The production area of this sculpture could be Lombardy, between Bergamo and Brescia, where important workshops, such as the Fantoni di Rovetta, generated a strong impulse for natural wood sculpture.
It presents a certain resemblance to the allegorical figures of the second sacristy of Alzano.
Literature: Silvana Milanesi, Dei Fantoni and other stories between the seventeenth and eighteenth centuries, Castelli Bolis Poligrafie, Azzano San Paolo, 2005, pp.114 and following.