294
Live auction
Drawings, Prints and Geographical Maps from the 16th to the 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, fri 19 April 2024
|
For information: n.bukowska@bertolamifineart.com |
121
Cornelis Schut
(1597 - 1655)
Madonna and Child
Etching, 79 x 69 mm. Hollstein 61. Fine impression on laid paper. Trimmed, with very narrow margin on the [..]
121
Cornelis Schut
(1597 - 1655)
Madonna and Child
Etching, 79 x 69 mm. Hollstein 61. Fine impression on laid paper. Trimmed, with very narrow margin on the [..]
122
Cornelis Schut
(1597 - 1655)
Madonna and Child with Saint John | Infant Jesus with globe
Lot of 2 etchings: A. Madonna and Child with Saint John. Etching, 65 x 109 mm. Hollstein 77. Fine impression [..]
122
Cornelis Schut
(1597 - 1655)
Madonna and Child with Saint John | Infant Jesus with globe
Lot of 2 etchings: A. Madonna and Child with Saint John. Etching, 65 x 109 mm. Hollstein 77. Fine impression [..]
123
Claude Lorrain
(1600 - 1682)
Via Sacra detto Campo Vaccino di Roma
Etching, 199 x 258 mm. V state of 5. Mannocci 17, Robert-Dumesnil XI.23. Printed on ancient wove paper. Trace [..]
123
Claude Lorrain
(1600 - 1682)
Via Sacra detto Campo Vaccino di Roma
Etching, 199 x 258 mm. V state of 5. Mannocci 17, Robert-Dumesnil XI.23. Printed on ancient wove paper. Trace [..]
124
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
The Persian
Etching, 106 x 79 mm (plate), 125 x 95 mm (sheet). Hind 93. Modern edition, on wove paper. Light signs [..]
124
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
The Persian
Etching, 106 x 79 mm (plate), 125 x 95 mm (sheet). Hind 93. Modern edition, on wove paper. Light signs [..]
125
Jean Morin
(1650)
The Pietà
after Annibale Carracci. Engraving, 320 x 350 mm. Mazel 29. Superb, fresh proof on thin laid paper. Proof [..]
125
Jean Morin
(1650)
The Pietà
after Annibale Carracci. Engraving, 320 x 350 mm. Mazel 29. Superb, fresh proof on thin laid paper. Proof [..]
126
Adriaen van Ostade
(1610 - 1685)
Man with hat and a cloak
Etching, 88 x 65 mm. Bartsch I.22, Hollstein 22. Fine impression on laid paper. Trimmed, in very good condition. [..]
126
Adriaen van Ostade
(1610 - 1685)
Man with hat and a cloak
Etching, 88 x 65 mm. Bartsch I.22, Hollstein 22. Fine impression on laid paper. Trimmed, in very good condition. [..]
127
Pieter Jansz. Quast
(1605 - 1647)
Beggars
Lot of two etchings after Pieter Jansz. Quast. Etching, approx. 138 x 95 mm each Fine, very fresh impressions [..]
127
Pieter Jansz. Quast
(1605 - 1647)
Beggars
Lot of two etchings after Pieter Jansz. Quast. Etching, approx. 138 x 95 mm each Fine, very fresh impressions [..]
128
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Tornacum captum year 1581
1647
Etching, 295 x 410 mm. I state, avant la lettre. Bartsch XX.26. Fine impression on laid paper. Trimmed [..]
128
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Tornacum captum year 1581
1647
Etching, 295 x 410 mm. I state, avant la lettre. Bartsch XX.26. Fine impression on laid paper. Trimmed [..]
129
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Tornacum captum anno 1581
1647
Etching, 295 x 403 mm (plate), 335 x 454 mm (sheet). II state, with the legend in the cartouche. Bartsch XX.26. [..]
129
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Tornacum captum anno 1581
1647
Etching, 295 x 403 mm (plate), 335 x 454 mm (sheet). II state, with the legend in the cartouche. Bartsch XX.26. [..]
130
Johann Wilhelm Baur
(Strasburgo, 1607 - Vienna, 1642)
Pugna ad Gemingam
Illustration from "De bello Belgico" by Famiano Strada (Rome: Francesco Corbelletti, 1632). Etching, 470 mm x [..]
130
Johann Wilhelm Baur
(Strasburgo, 1607 - Vienna, 1642)
Pugna ad Gemingam
Illustration from "De bello Belgico" by Famiano Strada (Rome: Francesco Corbelletti, 1632). Etching, 470 mm x [..]
131
Johann Wilhelm Baur
(Strasburgo, 1607 - Vienna, 1642)
Revocatio exercitus carholici ad Rimenantam
Illustration from "De bello Belgico" by Famiano Strada (Rome: Francesco Corbelletti, 1632). Etching, 470 mm x [..]
131
Johann Wilhelm Baur
(Strasburgo, 1607 - Vienna, 1642)
Revocatio exercitus carholici ad Rimenantam
Illustration from "De bello Belgico" by Famiano Strada (Rome: Francesco Corbelletti, 1632). Etching, 470 mm x [..]
132
Studies for Grotesque Helmets
17th century
Lot of two etchings, 163 x 108 mm and 166 x 109 mm. Fine impressions on thin laid paper, both with large watermark. [..]
132
Studies for Grotesque Helmets
17th century
Lot of two etchings, 163 x 108 mm and 166 x 109 mm. Fine impressions on thin laid paper, both with large watermark. [..]
133
Pietro Testa
(1612 - 1650)
Il Liceo della Pittura
c. 1638
Etching, 478 x 740 mm. II state of 3, with the address "Gio Jacomo Rossi formis Romae alla Pace all'insegna di [..]
133
Pietro Testa
(1612 - 1650)
Il Liceo della Pittura
c. 1638
Etching, 478 x 740 mm. II state of 3, with the address "Gio Jacomo Rossi formis Romae alla Pace all'insegna di [..]
134
Pietro Testa
(1612 - 1650)
Sinorice transported from the temple of Artemis
1640 ca.
Etching, 290 x 415 mm (plate), 390 x 498 mm (sheet). II state on 2, with the address of Giovanni Iacopo de Rossi. [..]
134
Pietro Testa
(1612 - 1650)
Sinorice transported from the temple of Artemis
1640 ca.
Etching, 290 x 415 mm (plate), 390 x 498 mm (sheet). II state on 2, with the address of Giovanni Iacopo de Rossi. [..]
135
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Holy Family
Etching, 135 x 90 mm. Bartsch XIX.13. Fine impression on laid paper. Trimmed, with small margins beyond the plate [..]
135
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Holy Family
Etching, 135 x 90 mm. Bartsch XIX.13. Fine impression on laid paper. Trimmed, with small margins beyond the plate [..]
136
Sebastiano Fulcaro
(1612)
Last Judgment
after Michelangelo's fresco in the Sistine Chapel. Etching, 210 x 161 mm. State IV of 5. Fresh impression [..]
136
Sebastiano Fulcaro
(1612)
Last Judgment
after Michelangelo's fresco in the Sistine Chapel. Etching, 210 x 161 mm. State IV of 5. Fresh impression [..]
137
Giovanni Battista Galestruzzi
(1615 - 1669)
Based on
Apotheosis of Homer
copy in the same direction after Galestruzzi's etching depicting the bas-relief with the apotheosis of Homer. [..]
137
Giovanni Battista Galestruzzi
(1615 - 1669)
Based on
Apotheosis of Homer
copy in the same direction after Galestruzzi's etching depicting the bas-relief with the apotheosis of Homer. [..]
138
Giovanni Battista Del Sole
Mathildis
after Johann Cristophorus Storer. Etching, 211 x 262 mm. Fine impression on laid paper. Trimmed, uniformly [..]
138
Giovanni Battista Del Sole
Mathildis
after Johann Cristophorus Storer. Etching, 211 x 262 mm. Fine impression on laid paper. Trimmed, uniformly [..]
139
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Battle of the Tritons
Etching, drypoint, 112 x 169 mm. Bartsch XX.11, Wallace 91. Fine impression on thick laid paper. With [..]
139
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Battle of the Tritons
Etching, drypoint, 112 x 169 mm. Bartsch XX.11, Wallace 91. Fine impression on thick laid paper. With [..]
140
Sébastien Bourdon
(1616 - 1671)
The Holy Family with the infant Saint John
Etching, 192 x 285 mm (plate), 241 x 355 mm (sheet). II state of 2, with Mariette's address erased. Robert-Dumensil [..]
140
Sébastien Bourdon
(1616 - 1671)
The Holy Family with the infant Saint John
Etching, 192 x 285 mm (plate), 241 x 355 mm (sheet). II state of 2, with Mariette's address erased. Robert-Dumensil [..]
141
Sébastien Bourdon
(1616 - 1671)
Landscape with five peasants
Etching, 129 x 175 mm. Robert-Dumesnil 32 Fine impression on laid paper with watermark. Sheet with narrow margins. [..]
141
Sébastien Bourdon
(1616 - 1671)
Landscape with five peasants
Etching, 129 x 175 mm. Robert-Dumesnil 32 Fine impression on laid paper with watermark. Sheet with narrow margins. [..]
142
Sébastien Bourdon
(1616 - 1671)
The Flight into Egypt with an Angel
Etching, 186 x 230 mm (sheet). II state of 3, with the inscription 'S. Bourdon jn. et Sculp. cum pr.', before [..]
142
Sébastien Bourdon
(1616 - 1671)
The Flight into Egypt with an Angel
Etching, 186 x 230 mm (sheet). II state of 3, with the inscription 'S. Bourdon jn. et Sculp. cum pr.', before [..]
143
Sébastien Bourdon
(1616 - 1671)
Flight into Egypt
Etching, 189 x 229 mm (sheet). I state of 2, before Mariette's address. Robert-Dumesnil 24. Fine impression [..]
143
Sébastien Bourdon
(1616 - 1671)
Flight into Egypt
Etching, 189 x 229 mm (sheet). I state of 2, before Mariette's address. Robert-Dumesnil 24. Fine impression [..]
144
Landscape with shepherd and cattle
18th century
Aquatint, 101 x 178 mm. Collector's mark (Lugt 3578?) in the lower right. Fine impression on laid paper. Proof [..]
144
Landscape with shepherd and cattle
18th century
Aquatint, 101 x 178 mm. Collector's mark (Lugt 3578?) in the lower right. Fine impression on laid paper. Proof [..]
145
Thomas Wijck
(1677)
Mediterranean landscape
Etching, 122 x 113 mm. Bartsch IV.17. Late edition? on thin wove paper. Trimmed, with paper residues on [..]
145
Thomas Wijck
(1677)
Mediterranean landscape
Etching, 122 x 113 mm. Bartsch IV.17. Late edition? on thin wove paper. Trimmed, with paper residues on [..]
146
Jean Le Pautre
(1618 - 1682)
Saint Jerome in the desert
Etching, 189 x 130 mm. Single state. IFF 84. Fine, sharp impression on laid paper with watermark (large [..]
146
Jean Le Pautre
(1618 - 1682)
Saint Jerome in the desert
Etching, 189 x 130 mm. Single state. IFF 84. Fine, sharp impression on laid paper with watermark (large [..]
147
Michel Dorigny
(1665)
Lamentation over the dead Christ
after Simon Vouet's painting. Etching, 330 x 280 mm. Printed on laid paper, trimmed and missing the lower margin [..]
147
Michel Dorigny
(1665)
Lamentation over the dead Christ
after Simon Vouet's painting. Etching, 330 x 280 mm. Printed on laid paper, trimmed and missing the lower margin [..]
148
Carlo Cesio
(1622 - 1682)
Diana and Callisto
after Annibale Carracci. Etching, 97 x 15 mm (plate), 152 x 200 mm (sheet). I state of 2, with Collignon's address. [..]
148
Carlo Cesio
(1622 - 1682)
Diana and Callisto
after Annibale Carracci. Etching, 97 x 15 mm (plate), 152 x 200 mm (sheet). I state of 2, with Collignon's address. [..]
149
Carlo Cesi
(1682)
Diana and the nymph Callisto
by Annibale Carracci, published by Arnold van Westerhout (1651-1725). Etching, 98 x 153 mm (plate), 108 x 163 [..]
149
Carlo Cesi
(1682)
Diana and the nymph Callisto
by Annibale Carracci, published by Arnold van Westerhout (1651-1725). Etching, 98 x 153 mm (plate), 108 x 163 [..]
150
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Based on
Satyr and a nymph, from Lascivie
Copy in reverse after Carracci. Etching, 152 x 107 mm (plate), 162 x 120 mm (sheet). Fine, fresh impression [..]
150
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Based on
Satyr and a nymph, from Lascivie
Copy in reverse after Carracci. Etching, 152 x 107 mm (plate), 162 x 120 mm (sheet). Fine, fresh impression [..]
151
Jonas Umbach
(1700)
The Good Samaritan
Etching, 80 x 131 mm. Hollstein 43. Printed on laid paper. Trimmed, with small margins, glued in some places [..]
151
Jonas Umbach
(1700)
The Good Samaritan
Etching, 80 x 131 mm. Hollstein 43. Printed on laid paper. Trimmed, with small margins, glued in some places [..]
152
Jonas Umbach
(1700)
Ecce Homo
Etching, 122 x 79 mm. II state. Hollstein 55. Fine impression on laid paper. Trimmed and backed. Otherwise in [..]
152
Jonas Umbach
(1700)
Ecce Homo
Etching, 122 x 79 mm. II state. Hollstein 55. Fine impression on laid paper. Trimmed and backed. Otherwise in [..]
153
Matthias Scheits
Return of the prodigal son
1678
Etching, 140 x 180 mm. Beautiful, crisp impression on laid paper. Specimen with small margins preserved (1-5 [..]
153
Matthias Scheits
Return of the prodigal son
1678
Etching, 140 x 180 mm. Beautiful, crisp impression on laid paper. Specimen with small margins preserved (1-5 [..]
154
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of Saint Andrew
Etching, 288 x 435 mm (plate), 302 x 448 mm (sheet). I state on 5, before the plate reduction. Bartsch XXI.11, [..]
154
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of Saint Andrew
Etching, 288 x 435 mm (plate), 302 x 448 mm (sheet). I state on 5, before the plate reduction. Bartsch XXI.11, [..]
155
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Madonna and Child with Saint Magdalene
Etching, 174 x 129 mm (plate), 186 x 140 mm (sheet). II state on 4. Bartsch XXI.6, Bellini 12. Beautiful, [..]
155
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Madonna and Child with Saint Magdalene
Etching, 174 x 129 mm (plate), 186 x 140 mm (sheet). II state on 4. Bartsch XXI.6, Bellini 12. Beautiful, [..]
156
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
The Nativity of the Virgin
Etching, 216 x 146 mm. II state on 2. Bartsch XXI.1, Bellini 6. Fine impression on thin laid paper. Trimmed. [..]
156
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
The Nativity of the Virgin
Etching, 216 x 146 mm. II state on 2. Bartsch XXI.1, Bellini 6. Fine impression on thin laid paper. Trimmed. [..]
157
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Annunciation
Etching, 212 x 147 mm. I state, before inscription. Bartsch XXI.2, Bellini 9. Fine, fresh and sharp impression [..]
157
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Annunciation
Etching, 212 x 147 mm. I state, before inscription. Bartsch XXI.2, Bellini 9. Fine, fresh and sharp impression [..]
158
Pietro Santi Bartoli
(1635 - 1700)
Jupiter suckled by the goat Amalthea
after Giulio Romano. Engraving, 240 x 354 mm. Fresh impression, trimmed to the platemark.
158
Pietro Santi Bartoli
(1635 - 1700)
Jupiter suckled by the goat Amalthea
after Giulio Romano. Engraving, 240 x 354 mm. Fresh impression, trimmed to the platemark.
159
Pietro Santi Bartoli
(1635 - 1700)
Hylas a nymphis raptus
by Giulio Romano. Etching, 314 x 542 mm (plate), 332 x 553 mm (sheet). Massari, Giulio Romano pinxit et delineavit, [..]
159
Pietro Santi Bartoli
(1635 - 1700)
Hylas a nymphis raptus
by Giulio Romano. Etching, 314 x 542 mm (plate), 332 x 553 mm (sheet). Massari, Giulio Romano pinxit et delineavit, [..]
160
Valentin Lefebre
(1637 - 1677)
Sleeping Venus
after Tiziano, published by Jacobus van Campen. Etching, 237 x 455 (plate), 289 x 459 mm (sheet). Fine, [..]
160
Valentin Lefebre
(1637 - 1677)
Sleeping Venus
after Tiziano, published by Jacobus van Campen. Etching, 237 x 455 (plate), 289 x 459 mm (sheet). Fine, [..]
161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]
201
James Gillray
(1756 - 1815)
THE NEW AND ELEGANT ST GILES'S CAGE. Erected on Purpose for the Dillitanti Theatrical Society.etching 26.0x 20.5 cm
Etching, 260 x 205 mm. Example in very good condition, with lively period colouring, missing parts the left edge [..]
201
James Gillray
(1756 - 1815)
THE NEW AND ELEGANT ST GILES'S CAGE. Erected on Purpose for the Dillitanti Theatrical Society.etching [..]
Etching, 260 x 205 mm. Example in very good condition, with lively period colouring, missing parts the left edge [..]
202
James Gillray
(1756 - 1815)
Sketch of the interior of St Stephens, as it now stands
Etching, 207 x 252 mm. Example in very good condition, with period colouring, missing parts on the left [..]
202
James Gillray
(1756 - 1815)
Sketch of the interior of St Stephens, as it now stands
Etching, 207 x 252 mm. Example in very good condition, with period colouring, missing parts on the left [..]
203
James Gillray
(1756 - 1815)
La Couronne Théatrale disputed by the Demoiselles Duchesnois & Georges Weimer
Etching, 278 x 200 mm. Example in very good condition, with fine period colouring, and traces of publication [..]
203
James Gillray
(1756 - 1815)
La Couronne Théatrale disputed by the Demoiselles Duchesnois & Georges Weimer
Etching, 278 x 200 mm. Example in very good condition, with fine period colouring, and traces of publication [..]
204
Francesco Novelli
(1764 - 1836)
Jan Cornelis Sylvius
copy in reverse after Rembrandt. Etching, 233 x 191 mm (plate), 318 x 231 mm (sheet). Fine impression on [..]
204
Francesco Novelli
(1764 - 1836)
Jan Cornelis Sylvius
copy in reverse after Rembrandt. Etching, 233 x 191 mm (plate), 318 x 231 mm (sheet). Fine impression on [..]
205
Francesco Novelli
(1764 - 1836)
4 etchings after Rembrandt
Lot of 4 etchings after Rembrandt. Etching, approx. 160 x 190 mm (each sheet). Fine impressions on wove paper. [..]
205
Francesco Novelli
(1764 - 1836)
4 etchings after Rembrandt
Lot of 4 etchings after Rembrandt. Etching, approx. 160 x 190 mm (each sheet). Fine impressions on wove paper. [..]
206
Giovanni Battista Frulli
(1762 - 1837)
Young couple by a tree
after Parmigianino. Etching and aquatint in two-tone sepia ink, 32 x 240. Fine impression with excellent chiaroscuro [..]
206
Giovanni Battista Frulli
(1762 - 1837)
Young couple by a tree
after Parmigianino. Etching and aquatint in two-tone sepia ink, 32 x 240. Fine impression with excellent chiaroscuro [..]
207
Jean Baptiste Isabey
(1767 - 1855)
Le Port de Salerne
1822
Lithograph, 271 x 412 mm. In very good condition except for paper residues on the reverse.
207
Jean Baptiste Isabey
(1767 - 1855)
Le Port de Salerne
1822
Lithograph, 271 x 412 mm. In very good condition except for paper residues on the reverse.
208
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Via Crucis
1833
14 plates bound together. 235 x 300 mm approx. (each plate), 340 x 460 mm (each sheet). Splendid, very [..]
208
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Via Crucis
1833
14 plates bound together. 235 x 300 mm approx. (each plate), 340 x 460 mm (each sheet). Splendid, very [..]
209
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"E uno dei due specialmente..."
1831
Plate n. 15 from the "Promessi Sposi". Lithograph, 445 x 595 mm (sheet). Very fine impression on unlaid paper. [..]
209
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"E uno dei due specialmente..."
1831
Plate n. 15 from the "Promessi Sposi". Lithograph, 445 x 595 mm (sheet). Very fine impression on unlaid paper. [..]
210
Wilhelm Jacob Hüber
(1787 - 1871)
La partie droite de la rue des Tombeaux à Pompei en sortant de la ville
1818
Lithograph, 360 x 482 mm. Watercolored by Antonalli (signed lower left). Impression with very fine hand [..]
210
Wilhelm Jacob Hüber
(1787 - 1871)
La partie droite de la rue des Tombeaux à Pompei en sortant de la ville
1818
Lithograph, 360 x 482 mm. Watercolored by Antonalli (signed lower left). Impression with very fine hand [..]
211
Luigi Rossini
(1790 - 1857)
Interno di Roma Vecchia
Etching, 223 x 298 mm (plate), approx. 270 x 350 mm (sheet). Plate n. 20 from "VIAGGIO PITTORESCO DA ROMA A NAPOLI [..]
211
Luigi Rossini
(1790 - 1857)
Interno di Roma Vecchia
Etching, 223 x 298 mm (plate), approx. 270 x 350 mm (sheet). Plate n. 20 from "VIAGGIO PITTORESCO DA ROMA A NAPOLI [..]
212
Mary Ann Gabell
(1791)
Musician angel
1815
from Guercino. Etching, 157 x 102 mm (plate), 211 x 137 mm (sheet). Beautiful, fresh and clear impression on [..]
212
Mary Ann Gabell
(1791)
Musician angel
1815
from Guercino. Etching, 157 x 102 mm (plate), 211 x 137 mm (sheet). Beautiful, fresh and clear impression on [..]
213
Friedrich Gaertner
(1792 - 1847)
Der Tempel von Segesta
1819
Lithograph, 545 x 720 mm. From "Ansichten der am meisten erhaltenen griechischen Monumente Siciliens". Fine impression [..]
213
Friedrich Gaertner
(1792 - 1847)
Der Tempel von Segesta
1819
Lithograph, 545 x 720 mm. From "Ansichten der am meisten erhaltenen griechischen Monumente Siciliens". Fine impression [..]
214
Luigi Conconi
(1852 - 1917)
Cortile d'onore del Palazzo Marino a Milano
1877
Etching, 587 x 462 mm (plate), 900 x 720 mm (sheet). Superb, well inked impression on wove paper. Sheet in very [..]
214
Luigi Conconi
(1852 - 1917)
Cortile d'onore del Palazzo Marino a Milano
1877
Etching, 587 x 462 mm (plate), 900 x 720 mm (sheet). Superb, well inked impression on wove paper. Sheet in very [..]
215
Girolamo Ruscelli
(1566)
Territorio di Roma
1561 ca.
Etching, 191 x 273 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany taken from Claudio Tolomeo's "La [..]
215
Girolamo Ruscelli
(1566)
Territorio di Roma
1561 ca.
Etching, 191 x 273 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany taken from Claudio Tolomeo's "La [..]
216
Frans Hogenberg
(1535 - 1590)
Georg Braun
(1541 - 1622)
Antiqua Urbis Romia Imago Accuratissima
1590
Large map of Rome. Etching and engraving, approx. 745 x 575 mm. Well inked impression on two joined sheets of [..]
216
Frans Hogenberg
(1535 - 1590)
Georg Braun
(1541 - 1622)
Antiqua Urbis Romia Imago Accuratissima
1590
Large map of Rome. Etching and engraving, approx. 745 x 575 mm. Well inked impression on two joined sheets of [..]
217
Natale Bonifacio
(1537 - 1592)
Almae Urbis Divi Petri Veteris Novique Templi Descriptio
1590
Engraving, 572 x 433 mm. Ref. M. Bury, "The Print in Italy 1550-1620", 2001, n. 63. Superb, fresh, well [..]
217
Natale Bonifacio
(1537 - 1592)
Almae Urbis Divi Petri Veteris Novique Templi Descriptio
1590
Engraving, 572 x 433 mm. Ref. M. Bury, "The Print in Italy 1550-1620", 2001, n. 63. Superb, fresh, well [..]
218
Pianta della Sagrestia Vaticana secondo l'idea dell'Architetto Imolese Cosimo Morelli
Etching, 449 x 288 mm (plate), 510 x 338 mm (sheet). Fine impression on laid paper with watermark (lily [..], 18th century
218
Pianta della Sagrestia Vaticana secondo l'idea dell'Architetto Imolese Cosimo Morelli
Etching, 449 x 288 mm (plate), 510 x 338 mm (sheet). Fine impression on laid paper with watermark (lily [..], 18th century
219
Giacomo Lauro
(1560 - 1645)
URBIS ROMAE NOVISSIMA DELINEATIO
1618
Etching and engraving, 180 x 237 mm (plate), 220 x 325 mm (sheet). Map of Rome from Lauro's "Antiquae Urbis [..]
219
Giacomo Lauro
(1560 - 1645)
URBIS ROMAE NOVISSIMA DELINEATIO
1618
Etching and engraving, 180 x 237 mm (plate), 220 x 325 mm (sheet). Map of Rome from Lauro's "Antiquae Urbis [..]
220
Domenico Pronti
(1750 - 1815)
Prima Urbis Inter, Divum Domus Aurea Roma
Etching, 312 x 445 mm. Reduction of the famous map of Rome by Noli, including index. Fine impression on laid [..]
220
Domenico Pronti
(1750 - 1815)
Prima Urbis Inter, Divum Domus Aurea Roma
Etching, 312 x 445 mm. Reduction of the famous map of Rome by Noli, including index. Fine impression on laid [..]
221
Girolamo Ruscelli
(1566)
Toscana Nuova Tavola
1561 ca.
Etching, 182 x 262 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany from Claudio Tolomeo's "La Geografia [..]
221
Girolamo Ruscelli
(1566)
Toscana Nuova Tavola
1561 ca.
Etching, 182 x 262 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany from Claudio Tolomeo's "La Geografia [..]
222
Girolamo Ruscelli
(1566)
Tavola Nuova d'Italia
1561 ca.
Etching, 190 x 262 mm (plate), approx. 220 x 310 mm. (sheet). Map of Tuscany from Claudio Tolomeo's "La Geografia [..]
222
Girolamo Ruscelli
(1566)
Tavola Nuova d'Italia
1561 ca.
Etching, 190 x 262 mm (plate), approx. 220 x 310 mm. (sheet). Map of Tuscany from Claudio Tolomeo's "La Geografia [..]
223
Johann Baptist Homann
(1664 - 1724)
Cursus Fluminis Padi vel Po for Longobardiam
engraving and etching, 54.5 x 63.5 cm. Part of a large map published by the heirs of Johann Baptist Homann, depicting [..]
223
Johann Baptist Homann
(1664 - 1724)
Cursus Fluminis Padi vel Po for Longobardiam
engraving and etching, 54.5 x 63.5 cm. Part of a large map published by the heirs of Johann Baptist Homann, depicting [..]
224
Johann Baptist Homann
(1664 - 1724)
DUCATUS SABAUDIÆ PRINCIPATUS PEDEMONTIUM et DUCATUS MONTISFERRATI
engraving and etching, 54 x 63 cm. Map of the State of Piedmont and the Duchy of Monferrato taken from Atlas Novus [..]
224
Johann Baptist Homann
(1664 - 1724)
DUCATUS SABAUDIÆ PRINCIPATUS PEDEMONTIUM et DUCATUS MONTISFERRATI
engraving and etching, 54 x 63 cm. Map of the State of Piedmont and the Duchy of Monferrato taken from Atlas Novus [..]
225
Pieter van der Aa
(1659 - 1733)
Italy
burin and etching, 238 320 mm. Fine impression on laid paper. Usual editorial folds. The sheet is in very good [..]
225
Pieter van der Aa
(1659 - 1733)
Italy
burin and etching, 238 320 mm. Fine impression on laid paper. Usual editorial folds. The sheet is in very good [..]
226
Pianta prospettica di Budrio
1720
after Alfonso Torreggiani's drawing. Etching, 368 x 515 mm (plate), 428 x 550 mm (sheet). Taken from "Memorie [..]
226
Pianta prospettica di Budrio
1720
after Alfonso Torreggiani's drawing. Etching, 368 x 515 mm (plate), 428 x 550 mm (sheet). Taken from "Memorie [..]
227
Jean-Baptiste d'Anville
(1697 - 1782)
La Sicile Pour l'Histoire Romaine de M. Rollin
1740
Etching, 250 x 374 mm (sheet). Map of Sicily printed on laid paper with watermark. Fair state of conservation: [..]
227
Jean-Baptiste d'Anville
(1697 - 1782)
La Sicile Pour l'Histoire Romaine de M. Rollin
1740
Etching, 250 x 374 mm (sheet). Map of Sicily printed on laid paper with watermark. Fair state of conservation: [..]
228
Carte de la Grande Grèce, y compris la Sicile, dressée pour l'intelligence de l'Histoire Ancienne de Mr. Rollin...
Etching and engraving, 324 x 424 mm (sheet). Map of Southern Italy with Sicily. Fresh impression on laid [..], par le S[ieur] d'Anville, Géographe ord[inaire] du Roi; Mars 1738
228
Carte de la Grande Grèce, y compris la Sicile, dressée pour l'intelligence de l'Histoire Ancienne de [..]
Etching and engraving, 324 x 424 mm (sheet). Map of Southern Italy with Sicily. Fresh impression on laid [..], par le S[ieur] d'Anville, Géographe ord[inaire] du Roi; Mars 1738
229
Jean-Claude Dezauche
(1745 - 1829)
L'Italie dressée sur les Observations de l'Academie des Sciences par GUIL. DELISLE .... PAR DEZAYCHE
A Paris ... An 1817
Engraving and etching, 534 x 770 mm (sheet). Large map of Italy printed on two joined sheets of thick laid [..]
229
Jean-Claude Dezauche
(1745 - 1829)
L'Italie dressée sur les Observations de l'Academie des Sciences par GUIL. DELISLE .... PAR DEZAYCHE
A Paris ... An 1817
Engraving and etching, 534 x 770 mm (sheet). Large map of Italy printed on two joined sheets of thick laid [..]
230
Eredi Johann Baptist Homann
Ecclesiastic Status nec non Magni Ducatus Toscanae Nova Tabula Geographica.
1748
Etching, 525 x 710 mm (sheet). Map of the State of the Church with Tuscany taken from "Atlas Compendiarius Quinquaginta [..]
230
Eredi Johann Baptist Homann
Ecclesiastic Status nec non Magni Ducatus Toscanae Nova Tabula Geographica.
1748
Etching, 525 x 710 mm (sheet). Map of the State of the Church with Tuscany taken from "Atlas Compendiarius Quinquaginta [..]
231
Maps of Italy to serve the history of the campaigns of Napoléon the Grand... in Lorrain
1805
Detailed map of northern and central Italy. Etching and burin, approx. 495 x 690 mm. Beautiful impression with [..]
231
Maps of Italy to serve the history of the campaigns of Napoléon the Grand... in Lorrain
1805
Detailed map of northern and central Italy. Etching and burin, approx. 495 x 690 mm. Beautiful impression with [..]
232
Jacques Clermont
(1752 - 1827)
Carte de l'Italie Meridionale et de la Sicile Ancienne; Pays autrefois connus sous de nom de Grande Grece
Paris 1781
Engraving, 405 x 525 mm (sheet), 495 x 615 mm (sheet). Map of Central and Southern Italy from Jean-Claude [..]
232
Jacques Clermont
(1752 - 1827)
Carte de l'Italie Meridionale et de la Sicile Ancienne; Pays autrefois connus sous de nom de Grande [..]
Paris 1781
Engraving, 405 x 525 mm (sheet), 495 x 615 mm (sheet). Map of Central and Southern Italy from Jean-Claude [..]
233
Carta topografica della grande strada del Sempione e valli adjacenti fino a Brigg, del Lago Maggiore e delle Isole. Borrome
1810 ca.
Etching and lithograph, 636 x 1110 mm. Large folding map (in 21 parts), backed on canvas. In very good condition. [..]
233
Carta topografica della grande strada del Sempione e valli adjacenti fino a Brigg, del Lago Maggiore [..]
1810 ca.
Etching and lithograph, 636 x 1110 mm. Large folding map (in 21 parts), backed on canvas. In very good condition. [..]
234
Pianta della citta di Napoli e de'suoi contorni, delineata ed incisa nel reale Officio topografico della guerra
Naples 1853
Lithograph and engraving, 693 x 950 mm. Large folding map in 8 parts, backed on canvas. In very good condition [..]
234
Pianta della citta di Napoli e de'suoi contorni, delineata ed incisa nel reale Officio topografico della [..]
Naples 1853
Lithograph and engraving, 693 x 950 mm. Large folding map in 8 parts, backed on canvas. In very good condition [..]
235
Girolamo Ruscelli
(1566)
Europe
1561 ca.
Etching, 187 x 255 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany taken from Claudio Tolomeo's "La [..]
235
Girolamo Ruscelli
(1566)
Europe
1561 ca.
Etching, 187 x 255 mm (plate), approx. 220 x 310 mm (sheet). Map of Tuscany taken from Claudio Tolomeo's "La [..]
236
Europa Regina
Etching on parchment, 302 x 215 mm. Hand-coloured. In good condition except for some stains on the margins.
236
Europa Regina
Etching on parchment, 302 x 215 mm. Hand-coloured. In good condition except for some stains on the margins.
237
Christoph Weigel
(1654 - 1725)
Scena Historiarum Occidentalis quinti seculi P.N. Chr.
Nuremberg 1718
Engraving, 371 x 461 mm (sheet). Map of Europe taken from "Atlas Manualis Scolasticus et Itinerarius complectens [..]
237
Christoph Weigel
(1654 - 1725)
Scena Historiarum Occidentalis quinti seculi P.N. Chr.
Nuremberg 1718
Engraving, 371 x 461 mm (sheet). Map of Europe taken from "Atlas Manualis Scolasticus et Itinerarius complectens [..]
238
Jean-Claude Dezauche
(1745 - 1829)
La Province de Berry. La généralité de Bourges
Engraving and etching, 54 x 74 cm. Map of the province of Berry in France. Fine, fresh and sharp impression [..]
238
Jean-Claude Dezauche
(1745 - 1829)
La Province de Berry. La généralité de Bourges
Engraving and etching, 54 x 74 cm. Map of the province of Berry in France. Fine, fresh and sharp impression [..]
239
Antonio Zatta
(1722 - 1804)
Kingdom of France divided into its governments
1776
engraving and etching, 380 x 525 mm. Fine impression of Zatta's map of France. Printed on two joined sheets of [..]
239
Antonio Zatta
(1722 - 1804)
Kingdom of France divided into its governments
1776
engraving and etching, 380 x 525 mm. Fine impression of Zatta's map of France. Printed on two joined sheets of [..]
240
Giovambattista Albrizzi
(1698 - 1777)
Carta Geografica Del Governo Di Guienna e Guascogna
Venice 1740
Etching, 374 x 484 mm. Map of the southwestern part of France, with fine decorative cartouche. Fresh impression [..]
240
Giovambattista Albrizzi
(1698 - 1777)
Carta Geografica Del Governo Di Guienna e Guascogna
Venice 1740
Etching, 374 x 484 mm. Map of the southwestern part of France, with fine decorative cartouche. Fresh impression [..]