napoleonic soldier
The drawing bears sign in lower left corner: "PAOLETTI"; on the verso is a sketch for a study of a male figure. [..], Pencil on brown paper laid on cardboard, cm. 25,2x17
30
Antonio Ermolao Paoletti
(Venezia, 1834 - Venezia, 1912)
Attributed to
Napoleonic soldier
The drawing bears sign in lower left corner: "PAOLETTI"; on the verso is a sketch for a study of a male figure. [..], Pencil on brown paper laid on cardboard, cm. 25,2x17
Cardboard
31
Artista italiano, XIX secolo
Male Nude Study
Sanguine on brown paper with watermark, cm. 47,2x35,4
31
Artista italiano, XIX secolo
Male Nude Study
Sanguine on brown paper with watermark, cm. 47,2x35,4
Paper
32
Artista lombardo, XIX secolo
Opera premiere at La Scala Theatre in Milan
Tempera on cardboard, cm. 15,2x20,1
32
Artista lombardo, XIX secolo
Opera premiere at La Scala Theatre in Milan
Tempera on cardboard, cm. 15,2x20,1
Cardboard
33
Architetto neoclassico italiano
Architectural study for the front of a church
Pencil, ink and watercolour on brown laid paper, cm. 50.5x37 approx. irregular borders
33
Architetto neoclassico italiano
Architectural study for the front of a church
Pencil, ink and watercolour on brown laid paper, cm. 50.5x37 approx. irregular borders
Paper
34
Artista italiano, XIX secolo
a) Woman in traditional Abruzzi dress with basket of mushrooms; b) Woman in traditional Abruzzi dress with rock and spindle. Pair of drawings
a) The drawing bears an inscription in the bottom centre: "DONNA DELLA PROVINCIA ABRUZZO 1ยฐ PAESE DI [..], Tempera, watercolour and oil on brown paper, cm. 29x20,2
34
Artista italiano, XIX secolo
a) Woman in traditional Abruzzi dress with basket of mushrooms; b) Woman in traditional Abruzzi dress [..]
a) The drawing bears an inscription in the bottom centre: "DONNA DELLA PROVINCIA ABRUZZO 1ยฐ PAESE DI [..], Tempera, watercolour and oil on brown paper, cm. 29x20,2
Paper
35
Mosè Bianchi
(Monza, 1840 - Monza, 1904)
Attributed to
The court jester
The drawing bears the initials in pencil at lower right: 'MB'., Pencil and watercolours on brown paper applied on cardboard, cm. 26,5x18.
35
Mosè Bianchi
(Monza, 1840 - Monza, 1904)
Attributed to
The court jester
The drawing bears the initials in pencil at lower right: 'MB'., Pencil and watercolours on brown paper applied on cardboard, cm. 26,5x18.
36
Artista francese, XIX secolo
Flower bouquet
The support bears an inscription along the right edge: "AQUARELLE COMPOSรE, EXรCRETร ET DONNรE PAR MADEMOISELLE [..], Watercolour and tempera on cardboard, cm. 28,5x36
36
Artista francese, XIX secolo
Flower bouquet
The support bears an inscription along the right edge: "AQUARELLE COMPOSรE, EXรCRETร ET DONNรE PAR MADEMOISELLE [..], Watercolour and tempera on cardboard, cm. 28,5x36
Cardboard
37
Artista italiano, XIX secolo
Flower arrangement with peacock
The drawing bears initials at lower right: "O. M. B." (Ottavia Masino Borghese). On the verso is inscribed: [..], Watercolour on cut-out and perforated cardboard, cm. 7,5x11, irregular edge
37
Artista italiano, XIX secolo
Flower arrangement with peacock
The drawing bears initials at lower right: "O. M. B." (Ottavia Masino Borghese). On the verso is inscribed: [..], Watercolour on cut-out and perforated cardboard, cm. 7,5x11, irregular edge
Cardboard
38
Carl Friedrich Holtzmann
(Dresda, 1740 - Dresda, 1811)
a) Profile portrait of a gentlewoman with cap; b) Profile portrait of a young gentlewoman with earrings and necklace. Pair of miniatures
a) The drawing bears on the reverse side an inscription in pencil: "CARL FRIEDRICH HOLLZMAN FROM DRESDA 1779". [..], Tempera on cardboard, cm. 16x11.5 each. Framed
38
Carl Friedrich Holtzmann
(Dresda, 1740 - Dresda, 1811)
a) Profile portrait of a gentlewoman with cap; b) Profile portrait of a young gentlewoman with earrings [..]
a) The drawing bears on the reverse side an inscription in pencil: "CARL FRIEDRICH HOLLZMAN FROM DRESDA 1779". [..], Tempera on cardboard, cm. 16x11.5 each. Framed
Cardboard
39
Jean Baptiste Greuze
(Tournus, 1725 - Parigi, 1805)
Circle of
a) Maiden with red fruit; b) Maiden with veil. Pair of drawings
Pastel colour on paper, cm. 48x39, each. Framed
39
Jean Baptiste Greuze
(Tournus, 1725 - Parigi, 1805)
Circle of
a) Maiden with red fruit; b) Maiden with veil. Pair of drawings
Pastel colour on paper, cm. 48x39, each. Framed
Paper
40
Artista italiano, metà XIX secolo
Finding of the True Cross in the presence of Queen Helena
Oil on cardboard, 19x26 cm.
40
Artista italiano, metà XIX secolo
Finding of the True Cross in the presence of Queen Helena
Oil on cardboard, 19x26 cm.
41
Artista italiano, metà XIX secolo
Finding of the True Cross in the presence of Queen Helena
Oil on cardboard, 21x30 cm.
41
Artista italiano, metà XIX secolo
Finding of the True Cross in the presence of Queen Helena
Oil on cardboard, 21x30 cm.
42
Clemente Ruta
(Parma, 1685 - Parma, 1767)
Attributed to
Triumph of Virtue conducted by Poetry, Painting and Music and crowned by Fame
Si tratta di un bozzetto in fase avanzata di elaborazione, o forse del modello, per un dipinto di grande misura [..], Oil on paper laid on canvas, cm. 35x26. Framed
42
Clemente Ruta
(Parma, 1685 - Parma, 1767)
Attributed to
Triumph of Virtue conducted by Poetry, Painting and Music and crowned by Fame
Si tratta di un bozzetto in fase avanzata di elaborazione, o forse del modello, per un dipinto di grande misura [..], Oil on paper laid on canvas, cm. 35x26. Framed
43
Artista bolognese, XVIII secolo
Figure of a prophet with scroll
Oil on cardboard , cm. 27,5x20. Framed
43
Artista bolognese, XVIII secolo
Figure of a prophet with scroll
Oil on cardboard , cm. 27,5x20. Framed
Cardboard
44
Andrea Locatelli
(Roma, 1695 - Roma, 1741)
Sphere of
a) Landscape with castle and watercourse; b) Landscape with watercourse and fountain. Pair of temperas
Tempera on cardboard, cm. 63x46 each. Framed
44
Andrea Locatelli
(Roma, 1695 - Roma, 1741)
Sphere of
a) Landscape with castle and watercourse; b) Landscape with watercourse and fountain. Pair of tempera [..]
Tempera on cardboard, cm. 63x46 each. Framed
Cardboard
45
GIOVANNI MIGLIARA
(Alessandria, 1785 - Milano, 1837)
Attributed to
Lake landscape with a rock arch and figures
Tempera on silk under glass (fixรฉ) , ร 9.5 cm. With frame
45
GIOVANNI MIGLIARA
(Alessandria, 1785 - Milano, 1837)
Attributed to
Lake landscape with a rock arch and figures
Tempera on silk under glass (fixรฉ) , ร 9.5 cm. With frame
46
Scuola senese, XIV secolo
in the way of
Virgin with Child
Tempera on panel, cm. 40x33,8. With carved frame
46
Scuola senese, XIV secolo
in the way of
Virgin with Child
Tempera on panel, cm. 40x33,8. With carved frame
Panel
48
Antonio Allegri Correggio
(Correggio, 1489 - Correggio, 1534)
Based on
Madonna with the Child or Madonna della Cesta
16th - 17th century
The painting is a good quality antique copy of the so-called Madonna della Cesta by Correggio, now in the [..], Oil on panel, cm. 34x23. Framed
48
Antonio Allegri Correggio
(Correggio, 1489 - Correggio, 1534)
Based on
Madonna with the Child or Madonna della Cesta
16th - 17th century
The painting is a good quality antique copy of the so-called Madonna della Cesta by Correggio, now in the [..], Oil on panel, cm. 34x23. Framed
Panel
49
Artista centro-italiano, seconda metà XV secolo
Profile portrait of a young man
Oil on panel , cm. 35,5x26
49
Artista centro-italiano, seconda metà XV secolo
Profile portrait of a young man
Oil on panel , cm. 35,5x26
Panel
50
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Madonna with the Sleeping Child and the Infant Saint John (Madonna del Velo or Madonna del Diadema Blu)
The painting is a faithful replica of the work by Raphael Sanzio today in the Musรฉe du Louvre in Paris., Oil on panel, cm. 68x48. Whit tabernacle frame
50
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Madonna with the Sleeping Child and the Infant Saint John (Madonna del Velo or Madonna del Diadema Bl [..]
The painting is a faithful replica of the work by Raphael Sanzio today in the Musรฉe du Louvre in Paris., Oil on panel, cm. 68x48. Whit tabernacle frame
Panel
51
Artista senese, XVI secolo
Madonna and Child with the Infant Saint John and Saint Peter Martyr
Oil on canvas, cm. 56x44,5. With ancient frame
51
Artista senese, XVI secolo
Madonna and Child with the Infant Saint John and Saint Peter Martyr
Oil on canvas, cm. 56x44,5. With ancient frame
Canvas
52
Artista emiliano, fine XVI - inizio XVII secolo
Pietร
This painting on copper is a high-quality replica of a probably lost original by Correggio, which must have enjoyed [..], Oil on copper , 28x22 cm. Framed
52
Artista emiliano, fine XVI - inizio XVII secolo
Pietร
This painting on copper is a high-quality replica of a probably lost original by Correggio, which must have enjoyed [..], Oil on copper , 28x22 cm. Framed
53
Artista tedesco, seconda metà XVI secolo
Portrait of a gentleman with cap and gorget
The painting bears a date in the top right-hand corner: "1576", Oil on panel, 29.5x23 cm. Framed
53
Artista tedesco, seconda metà XVI secolo
Portrait of a gentleman with cap and gorget
The painting bears a date in the top right-hand corner: "1576", Oil on panel, 29.5x23 cm. Framed
Panel
54
Leonardo da Vinci
(Anchiano, 1452 - Amboise, 1519)
Follower of
The Man of Sorrows
Oil on panel, cm. 57x45,5. Whit carved frame
54
Leonardo da Vinci
(Anchiano, 1452 - Amboise, 1519)
Follower of
The Man of Sorrows
Oil on panel, cm. 57x45,5. Whit carved frame
Panel
57
Artista veneto-cretese, XVI - XVII secolo
The Mystical marriage of Saint Catherine
Tempera and gold foil on panel, cm. 38,5x31,5. Framed
57
Artista veneto-cretese, XVI - XVII secolo
The Mystical marriage of Saint Catherine
Tempera and gold foil on panel, cm. 38,5x31,5. Framed
Panel
58
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
The Madonna and Child with Saint John
XVI - XVII secolo
The painting is a reinterpretation of the so-called Madonna Aldobrandini by Raffaello Sanzio, now in the National [..], Oil on panel , ร 93 cm. With frame
58
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
The Madonna and Child with Saint John
XVI - XVII secolo
The painting is a reinterpretation of the so-called Madonna Aldobrandini by Raffaello Sanzio, now in the National [..], Oil on panel , ร 93 cm. With frame
Panel
59
Artista attivo a Roma, XVII secolo
Portrait of Pope Clement VII de' Medici
The painting bears a brush inscription in the upper margin: "CLEMENS VII"., Oil on canvas, 88.5X54 cm. Framed
59
Artista attivo a Roma, XVII secolo
Portrait of Pope Clement VII de' Medici
The painting bears a brush inscription in the upper margin: "CLEMENS VII"., Oil on canvas, 88.5X54 cm. Framed
Canvas
60
Denijs Calvaert
(Anversa, 1540 - Bologna, 1619)
Attributed to
The Presentation of the Virgin at the Temple
Questa tela presenta un'interessante combinazione di elementi tardo-manieristi che, su una matrice figurativa [..], Oil on canvas, cm. 126x89.
60
Denijs Calvaert
(Anversa, 1540 - Bologna, 1619)
Attributed to
The Presentation of the Virgin at the Temple
Questa tela presenta un'interessante combinazione di elementi tardo-manieristi che, su una matrice figurativa [..], Oil on canvas, cm. 126x89.
Canvas
61
Artista fiammingo, seconda metà XVI secolo
The Crucifixion of Christ
The painting is accompanied by an expertise by Prof. Ferdinando Arisi that attributes it to the Dutch painter [..], Oil on panel, cm. 46,5x27,5. Framed
61
Artista fiammingo, seconda metà XVI secolo
The Crucifixion of Christ
The painting is accompanied by an expertise by Prof. Ferdinando Arisi that attributes it to the Dutch painter [..], Oil on panel, cm. 46,5x27,5. Framed
Panel
62
Artista olandese, XVII secolo
a) Portrait of a lady with cap and gorget; b) Portrait of a gentleman with hat. Pair of paintings
Oil on panel, cm. 36x26.5 each. Framed
62
Artista olandese, XVII secolo
a) Portrait of a lady with cap and gorget; b) Portrait of a gentleman with hat. Pair of paintings
Oil on panel, cm. 36x26.5 each. Framed
Panel
64
Artista attivo a Roma, ultimo quarto del XVI secolo
Portrait of Cardinal Guglielmo Sirleto
The painting bears a brush inscription in the upper margin: "GUL. CARD. SIRLETUS.", Oil on canvas, 68x54 cm. Framed
64
Artista attivo a Roma, ultimo quarto del XVI secolo
Portrait of Cardinal Guglielmo Sirleto
The painting bears a brush inscription in the upper margin: "GUL. CARD. SIRLETUS.", Oil on canvas, 68x54 cm. Framed
Canvas
65
Giulio Pippi Giulio Romano
(Roma, 1499 - Mantova, 1546)
Circle of
Madonna and Child, Saint Anne and Saint John, "Madonna della gatta"
The painting is based on the famous panel by Giulio Romano, called Madonna della Gatta , now in the Museo Nazionale [..], Oil on panel, cm. 122x95,5. Framed
65
Giulio Pippi Giulio Romano
(Roma, 1499 - Mantova, 1546)
Circle of
Madonna and Child, Saint Anne and Saint John, "Madonna della gatta"
The painting is based on the famous panel by Giulio Romano, called Madonna della Gatta , now in the Museo Nazionale [..], Oil on panel, cm. 122x95,5. Framed
Panel
66
Artista veneto, seconda metà XVI secolo
Penitent Saint Jerome
Oil on copper, 16.5x12.5 cm. Framed
66
Artista veneto, seconda metà XVI secolo
Penitent Saint Jerome
Oil on copper, 16.5x12.5 cm. Framed
Copper
68
Gaspard Dughet
(Roma, 1615 - Roma, 1675)
Sphere of
Landscape with river, small waterfalls and figures
Oil on canvas, cm. 75x136
68
Gaspard Dughet
(Roma, 1615 - Roma, 1675)
Sphere of
Landscape with river, small waterfalls and figures
Oil on canvas, cm. 75x136
Canvas
70
Giovan Battista Moroni
(Albino - Albino, 1578)
Circle of
Portrait of a Gentleman
The painting bears a wax stamp on the back: "GALERIE SEDELMEYER PARIS". This painting is an example of the accurate [..], Oil on panel, 96x75 cm. Framed
70
Giovan Battista Moroni
(Albino - Albino, 1578)
Circle of
Portrait of a Gentleman
The painting bears a wax stamp on the back: "GALERIE SEDELMEYER PARIS". This painting is an example of the accurate [..], Oil on panel, 96x75 cm. Framed
Panel
71
Scuola Napoletana, seconda metà XVII secolo
Hagar and Ishmael comforted by an angel in the desert
Oil on canvas, cm. 66x50. Framed
71
Scuola Napoletana, seconda metà XVII secolo
Hagar and Ishmael comforted by an angel in the desert
Oil on canvas, cm. 66x50. Framed
Canvas
72
Scuola emiliana, XVII secolo
The Holy Family with the Infant Saint John the Baptist
Oil on panel, cm. 26.5x20.5. With ancient frame
72
Scuola emiliana, XVII secolo
The Holy Family with the Infant Saint John the Baptist
Oil on panel, cm. 26.5x20.5. With ancient frame
Panel
74
Artista caravaggesco attivo a Napoli, primi decenni XVII secolo
The Flagellation of Christ
This large canvas is an interesting testimony to the immediate suggestion of the Flagellation of Christ painted [..], Oil on canvas, cm. 190x113,5. Antique Frame
74
Artista caravaggesco attivo a Napoli, primi decenni XVII secolo
The Flagellation of Christ
This large canvas is an interesting testimony to the immediate suggestion of the Flagellation of Christ painted [..], Oil on canvas, cm. 190x113,5. Antique Frame
Canvas
75
Federico Barocci
(Urbino, 1535 - Urbino, 1612)
Sphere of
Salvator Mundi
The painting is accompanied by the expertise of Prof. Arabella Cifani who attributes it to Alessandro Vitali. [..], Oil on canvas, cm. 41x30,5. Framed
75
Federico Barocci
(Urbino, 1535 - Urbino, 1612)
Sphere of
Salvator Mundi
The painting is accompanied by the expertise of Prof. Arabella Cifani who attributes it to Alessandro Vitali. [..], Oil on canvas, cm. 41x30,5. Framed
Canvas
77
Artista fiammingo, XVI - XVII secolo
Mary Magdalene penitent in the desert and Noli me tangere in the background
Oil on canvas, 67x49 cm. Framed
77
Artista fiammingo, XVI - XVII secolo
Mary Magdalene penitent in the desert and Noli me tangere in the background
Oil on canvas, 67x49 cm. Framed
Canvas
78
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
Circle of
Crucifixion
The prototype of this work is by Michelangelo Buonarroti who made it in 1540 for Vittoria Colonna, now lost and [..], Oil on bronze, 25x18 cm. Framed
78
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
Circle of
Crucifixion
The prototype of this work is by Michelangelo Buonarroti who made it in 1540 for Vittoria Colonna, now lost and [..], Oil on bronze, 25x18 cm. Framed
Bronze
79
Giovanni Battista Salvi Sassoferrato
(Sassoferrato, 1609 - Roma, 1685)
Follower of
The Virgin and Child
17th Century
Oil on canvas, cm. 69,7x61
79
Giovanni Battista Salvi Sassoferrato
(Sassoferrato, 1609 - Roma, 1685)
Follower of
The Virgin and Child
17th Century
Oil on canvas, cm. 69,7x61
Canvas
80
Ippolito Scarsella Scarsellino
(Ferrara, 1550 - Ferrara, 1620)
Attributed to
a) The Ascension of Christ; b) The Pentecost
Oil on canvas, a) 33.5x25 cm; b) 33x24.5. Framed each.
80
Ippolito Scarsella Scarsellino
(Ferrara, 1550 - Ferrara, 1620)
Attributed to
a) The Ascension of Christ; b) The Pentecost
Oil on canvas, a) 33.5x25 cm; b) 33x24.5. Framed each.
Canvas
82
Cesare Da Sesto
(Sesto Calende, 1477 - Milano, 1523)
Follower of
Salome with the head of John the Baptist
16th century
This dazzling painting faithfully replicates, except for the lower part of the composition, Salome with the Head [..], Oil on canvas, 121x94 cm. Framed
82
Cesare Da Sesto
(Sesto Calende, 1477 - Milano, 1523)
Follower of
Salome with the head of John the Baptist
16th century
This dazzling painting faithfully replicates, except for the lower part of the composition, Salome with the Head [..], Oil on canvas, 121x94 cm. Framed
Canvas
83
Luca Forte
(Napoli - Napoli, 1670)
Attributed to
Still life of pears, apples and grapes
This intense composition of fruit, almost mysterious in its essentiality, takes us to the Neapolitan scene at [..], Oil on canvas, cm. 50,5x63. Antique frame
83
Luca Forte
(Napoli - Napoli, 1670)
Attributed to
Still life of pears, apples and grapes
This intense composition of fruit, almost mysterious in its essentiality, takes us to the Neapolitan scene at [..], Oil on canvas, cm. 50,5x63. Antique frame
Canvas
84
Artista caravaggesco, prima metà XVII secolo
The Fortune Teller
This painting takes up a subject particularly dear to the followers of Caravaggio in a reduced format and on an [..], Oil on panel, cm. 32x40. Framed
84
Artista caravaggesco, prima metà XVII secolo
The Fortune Teller
This painting takes up a subject particularly dear to the followers of Caravaggio in a reduced format and on an [..], Oil on panel, cm. 32x40. Framed
Panel
85
Artista olandese, XVII secolo
Portrait of a young Dutch gentlewoman wearing cap and coral necklace
Oil on panel, cm. 38,5x30. Framed
85
Artista olandese, XVII secolo
Portrait of a young Dutch gentlewoman wearing cap and coral necklace
Oil on panel, cm. 38,5x30. Framed
Panel
86
Sebastián de Llanos y Valdés
(Siviglia, 1605 - Siviglia, 1677)
Ecce Homo
The painting bears the signature and date in the top left-hand corner: "B. SEBASTIAN DE LLANOS Y VALDES FACIEBAT [..], Oil on canvas, cm. 75x57,5. Framed
86
Sebastián de Llanos y Valdés
(Siviglia, 1605 - Siviglia, 1677)
Ecce Homo
The painting bears the signature and date in the top left-hand corner: "B. SEBASTIAN DE LLANOS Y VALDES FACIEBAT [..], Oil on canvas, cm. 75x57,5. Framed
Canvas
87
Ippolito Scarsella Scarsellino
(Ferrara, 1550 - Ferrara, 1620)
Attributed to
The Adoration of the Child, "Madonna of the Roses"
The paintiing is accompanied by the Export Licence. Attribution to Scarsellino is proposed for this interesting, [..], Oil on canvas, cm. 53,5x80. Framed
87
Ippolito Scarsella Scarsellino
(Ferrara, 1550 - Ferrara, 1620)
Attributed to
The Adoration of the Child, "Madonna of the Roses"
The paintiing is accompanied by the Export Licence. Attribution to Scarsellino is proposed for this interesting, [..], Oil on canvas, cm. 53,5x80. Framed
Canvas
90
Artista olandese, XVII secolo
a) Portait of a bearded man; b) Portait of a man with a cap. Pair of grotesque portraits
Canvas applied on board, cm. 22x16 each.
90
Artista olandese, XVII secolo
a) Portait of a bearded man; b) Portait of a man with a cap. Pair of grotesque portraits
Canvas applied on board, cm. 22x16 each.
Panel
91
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Circle of
The Triumph of Galatea
17th Century
Oil on canvas, cm. 65,5x81,5. Framed
91
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Circle of
The Triumph of Galatea
17th Century
Oil on canvas, cm. 65,5x81,5. Framed
Canvas
92
Artista centro-italiano, XVII secolo
Portrait of the Marquis Francesco Vitelli
The painting bears a brush inscription in the upper edge: "MAR.SE FRAN.CO VITELLI"., Oil on canvas, cm. 72x56. Framed
92
Artista centro-italiano, XVII secolo
Portrait of the Marquis Francesco Vitelli
The painting bears a brush inscription in the upper edge: "MAR.SE FRAN.CO VITELLI"., Oil on canvas, cm. 72x56. Framed
Canvas
93
Artista caravaggesco attivo a Napoli, prima metà XVII secolo
Philosopher with book
The present work is accompanied by Export License., Oil on canvas, cm. 125x91,3. Framed
93
Artista caravaggesco attivo a Napoli, prima metà XVII secolo
Philosopher with book
The present work is accompanied by Export License., Oil on canvas, cm. 125x91,3. Framed
Canvas
94
Artista olandese, XVII secolo
Portrait of gentleman with book and in red jacket
Oil on panel, cm. 46,5x37,5.
94
Artista olandese, XVII secolo
Portrait of gentleman with book and in red jacket
Oil on panel, cm. 46,5x37,5.
Panel
96
Artista emiliano, inizio XVII secolo
The Holy Family with the Young Saint John the Baptist
Oil on canvas, 69.5x55 cm. Framed
96
Artista emiliano, inizio XVII secolo
The Holy Family with the Young Saint John the Baptist
Oil on canvas, 69.5x55 cm. Framed
Canvas
97
Johannes Lingelbach
(Francoforte, 1622 - Amsterdam, 1674)
Attributed to
Work of mercy or to feed the hungry
Oil on canvas, cm. 51,5x68. Framed
97
Johannes Lingelbach
(Francoforte, 1622 - Amsterdam, 1674)
Attributed to
Work of mercy or to feed the hungry
Oil on canvas, cm. 51,5x68. Framed
Canvas
98
Artista emiliano, inizio XVII secolo
The Deposition of Christ
Oil on canvas on panel, cm. 99x120.
98
Artista emiliano, inizio XVII secolo
The Deposition of Christ
Oil on canvas on panel, cm. 99x120.
Canvas
99
Artista olandese, XVII secolo
Portrait of a young boy with feathered hat and gold necklace
Oil on panel, cm. 38x32,5. Framed
99
Artista olandese, XVII secolo
Portrait of a young boy with feathered hat and gold necklace
Oil on panel, cm. 38x32,5. Framed
Panel
100
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
School of
Daniel in the lion's Den
Questa suggestiva composizione rappresenta la storia biblica in cui il profeta Daniele viene gettato nella fossa [..], Oil on panel, cm. 38,5x58,5. Framed
100
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
School of
Daniel in the lion's Den
Questa suggestiva composizione rappresenta la storia biblica in cui il profeta Daniele viene gettato nella fossa [..], Oil on panel, cm. 38,5x58,5. Framed
Panel
103
Scuola romana, seconda metà XVII secolo
Head of a Child
Oil on canvas, 27x22.5 cm. Framed
Canvas
104
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Circle of
The Beheading of Saint John the Baptist
17th Century
The two main figures, the Baptist and the torturer, are inspired by those on the right-hand side of the Triptych [..], Oil on canvas, cm. 49,5x31,5. Framed
104
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Circle of
The Beheading of Saint John the Baptist
17th Century
The two main figures, the Baptist and the torturer, are inspired by those on the right-hand side of the Triptych [..], Oil on canvas, cm. 49,5x31,5. Framed
Canvas
105
Guido Reni
(Bologna , 1575 - Bologna , 1642)
Circle of
Saint John the Evangelist
The canvas is a faithful coeval replica, of very high quality, derived from an invention by Guido Reni whose original [..], Oil on canvas, 76.5x63 cm. Framed
105
Guido Reni
(Bologna , 1575 - Bologna , 1642)
Circle of
Saint John the Evangelist
The canvas is a faithful coeval replica, of very high quality, derived from an invention by Guido Reni whose original [..], Oil on canvas, 76.5x63 cm. Framed
Canvas
107
Pier Francesco Mazzucchelli Morazzone
(Morazzone, 1573 - Piacenza, 1626)
Sphere of
Deposition of Christ
Oil on canvas, cm. 99x65
107
Pier Francesco Mazzucchelli Morazzone
(Morazzone, 1573 - Piacenza, 1626)
Sphere of
Deposition of Christ
Oil on canvas, cm. 99x65
Canvas
108
Artista toscano, fine XVI - inizio XVII secolo
The education of the Virgin with St. Anne enthroned before St. Margaret of Antioch, St. Magdalene and the donor in cassocks
The painting bears on the column in the right margin of the canvas behind the donor coat of arms, date initials: [..], Oil on canvas laid on panel, 101x188 cm. Framed
108
Artista toscano, fine XVI - inizio XVII secolo
The education of the Virgin with St. Anne enthroned before St. Margaret of Antioch, St. Magdalene and [..]
The painting bears on the column in the right margin of the canvas behind the donor coat of arms, date initials: [..], Oil on canvas laid on panel, 101x188 cm. Framed
Panel
109
Scuola romana, seconda metà XVII secolo
Bust of a bearded old man
Oil on canvas, cm. 74x59,5
Canvas
110
Artista fiammingo attivo a Venezia, fine XVI - inizio XVII secolo
Wedding reception in a Venetian palace
This complex scene set in the portego of a Venetian aristocratic palace, with the island of San Cristoforo in [..], Oil on canvas, 102x170 cm. Framed
110
Artista fiammingo attivo a Venezia, fine XVI - inizio XVII secolo
Wedding reception in a Venetian palace
This complex scene set in the portego of a Venetian aristocratic palace, with the island of San Cristoforo in [..], Oil on canvas, 102x170 cm. Framed
Canvas
111
Dirck Helmbreker
(Haarlem, 1633 - Roma, 1699)
Attributed to
Landscape with peasant banquet
Oil on canvas, cm. 60,5x72
111
Dirck Helmbreker
(Haarlem, 1633 - Roma, 1699)
Attributed to
Landscape with peasant banquet
Oil on canvas, cm. 60,5x72
Canvas
113
Scuola napoletana, prima metà XVII secolo
The Adoration of the Shepherds
Oil on canvas, 75.5x101 cm. Framed
113
Scuola napoletana, prima metà XVII secolo
The Adoration of the Shepherds
Oil on canvas, 75.5x101 cm. Framed
114
Daniel De Blieck
(Middelburg - Middelburgh, 1673)
Attributed to
Dutch church interior
Oil on canvas, 74x63.5 cm. Framed
114
Daniel De Blieck
(Middelburg - Middelburgh, 1673)
Attributed to
Dutch church interior
Oil on canvas, 74x63.5 cm. Framed
Canvas
115
Nicolaas van Eyck
(Anversa, 1617 - Anversa, 1679)
Clash of infantry
The painting bears the signature in the bottom centre on the tree trunk: "NICOLAAS VAN EYCK". Nicolaas Van Eyck [..], Oil on canvas, cm. 56x83. Framed
115
Nicolaas van Eyck
(Anversa, 1617 - Anversa, 1679)
Clash of infantry
The painting bears the signature in the bottom centre on the tree trunk: "NICOLAAS VAN EYCK". Nicolaas Van Eyck [..], Oil on canvas, cm. 56x83. Framed
Canvas
116
Carlo Saraceni
(Venezia, 1579 - Venezia, 1620)
Attributed to
Forest landscape with Saint Rocco
Il dipinto รจ una variante, di piccolo formato e su tavola, del San Rocco conservato al Museo di Capodimonte [..], Oil on panel, 20.5x22.5 cm. Framed
116
Carlo Saraceni
(Venezia, 1579 - Venezia, 1620)
Attributed to
Forest landscape with Saint Rocco
Il dipinto รจ una variante, di piccolo formato e su tavola, del San Rocco conservato al Museo di Capodimonte [..], Oil on panel, 20.5x22.5 cm. Framed
Panel
117
Artista fiammingo, seconda metà XVII secolo
Flower garland with baby Jesus contemplating the crosses
Oil on canvas, 80x66 cm. Framed
117
Artista fiammingo, seconda metà XVII secolo
Flower garland with baby Jesus contemplating the crosses
Oil on canvas, 80x66 cm. Framed
118
Marco Antonio Rizzi
(Pralboino, 1648 - Piacenza, 1723)
Still life of mushrooms, figs, grapes, pumpkin and plums
Oil on canvas, cm. 49,5x65. Framed
118
Marco Antonio Rizzi
(Pralboino, 1648 - Piacenza, 1723)
Still life of mushrooms, figs, grapes, pumpkin and plums
Oil on canvas, cm. 49,5x65. Framed
Canvas
119
Artista spagnolo, XVII secolo
Portrait of a Order of Calatrava Knight
Oil on canvas, 150.5x104.5 cm. Framed
119
Artista spagnolo, XVII secolo
Portrait of a Order of Calatrava Knight
Oil on canvas, 150.5x104.5 cm. Framed
Canvas
120
Artista attivo a Napoli, XVII secolo
The Mystic Marriage of St Catherine
In this enchanting painting, undoubtedly intended for the private devotion of a refined Neapolitan gentleman, [..], Oil on canvas, cm. 48x73. Framed
120
Artista attivo a Napoli, XVII secolo
The Mystic Marriage of St Catherine
In this enchanting painting, undoubtedly intended for the private devotion of a refined Neapolitan gentleman, [..], Oil on canvas, cm. 48x73. Framed