Andrea e Alberto Tipa ^©  

Workshop of

The characters of the sacred representation, micro-carved in the round from bone and depicting Saint Blaise with a devotee and a child, are enclosed in a rectangular bone case. The work is set in a traditional architectural backdrop; the standing figure of Saint Blaise in bishop's dress, with crosier and mitre, blessing a woman kneeling at his feet with a child in her arms is placed in the centre of the representation, while to his right is an altar with a crucified Christ and a sacred text.
In Salemi, an Arab-medieval town in the province of Trapani, Saint Blaise has been co-patron along with Saint Nicholas of the town since 1542.
The greatest moment of splendour in the art of the Trapani craftsmen was in the 17th and 18th centuries when the serial production of balls, olivettes, small ashlars and commas of the 14th, 15th and 16th centuries led to works of higher artistic value such as sculptures and compositions, often characterised by a rich architectural backdrop.
The Sicilian tradition of celebrating Christmas with the nativity scene led Trapani's masters to make both individual shepherds and nativity compositions of various sizes, with coral inserts, so much so that a document from 1571, the Account of the General Treasury of the Kingdom of Sicily, already mentions a coral Nativity. Trapani's artefacts were highly prized by Italian and foreign collectors, so much so that the most illustrious families owned valuable examples. In the Pepoli Museum in Trapani and the San Martino Museum in Naples, there are coral specimens, both made of gilded copper, silver, coral and enamels.
When coral began to become rarer towards the end of the 18th century, Trapani sculptors turned to other materials such as ivory or bone and the symptoms of the decline of the red material began to be felt, which became increasingly scarce until it almost disappeared. It will therefore be ivory that gradually replaces coral in nativity representations, coral reduced to a few elements as in the miniature nativity scene in the Burgio collection in Palermo, set in a silver frame with a garland of gradual flowers and leaves, attributed to the workshop of the brothers Alberto and Andrea Tipa.

Item condition grading: **** good, wear and minor cracks on the frame sides.