287
Live auction
Old Master and Modern Prints, Matrices, Maps, Photography
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, tue 20 February 2024
Viewing
Lots visible on request: n.bukowska@bertolamifineart.com
121
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Gruppo di Colonne, che regge due archi d'un grande Cortile
Etching, 55 x 40 cm. From "First part of architectures and perspectives". Focillon 15. Sharp impression on laid [..]
121
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Gruppo di Colonne, che regge due archi d'un grande Cortile
Etching, 55 x 40 cm. From "First part of architectures and perspectives". Focillon 15. Sharp impression on laid [..]
122
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Domus, et Balnearum Sallustianarum
etching, 383 x 531 mm (sheet), fine impression on laid paper with watermark (lily in double circle). Sheet in [..]
122
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Domus, et Balnearum Sallustianarum
etching, 383 x 531 mm (sheet), fine impression on laid paper with watermark (lily in double circle). Sheet in [..]
123
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae substructionum Busti Caesaris Augusti...
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
123
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae substructionum Busti Caesaris Augusti...
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
124
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'antico Tempio di Bacco in oggi Chiesa di S. Urbano...
etching, approx. 46 x 67.5 cm, 1st Paris edition, state II/IV, Hind 81. Fine impression with some damp spots [..]
124
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'antico Tempio di Bacco in oggi Chiesa di S. Urbano...
etching, approx. 46 x 67.5 cm, 1st Paris edition, state II/IV, Hind 81. Fine impression with some damp spots [..]
125
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Villa di Mecenate…
etching 54.5 x 79 cm, from the 'Vedute di Roma' series, Hind 73 state II/IV. Trace of the usual central fold [..]
125
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Villa di Mecenate…
etching 54.5 x 79 cm, from the 'Vedute di Roma' series, Hind 73 state II/IV. Trace of the usual central fold [..]
126
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Luigi Rossini
(1790 - 1857)
Veduta dei Grandi Avanzi degli Aquedotti di Nerone vicino a Porta S.Giovanni
Etching, 44 x 53,5 cm (platemark); 52,5 x 65,5 cm (sheet). From the series Antichità Romane. Printed on [..]
126
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Luigi Rossini
(1790 - 1857)
Veduta dei Grandi Avanzi degli Aquedotti di Nerone vicino a Porta S.Giovanni
Etching, 44 x 53,5 cm (platemark); 52,5 x 65,5 cm (sheet). From the series Antichità Romane. Printed on [..]
127
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carlo Nolli
(1724 - 1770)
PIANTA DEL CORSO DEL TEVERE E SUE ADJACENZE...
etching, 750 x 510 mm (sheet). A part of a large map engraved by Nolli and Piranesi after the drawings of Bolognese [..]
127
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carlo Nolli
(1724 - 1770)
PIANTA DEL CORSO DEL TEVERE E SUE ADJACENZE...
etching, 750 x 510 mm (sheet). A part of a large map engraved by Nolli and Piranesi after the drawings of Bolognese [..]
128
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 978. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
128
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 978. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
129
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 981. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
129
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 981. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
130
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 982. Very fine impression on laid paper with BRACCIANO watermark (Hind [..]
130
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Observations"
Etching, approx. 80 x 56 cm. Focillon 982. Very fine impression on laid paper with BRACCIANO watermark (Hind [..]
131
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Chiesa di S. Ignazio del Collegio Romano
etching, 130 x 195 mm (platemark); 193 x 265 mm (sheet). Focillon 72, Ficacci 37. Fine, sharp impression on thin [..]
131
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Chiesa di S. Ignazio del Collegio Romano
etching, 130 x 195 mm (platemark); 193 x 265 mm (sheet). Focillon 72, Ficacci 37. Fine, sharp impression on thin [..]
132
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Collegio di Propaganda Fide
etching, 130 x 193 mm (platemark); 195 x 265 mm (sheet). Focillon 95, Ficacci 53. Fine, sharp impression on thin [..]
132
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Collegio di Propaganda Fide
etching, 130 x 193 mm (platemark); 195 x 265 mm (sheet). Focillon 95, Ficacci 53. Fine, sharp impression on thin [..]
133
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Palazzo del Duca di Bracciano Odeschalchi
etching, 129 x 190 mm (platemark); 192 x 266 mm (sheet). Focillon 76, Ficacci 45. Fine, sharp impression on thin [..]
133
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Palazzo del Duca di Bracciano Odeschalchi
etching, 129 x 190 mm (platemark); 192 x 266 mm (sheet). Focillon 76, Ficacci 45. Fine, sharp impression on thin [..]
134
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Palazzo dell'Accademia di Francia al Corso
etching, 130 x 193 mm (platemark); 169 x 249 mm (sheet). Focillon 74, Ficacci 42. Fine, sharp impression on thin [..]
134
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Palazzo dell'Accademia di Francia al Corso
etching, 130 x 193 mm (platemark); 169 x 249 mm (sheet). Focillon 74, Ficacci 42. Fine, sharp impression on thin [..]
135
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo Panfilio dalla parte del Collegio Romano
etching, 134 x 185 mm (platemark); 179 x 225 mm (sheet). Focillon 73, Ficacci 47. Printed on thin laid paper with [..]
135
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo Panfilio dalla parte del Collegio Romano
etching, 134 x 185 mm (platemark); 179 x 225 mm (sheet). Focillon 73, Ficacci 47. Printed on thin laid paper with [..]
136
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta di S. Giovanni in Laterano
etching, 125 x 200 mm (platemark); 187 x 187 mm (sheet). Focillon 80, Ficacci 39. Fine, sharp impression on thin [..]
136
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta di S. Giovanni in Laterano
etching, 125 x 200 mm (platemark); 187 x 187 mm (sheet). Focillon 80, Ficacci 39. Fine, sharp impression on thin [..]
137
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Attributed to
Palazzo Borghese
etching, 117 x 198 mm (platemark); 177 x 227 mm (sheet). Ficacci 70, not in Focillon. Fine, sharp impression on [..]
137
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Attributed to
Palazzo Borghese
etching, 117 x 198 mm (platemark); 177 x 227 mm (sheet). Ficacci 70, not in Focillon. Fine, sharp impression on [..]
138
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Lot of two tables (introductory texts) for Il Campo Marzio dell'antica Roma
texts in Italian and Latin, printed on both sides, approximately 55 x 42.5 cm each sheet, in good condition except [..]
138
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Lot of two tables (introductory texts) for Il Campo Marzio dell'antica Roma
texts in Italian and Latin, printed on both sides, approximately 55 x 42.5 cm each sheet, in good condition except [..]
139
Francesco Barbazza (1771-1789 (fl.))
Pier Lorenzo Mangini (1691ca.-1795)
Giuseppe Vasi
(1710 - 1782)
Vedute delle quattro principali basiliche e monumenti di Roma nel XVIII secolo
Lotto di 8 incisioni dai disegni di Francesco Panini (1738-1800). Acquaforte, 485×700 mm ca. (cad. lastra), 760 [..]
139
Francesco Barbazza (1771-1789 (fl.))
Pier Lorenzo Mangini (1691ca.-1795)
Giuseppe Vasi
(1710 - 1782)
Vedute delle quattro principali basiliche e monumenti di Roma nel XVIII secolo
Lotto di 8 incisioni dai disegni di Francesco Panini (1738-1800). Acquaforte, 485×700 mm ca. (cad. lastra), 760 [..]
140
Giovanni Battista Cipriani
(1766 - 1839)
Avanzi dei più cospicui edifici di Roma e sue adiacenze come si osservano nell'anno MDCCCXV
1815
engraving and etching, 48 x 74 cm (plate), approx. 67 x 95 cm (sheet). Beautiful impression on wove paper. Trace [..]
140
Giovanni Battista Cipriani
(1766 - 1839)
Avanzi dei più cospicui edifici di Roma e sue adiacenze come si osservano nell'anno MDCCCXV
1815
engraving and etching, 48 x 74 cm (plate), approx. 67 x 95 cm (sheet). Beautiful impression on wove paper. Trace [..]
141
Freicenet
Jean Barbault
(1705 - 1766)
After
Veduta della Chiesa di San Sebastiano fuori delle Mura | Veduta della Basilica di San Paolo fuori delle Mura
lot of two etchings, approx. 50 x 58 cm (each sheet). Fine impressions on laid paper. Usual central folds, light [..]
141
Freicenet
Jean Barbault
(1705 - 1766)
After
Veduta della Chiesa di San Sebastiano fuori delle Mura | Veduta della Basilica di San Paolo fuori delle [..]
lot of two etchings, approx. 50 x 58 cm (each sheet). Fine impressions on laid paper. Usual central folds, light [..]
142
Giovanni Maria Cassini (1745-1824)
Chronologia Romanorum Pontificum
1808
engraver and etching, 780 x 495 mm (sheet). Chronology of the Roman Pontiffs created for Pius VII, with a long [..]
142
Giovanni Maria Cassini (1745-1824)
Chronologia Romanorum Pontificum
1808
engraver and etching, 780 x 495 mm (sheet). Chronology of the Roman Pontiffs created for Pius VII, with a long [..]
143
Giovanni Antonio Lorenzini
(1665 - 1740)
Moses strikes the rock
after Francesco Petrucci after the painting by Jacopo Bassano. Etching , 47.5 x 75 cm (sheet). [..]
143
Giovanni Antonio Lorenzini
(1665 - 1740)
Moses strikes the rock
after Francesco Petrucci after the painting by Jacopo Bassano. Etching , 47.5 x 75 cm (sheet). [..]
144
Giovanni Domenico Picchianti
Adam and Eve expelled from the Garden of Eden
after Francesco Petrucci after the painting by Carlo Caliari, son of Paolo Veronese. Etching, 47.5 [..]
144
Giovanni Domenico Picchianti
Adam and Eve expelled from the Garden of Eden
after Francesco Petrucci after the painting by Carlo Caliari, son of Paolo Veronese. Etching, 47.5 [..]
145
Perino del Vaga
(1501 - 1547)
After
Elisha Kirkall
(1742)
Nativity
mezzotint, etching, woodcut printed à la poupée, 434 x 572 mm. Well inked copy on laid paper, backed, with defects, [..]
145
Perino del Vaga
(1501 - 1547)
After
Elisha Kirkall
(1742)
Nativity
mezzotint, etching, woodcut printed à la poupée, 434 x 572 mm. Well inked copy on laid paper, backed, with defects, [..]
146
Jean François Mariage
(1785 - 1828)
After
L'Amour Vainqueur | Le Satir Dompté
1810
Lot of two pointillé etchings, 35x44 cm. Printed in Paris by Jacques Louis Bance (1761-1847). In overall good [..]
146
Jean François Mariage
(1785 - 1828)
After
L'Amour Vainqueur | Le Satir Dompté
1810
Lot of two pointillé etchings, 35x44 cm. Printed in Paris by Jacques Louis Bance (1761-1847). In overall good [..]
147
Franz Edmund Weirotter
(1733 - 1771)
Three landscapes with huts
etching, 10.2 x 18.8 cm (plate); 14.5 x 27 cm c. each Printed on laid paper, well inked impressions. [..]
147
Franz Edmund Weirotter
(1733 - 1771)
Three landscapes with huts
etching, 10.2 x 18.8 cm (plate); 14.5 x 27 cm c. each Printed on laid paper, well inked impressions. [..]
148
Franz Edmund Weirotter
(1733 - 1771)
Ancient ruins
etching, 71 x 180 mm, fine impression on laid paper, with margins, with passe-partout, glass and frame (39 x 54 [..]
148
Franz Edmund Weirotter
(1733 - 1771)
Ancient ruins
etching, 71 x 180 mm, fine impression on laid paper, with margins, with passe-partout, glass and frame (39 x 54 [..]
149
Franz Edmund Weirotter
(1733 - 1771)
Landscape with hut
Etching, 15.2 x 21 cm (plate); 22 x 27 cm (sheet). Fine impression on laid paper. Sheet in very good condition, [..]
149
Franz Edmund Weirotter
(1733 - 1771)
Landscape with hut
Etching, 15.2 x 21 cm (plate); 22 x 27 cm (sheet). Fine impression on laid paper. Sheet in very good condition, [..]
150
Vincenzo Mazzi
(1748)
Architectural capriccio
etching, 276 x 215 mm (plate), 324 x 240 mm (sheet). Fine and fresh impression on laid paper. Sheet in [..]
150
Vincenzo Mazzi
(1748)
Architectural capriccio
etching, 276 x 215 mm (plate), 324 x 240 mm (sheet). Fine and fresh impression on laid paper. Sheet in [..]
151
Francesco La Marra
(1710 - 1780)
3 etchings after Giovanni Battista Natali
etchings, 310 x 235 mm (platemark); 430 x 295 mm (sheet), 3 plates taken from "Antichità di Pozzuoli. Puteolanae [..]
151
Francesco La Marra
(1710 - 1780)
3 etchings after Giovanni Battista Natali
etchings, 310 x 235 mm (platemark); 430 x 295 mm (sheet), 3 plates taken from "Antichità di Pozzuoli. Puteolanae [..]
152
Joseph Anton Koch
(1768 - 1839)
Castel Madama | Acqua Cetosa
Lot of 2 etchings from the series Die Römischen Ansichten (Views of Rome), 23.5 x 34.5 cm ca. Fine impressions, [..]
152
Joseph Anton Koch
(1768 - 1839)
Castel Madama | Acqua Cetosa
Lot of 2 etchings from the series Die Römischen Ansichten (Views of Rome), 23.5 x 34.5 cm ca. Fine impressions, [..]
153
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Vue Dessinee Dans Les Jardins De Villa Borghese A Rome
1762
after Hubert Robert (1733-1808). Etching, 18.2 x 24 cm (plate); 24.5 x 34 cm (sheet). Printed on laid paper. Sheet [..]
153
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Vue Dessinee Dans Les Jardins De Villa Borghese A Rome
1762
after Hubert Robert (1733-1808). Etching, 18.2 x 24 cm (plate); 24.5 x 34 cm (sheet). Printed on laid paper. Sheet [..]
154
Cristoforo dall'Acqua
(1734 - 1787)
Capriccio with ancient ruins
after Antonio Joli. Engraving and etching, 439 x 562 mm. Printed on laid paper, trace of an almost invisible central [..]
154
Cristoforo dall'Acqua
(1734 - 1787)
Capriccio with ancient ruins
after Antonio Joli. Engraving and etching, 439 x 562 mm. Printed on laid paper, trace of an almost invisible central [..]
155
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William [..]
155
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William [..]
156
Louis Marin Bonnet
(1736 - 1793)
Pair of female nudes
afterLouis-Jean-François Lagrenée, manière de crayon, 53.6 x 36 cm each. (plate), fine impressions, in very good [..]
156
Louis Marin Bonnet
(1736 - 1793)
Pair of female nudes
afterLouis-Jean-François Lagrenée, manière de crayon, 53.6 x 36 cm each. (plate), fine impressions, in very good [..]
157
Benigno Bossi
(1727 - 1792)
Human heads
lot of three etchings, approx. 13 x 11 cm each, with frames and passepartout (30 x 25 x 2 cm)
157
Benigno Bossi
(1727 - 1792)
Human heads
lot of three etchings, approx. 13 x 11 cm each, with frames and passepartout (30 x 25 x 2 cm)
158
Ferdinando Gregori
(1743)
The Dance of Apollo with the Muses
1780 ca.
Etching, 42.7x59 cm. One part of a large print composed of two separate sheets, with Apollo and the Muses dancing [..]
158
Ferdinando Gregori
(1743)
The Dance of Apollo with the Muses
1780 ca.
Etching, 42.7x59 cm. One part of a large print composed of two separate sheets, with Apollo and the Muses dancing [..]
159
Ferdinando Gregori
(1743)
The Three Fates
1770
Etching and engraving, 43x57.5 cm. After M ichelangelo, printed in Florence 1770. Printed on laid paper, [..]
159
Ferdinando Gregori
(1743)
The Three Fates
1770
Etching and engraving, 43x57.5 cm. After M ichelangelo, printed in Florence 1770. Printed on laid paper, [..]
160
Raffaello Morghen
(Firenze, 1758 - 1833)
The muse Thalia (Lady Hamilton)
1797
after Angelika Kauffmann's painting. Etching, 39.7x52.8 cm. T he print is actually the portrait of Emma Hartt [..]
160
Raffaello Morghen
(Firenze, 1758 - 1833)
The muse Thalia (Lady Hamilton)
1797
after Angelika Kauffmann's painting. Etching, 39.7x52.8 cm. T he print is actually the portrait of Emma Hartt [..]
161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
181
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Cattle led to be slaughtered in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
181
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Cattle led to be slaughtered in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
182
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Wine carter and his family – Roman costumes
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
182
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Wine carter and his family – Roman costumes
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
183
Giuseppe Zauli
(1763 - 1822)
Madonna and Child enthroned with Caterina Sforza and Girolamo Riario with their children
after an altarpiece by Marco Palmezzano (Forlì, 1459-1539). Mezzotint, etching and woodcut, printed à la [..]
183
Giuseppe Zauli
(1763 - 1822)
Madonna and Child enthroned with Caterina Sforza and Girolamo Riario with their children
after an altarpiece by Marco Palmezzano (Forlì, 1459-1539). Mezzotint, etching and woodcut, printed à la [..]
184
Virgilio Dante Faini
(1872 - 1973)
Roman countryside
Etching, 195 x 139 mm (platemark); 250 x 205 mm (sheet). Signed and titled in pencil. Fine impression [..]
184
Virgilio Dante Faini
(1872 - 1973)
Roman countryside
Etching, 195 x 139 mm (platemark); 250 x 205 mm (sheet). Signed and titled in pencil. Fine impression [..]
185
Jules Bastien-Lepage
(1848 - 1884)
Retour des Champs
1878
etching and drypoint, 275 x 195 mm (plate), 287 x 202 mm (sheet). Beautiful, fresh impression on laid paper with [..]
185
Jules Bastien-Lepage
(1848 - 1884)
Retour des Champs
1878
etching and drypoint, 275 x 195 mm (plate), 287 x 202 mm (sheet). Beautiful, fresh impression on laid paper with [..]
186
Antonio Piccinni
(1846 - 1920)
Young girl
etching, aquatint and drypoint, 221 x 150 (plate), 270 x 340 mm (sheet). Fine, clear and fresh impression, in [..]
186
Antonio Piccinni
(1846 - 1920)
Young girl
etching, aquatint and drypoint, 221 x 150 (plate), 270 x 340 mm (sheet). Fine, clear and fresh impression, in [..]
187
William Scott
(1848 - 1918)
Portico of Octavia - Rome
1880 ca.
32.8 x 42.8 cm. Etching and drypoint, printed in black with signature and title in pencil lower left.
187
William Scott
(1848 - 1918)
Portico of Octavia - Rome
1880 ca.
32.8 x 42.8 cm. Etching and drypoint, printed in black with signature and title in pencil lower left.
188
Charles Waltner
(1846 - 1925)
Valet de torero
after Henri Regnault (1843-1871), etching, 430 x 293 mm, L'Art edition, fine impression, sheet in good conditio [..]
188
Charles Waltner
(1846 - 1925)
Valet de torero
after Henri Regnault (1843-1871), etching, 430 x 293 mm, L'Art edition, fine impression, sheet in good conditio [..]
189
John Wright
(1857 - 1933)
Piazza San Marco in Venice
Etching, aquatint and drypoint, 175 x 202 mm (plate), 217 x 275 mm (sheet). Signed in plate and in pencil lower [..]
189
John Wright
(1857 - 1933)
Piazza San Marco in Venice
Etching, aquatint and drypoint, 175 x 202 mm (plate), 217 x 275 mm (sheet). Signed in plate and in pencil lower [..]
190
John Wright
(1857 - 1933)
Landscape with river
Etching and drypoint, 187 x 212 mm (plate), 205 x 225 mm (sheet). Signed in plate and in pencil lower right). [..]
190
John Wright
(1857 - 1933)
Landscape with river
Etching and drypoint, 187 x 212 mm (plate), 205 x 225 mm (sheet). Signed in plate and in pencil lower right). [..]
191
Jacques Villon
(1875 - 1963)
Les Cent Bibliophiles
1910
drypoint, 240 x 178 mm (platemark); 264 x 200 mm (sheet). Very fine, well inked and fresh impression on thin laid [..]
191
Jacques Villon
(1875 - 1963)
Les Cent Bibliophiles
1910
drypoint, 240 x 178 mm (platemark); 264 x 200 mm (sheet). Very fine, well inked and fresh impression on thin laid [..]
192
Anders Zorn
(1860 - 1920)
Anna, girl from Mora (Portrait of Anna Kråkbergs)
etching and aquatint, 158 x 118 mm (plate), 229 x 180 mm (sheet). Delteil IV.170. Very fine, well inked, clear [..]
192
Anders Zorn
(1860 - 1920)
Anna, girl from Mora (Portrait of Anna Kråkbergs)
etching and aquatint, 158 x 118 mm (plate), 229 x 180 mm (sheet). Delteil IV.170. Very fine, well inked, clear [..]
193
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Dalla Torre delle Milizie
1903
etching and aquatint in blue ink, 123 x 350 mm (plate); 332 x500 mm (sheet). Dry-stamped: "DALLA TORRE DELLE [..]
193
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Dalla Torre delle Milizie
1903
etching and aquatint in blue ink, 123 x 350 mm (plate); 332 x500 mm (sheet). Dry-stamped: "DALLA TORRE DELLE [..]
194
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Castelfusano
etching, 152 x 237 mm (platemark); 302 x 425 mm (sheet); sharp and well inked impression, sheet in good condition [..]
194
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Castelfusano
etching, 152 x 237 mm (platemark); 302 x 425 mm (sheet); sharp and well inked impression, sheet in good condition [..]
195
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Villa Colonna
1902
etching, 177 x 253 mm (platemark); 223 x306 mm (sheet); I state?, sharp impression on wove paper, sheet in good [..]
195
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Villa Colonna
1902
etching, 177 x 253 mm (platemark); 223 x306 mm (sheet); I state?, sharp impression on wove paper, sheet in good [..]
196
ADOLFO WILDT
(Milano, 1868 - 1931)
Mimi Perelli Paradisi and Federico Mimi Perelli Paradisi e Federico Balestra hanno ricambiato in Fiume italiana l’anello nuziale, XXVIII agosto MCMXX returned the wedding ring in Fiume, Italy, XXVIII August MCMXX
1920
the wedding invitation of Mimi Perelli Paradisi and Federico Balestra. Etching on parchment, with gilt details, [..]
196
ADOLFO WILDT
(Milano, 1868 - 1931)
Mimi Perelli Paradisi and Federico Mimi Perelli Paradisi e Federico Balestra hanno ricambiato in Fiume [..]
1920
the wedding invitation of Mimi Perelli Paradisi and Federico Balestra. Etching on parchment, with gilt details, [..]
197
Angelo Rossini
(Roma, 1871 - 1939)
The Colleoni Monument - Venice
1910
82.5x65 cm (sheet), 65x43 cm (plate). Three-color etching, large size, printed on heavy ivory paper, signed in [..]
197
Angelo Rossini
(Roma, 1871 - 1939)
The Colleoni Monument - Venice
1910
82.5x65 cm (sheet), 65x43 cm (plate). Three-color etching, large size, printed on heavy ivory paper, signed in [..]
198
Angelo Rossini
(Roma, 1871 - 1939)
Night at Villa Falconieri - Frascati
1910
etching and aquatint; 50x70 cm (sheet). Printed on beige paper, signed in pencil lower right at the bottom of [..]
198
Angelo Rossini
(Roma, 1871 - 1939)
Night at Villa Falconieri - Frascati
1910
etching and aquatint; 50x70 cm (sheet). Printed on beige paper, signed in pencil lower right at the bottom of [..]
199
Pierre Eugène Vibert
(1875 - 1937)
Les faméliques
multi-color woodcut, 42.5x35.5 cm. Printed on hazelnut-coloured paper, with white details that enhance the beauty [..]
199
Pierre Eugène Vibert
(1875 - 1937)
Les faméliques
multi-color woodcut, 42.5x35.5 cm. Printed on hazelnut-coloured paper, with white details that enhance the beauty [..]
200
Pierre Eugène Vibert
(1875 - 1937)
Les Errants
woodcut, 32.5x41.3 cm. Signed in pencil outside the plate lower right, numbered 74/75 lower left. Sheet in perfect [..]
200
Pierre Eugène Vibert
(1875 - 1937)
Les Errants
woodcut, 32.5x41.3 cm. Signed in pencil outside the plate lower right, numbered 74/75 lower left. Sheet in perfect [..]
201
Luigi Olivetti
(1856 - 1941)
Farmer with fruit basket
Rome 1913
etching and aquatint in sepia ink, 135 x 62 mm (plate), 350 x 280 mm (sheet). Fine, fresh and clear impression, [..]
201
Luigi Olivetti
(1856 - 1941)
Farmer with fruit basket
Rome 1913
etching and aquatint in sepia ink, 135 x 62 mm (plate), 350 x 280 mm (sheet). Fine, fresh and clear impression, [..]
202
Umberto Prencipe
(1879 - 1962)
The bastion (Castel Sat'Angelo in Rome)
1910
etching and aquatint, 35 x 50 cm (sheet), 21 x 27 cm (plate). Signed in pencil on the bottom right: U. [..]
202
Umberto Prencipe
(1879 - 1962)
The bastion (Castel Sat'Angelo in Rome)
1910
etching and aquatint, 35 x 50 cm (sheet), 21 x 27 cm (plate). Signed in pencil on the bottom right: U. [..]
203
Umberto Prencipe
(1879 - 1962)
Roman morning
1914
etching and aquatint, cm 61 x 44.5 (sheet), 19.8 x 20.3 cm (plate). Ante litteram proof, rare. Signed on [..]
203
Umberto Prencipe
(1879 - 1962)
Roman morning
1914
etching and aquatint, cm 61 x 44.5 (sheet), 19.8 x 20.3 cm (plate). Ante litteram proof, rare. Signed on [..]
204
Gustave Doré
(1832 - 1883)
The Neophytes
Imp Liebman Rome 1876
etching, en chine-collé, 74.4x65.4 cm. Intense, very fine proof printed in seppia colour ink. Intact sheet with [..]
204
Gustave Doré
(1832 - 1883)
The Neophytes
Imp Liebman Rome 1876
etching, en chine-collé, 74.4x65.4 cm. Intense, very fine proof printed in seppia colour ink. Intact sheet with [..]
205
Laurenzio Laurenzi
(1878 - 1946)
Avanzi del tempio di Venere genitrice
1912?
etching, 49 x 39.3 cm (plate); 65 x 51.5 cm (sheet). Signed in pencil lower left. Fine, crisp, well-inked impression [..]
205
Laurenzio Laurenzi
(1878 - 1946)
Avanzi del tempio di Venere genitrice
1912?
etching, 49 x 39.3 cm (plate); 65 x 51.5 cm (sheet). Signed in pencil lower left. Fine, crisp, well-inked impression [..]
206
Johann Friedrich Emanuel von Schennis
(1852 - 1918)
Leda with the swan
1894
etching and aquatint, 445 x 315 (plate); 580 x 480 mm (sheet). Fine, fresh impression. Light uniform browning [..]
206
Johann Friedrich Emanuel von Schennis
(1852 - 1918)
Leda with the swan
1894
etching and aquatint, 445 x 315 (plate); 580 x 480 mm (sheet). Fine, fresh impression. Light uniform browning [..]
207
Jean Julien Lemordant
(1882, 1968)
Maisons en construction
etching, 18 x 27.5 cm, fine impression on wove paper, with passe-partout
207
Jean Julien Lemordant
(1882, 1968)
Maisons en construction
etching, 18 x 27.5 cm, fine impression on wove paper, with passe-partout
208
Edmond Kayser
(1882 - 1965)
Landscape with a river
etching 19.2 x 27.5 cm, beautiful impression on laid paper with small fragment of watermark, sheet in excellent [..]
208
Edmond Kayser
(1882 - 1965)
Landscape with a river
etching 19.2 x 27.5 cm, beautiful impression on laid paper with small fragment of watermark, sheet in excellent [..]
209
Max Pollak
(1886 - 1970)
Small road and snow-covered farmhouse
1930 ca.
Etching, acquaint and drypoint, printed with black and light green ink. H andwritten signature in pencil lower [..]
209
Max Pollak
(1886 - 1970)
Small road and snow-covered farmhouse
1930 ca.
Etching, acquaint and drypoint, printed with black and light green ink. H andwritten signature in pencil lower [..]
210
Max Pollak
(1886 - 1970)
Farmhouses under the snow
1910-1915 ca.
Etching and drypoint, printed in black and brown ink. H andwritten signature in pencil at the bottom right, outside [..]
210
Max Pollak
(1886 - 1970)
Farmhouses under the snow
1910-1915 ca.
Etching and drypoint, printed in black and brown ink. H andwritten signature in pencil at the bottom right, outside [..]
212
Ebba Holm
(1889 - 1967)
Danish women
woodcut, 23.5x30.5 cm. In perfect condition, with EH monogram on the plate at the bottom right.
212
Ebba Holm
(1889 - 1967)
Danish women
woodcut, 23.5x30.5 cm. In perfect condition, with EH monogram on the plate at the bottom right.
213
MINO MACCARI©
(Siena, 1898 - Roma, 1989)
Town in Tuscany
woodcut, 24x31 cm. In perfect condition, with monogram on the plate, bottom right.
213
MINO MACCARI©
(Siena, 1898 - Roma, 1989)
Town in Tuscany
woodcut, 24x31 cm. In perfect condition, with monogram on the plate, bottom right.
214
Giuseppe Haas Triverio
(1899 - 1963)
Castello Piemontese (di Gaglianico)
xilografia, cm 23,5x30,5. Esemplare in perfetto stato di conservazione, con monogramma in lastra, in basso a de [..]
214
Giuseppe Haas Triverio
(1899 - 1963)
Castello Piemontese (di Gaglianico)
xilografia, cm 23,5x30,5. Esemplare in perfetto stato di conservazione, con monogramma in lastra, in basso a de [..]
217
Chrstian Forssell
(1777 - 1852)
Fahlu Grufva – The Falun quarry (Sweden)
lithograph, 20.5x26.3 cm. Detail view of the Falun Quarry, in central Sweden, taken from the work of Christian [..]
217
Chrstian Forssell
(1777 - 1852)
Fahlu Grufva – The Falun quarry (Sweden)
lithograph, 20.5x26.3 cm. Detail view of the Falun Quarry, in central Sweden, taken from the work of Christian [..]
218
Remo Branca
(1897 - 1988)
Sardinian costume
woodcut in dark green ink; 27.3x30.3 cm. Exemplary in perfect condition.
218
Remo Branca
(1897 - 1988)
Sardinian costume
woodcut in dark green ink; 27.3x30.3 cm. Exemplary in perfect condition.
219
Pietro Florit
Snowfall in S. Giusto (Trieste)
two-color woodcut; cm. 23.7x30.3. Glimpse of the town of S. Giusto, with the bell tower of the Cathedral under [..]
219
Pietro Florit
Snowfall in S. Giusto (Trieste)
two-color woodcut; cm. 23.7x30.3. Glimpse of the town of S. Giusto, with the bell tower of the Cathedral under [..]
220
Donella De Carolis
The bell tower of S. Lucia - Grottammare
three-color woodcut; 23.7 x 30.3 cm. Exemplary in very good condition.
220
Donella De Carolis
The bell tower of S. Lucia - Grottammare
three-color woodcut; 23.7 x 30.3 cm. Exemplary in very good condition.
221
Giannetto Malmerendi
(1893 - 1968)
The festival
woodcut, 23.5x30 cm. Exemplary in perfect condition.
221
Giannetto Malmerendi
(1893 - 1968)
The festival
woodcut, 23.5x30 cm. Exemplary in perfect condition.
222
Giuseppe Ugoni
(1881 - 1944)
The Fortress (of Brisighella)
1923
woodcut, 23.5 x 30.5 cm. In perfect condition, date 1923 on the plate at the bottom right in Roman numerals, and [..]
222
Giuseppe Ugoni
(1881 - 1944)
The Fortress (of Brisighella)
1923
woodcut, 23.5 x 30.5 cm. In perfect condition, date 1923 on the plate at the bottom right in Roman numerals, and [..]
226
Mario Vellani Marchi
(1895 - 1979)
Abruzzo | Sosta di pellegrini | Costume di Pettorano
lot of 3 woodcuts, 23.5 x 30.5 cm and 25 x 32 cm. In very good condition, except for some tears on the edges [..]
226
Mario Vellani Marchi
(1895 - 1979)
Abruzzo | Sosta di pellegrini | Costume di Pettorano
lot of 3 woodcuts, 23.5 x 30.5 cm and 25 x 32 cm. In very good condition, except for some tears on the edges [..]
227
Giuseppe Viviani
(1898 - 1965)
The man with the dog
1961
color lithograph, 207 x 154 mm (sheet), signed and dated in pencil lower right, edition 45/150. Fine impression [..]
227
Giuseppe Viviani
(1898 - 1965)
The man with the dog
1961
color lithograph, 207 x 154 mm (sheet), signed and dated in pencil lower right, edition 45/150. Fine impression [..]
228
Marc Chagall
(1887 - 1985)
Without title
etching and aquatint, 294 x 240 mm (plate), 412 x 330 mm (sheet). Signed on the plate lower right, signature and [..]
228
Marc Chagall
(1887 - 1985)
Without title
etching and aquatint, 294 x 240 mm (plate), 412 x 330 mm (sheet). Signed on the plate lower right, signature and [..]
229
Georg Schrimpf
(München, 1889 - Berlin, 1938)
Vier Pferde (Four Horses)
1916/1917
woodcut on paper, 21 x 15.5cm (plate). Signed in pencil lower right. Very good condition. With passepartout, frame [..]
229
Georg Schrimpf
(München, 1889 - Berlin, 1938)
Vier Pferde (Four Horses)
1916/1917
woodcut on paper, 21 x 15.5cm (plate). Signed in pencil lower right. Very good condition. With passepartout, frame [..]
230
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Novemberporträt (Self-Portrait)
1918
drypoint on paper, 21 x 14.5cm Titled, dated and signed in pencil. Dated 11/17/1918 in plate. Very fine, sharp [..]
230
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Novemberporträt (Self-Portrait)
1918
drypoint on paper, 21 x 14.5cm Titled, dated and signed in pencil. Dated 11/17/1918 in plate. Very fine, sharp [..]
231
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Der Traum von den Fischen (The Dream of the Fish)
1918
drypoint on paper, 16.6 x 15.7 cm (plate); 34.5 x 25cm (sheet) Signed in pencil, dated on the plate. Fine, sharp [..]
231
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Der Traum von den Fischen (The Dream of the Fish)
1918
drypoint on paper, 16.6 x 15.7 cm (plate); 34.5 x 25cm (sheet) Signed in pencil, dated on the plate. Fine, sharp [..]
232
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Stürzender Steinbock (Falling Capricorn)
1922
color linocut on paper, 19.8 x 25cm (plate) signed in pencil, "handdruck" - printed by the artist. Very fine [..]
232
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Stürzender Steinbock (Falling Capricorn)
1922
color linocut on paper, 19.8 x 25cm (plate) signed in pencil, "handdruck" - printed by the artist. Very fine [..]
233
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Roseneule (Owl)
1932
color linocut on paper, 22 x 13.5cm (platemark) signed in pencil lower right, "handdruck" (printed by the artist). [..]
233
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Roseneule (Owl)
1932
color linocut on paper, 22 x 13.5cm (platemark) signed in pencil lower right, "handdruck" (printed by the artist). [..]
234
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Kampf (The Battle)
1923
color linocut on paper, 21.8 x 22cm (platemark) signed in pencil lower right. Very fine impression with fresh [..]
234
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Kampf (The Battle)
1923
color linocut on paper, 21.8 x 22cm (platemark) signed in pencil lower right. Very fine impression with fresh [..]
235
Gustavo Rodella
(1891 - 1937)
S•GIOVANNI•LATERANO
etching and aquatint, 123 x 160 mm (plate), 297 x 233 mm (sheet). Signed in pencil lower right, edition 16/50 [..]
235
Gustavo Rodella
(1891 - 1937)
S•GIOVANNI•LATERANO
etching and aquatint, 123 x 160 mm (plate), 297 x 233 mm (sheet). Signed in pencil lower right, edition 16/50 [..]
236
Giovanni Barbisan
(1914 - 1988)
Artist's studio
etching and drypoint, 225 x 170 mm (platemark), 37 x 215 mm (sheet), signed Giovanni Barbisan on the plate, dated [..]
236
Giovanni Barbisan
(1914 - 1988)
Artist's studio
etching and drypoint, 225 x 170 mm (platemark), 37 x 215 mm (sheet), signed Giovanni Barbisan on the plate, dated [..]
237
Giovanni Barbisan
(1914 - 1988)
Glimpse with houses
etching, 252 x 226 mm (platemark), 452 x 337 mm (sheet), signed on the plate: Barbisan Giovanni, dated: Treviso [..]
237
Giovanni Barbisan
(1914 - 1988)
Glimpse with houses
etching, 252 x 226 mm (platemark), 452 x 337 mm (sheet), signed on the plate: Barbisan Giovanni, dated: Treviso [..]
238
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Vase with three flowers, etching, 137 x 92 mm (platemark), fine, fresh and well-inked impression with rich [..]
238
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Vase with three flowers, etching, 137 x 92 mm (platemark), fine, fresh and well-inked impression with rich [..]
239
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Chestnut, etching in blue ink, 100 x 92 mm (platemark), fine and fresh impression on thick paper (bifolio), [..]
239
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Chestnut, etching in blue ink, 100 x 92 mm (platemark), fine and fresh impression on thick paper (bifolio), [..]
240
Enrico Ricci©
(1925)
Illustration | Illustrations
Two drypoint engravings, 115 x 115 mm and 118 x 114 mm (plate), 155 x 132 mm and 142 x 140 mm (sheet). Very [..]
240
Enrico Ricci©
(1925)
Illustration | Illustrations
Two drypoint engravings, 115 x 115 mm and 118 x 114 mm (plate), 155 x 132 mm and 142 x 140 mm (sheet). Very [..]