334
Live auction
Old Master & Modern Prints and Drawings
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome, wed 16 April 2025
For information:
n.bukowska@bertolamifineart.com
n.bukowska@bertolamifineart.com
Highlights
Lot N. 125
Jacques Callot
(1592 - 1635)
The female beggar with the sticks
Etching. 140 x 91 mm. From the series "Les Mendiants". I state on 2. Lieure 494. Very fine impression on laid paper. Collection signature (not in Lugt) [..]
Estimate
€ 500,00 / 1.000,00
Lot N. 334
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
SE LA PIOGGIA FOSSE DI BITTER CAMPARI
Lithograph, 700 x 500 mm. Futurist manifesto. Fine impression on thin wove paper. In excellent condition.
Estimate
€ 2.000,00 / 4.000,00
Lot N. 296
Pierre Bonnard
(1867 - 1947)
Scène de famille, from "L'Estampe originale"
Lithograph, 585 x 415 mm (sheet). Signed n° 29 in pencil lower right. Blind stamp "L'ESTAMPE ORIGINAL" lower right (Lugt 819). Very nice impression, sheet in [..]
Estimate
€ 2.000,00 / 4.000,00
Lot N. 293
Gustave-Henri Jossot
(1866 - 1951)
The Wave
Black ink lithograph, 590 x 427 mm (sheet). Very fine, rich impression. Sheet with scattered foxing and some tears along edges.
Estimate
€ 1.000,00 / 2.000,00
Lot N. 137
Giovanni Benedetto Castiglione detto il Grechetto
(Genova, 1609 - Mantova, 1664)
The animals entering Noah's ark
Etching, 204 x 400 mm (plate), 286 x 415 mm (sheet). Bartsch XXI.10.1 Splendid and rich proof on laid paper with watermark. Copy with preserved margins. In very [..]
Estimate
€ 1.500,00 / 2.500,00
Lot N. 157
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Piazza del Popolo in Rome
After Cornelis Meijer. Etching, 220 x 423 mm (plate), 407 x 518 mm (sheet). Plate from "L'arte di restituire à Roma" (Rome, 1683). II state on 3. Hollstein 3. [..]
Estimate
€ 1.500,00 / 2.500,00
Lot N. 139
Stefano della Bella (Firenze, 1610 - 1664)
Romae in hortis Medicæis vas marmoreum eximium
Etching, 307 x 277 mm (plate), 342 x 298 mm (sheet). 2nd state of 3. De Vesme 832. Very fine impression with light plate-tone on laid paper with watermark. In [..]
Estimate
€ 1.000,00 / 2.000,00
Lot N. 74
Jan Harmensz. Muller
(1540 - 1617)
Cupid and Psyche, after Bartholomeus Spranger
Engraving, 365 x 522 mm. 2nd state with inscriptions. Bartsch III.286.70, New Hollstein 70. Superb impression on laid paper. Trimmed to the platemark, with the [..]
Estimate
€ 2.000,00 / 4.000,00
Lot N. 166
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), 340 x 470 mm (sheet). 1st state, before the initials [..]
Estimate
€ 4.000,00 / 6.000,00
Lot N. 167
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 mm (sheet). 2nd state of 3. Bromberg 24. Splendid [..]
Estimate
€ 4.000,00 / 6.000,00
Lot N. 168
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), 372 x 495 mm (sheet). 3rd state of 3, with the addition [..]
Estimate
€ 2.000,00 / 3.000,00
Lot N. 177
Bernardo Bellotto detto Canaletto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression on laid paper. In very good condition, except [..]
Estimate
€ 3.000,00 / 6.000,00
121
Remigio Cantagallina
(1656)
Landscapes
1609
Lot of four prints. Etching, approx. 100 x 115 mm (each plate); 135 x 195 mm (each sheet). Negro Spina, "The landscape [..]
121
Remigio Cantagallina
(1656)
Landscapes
1609
Lot of four prints. Etching, approx. 100 x 115 mm (each plate); 135 x 195 mm (each sheet). Negro Spina, "The landscape [..]
122
Raffaello Guidi
(1585 - 1615)
Bacchus, after Hendrik Goltzius
Copy in the same direction after Goltzius's engraving after Polidoro di Carvaggio. From the series of eight. Engraving, [..]
122
Raffaello Guidi
(1585 - 1615)
Bacchus, after Hendrik Goltzius
Copy in the same direction after Goltzius's engraving after Polidoro di Carvaggio. From the series of eight. Engraving, [..]
123
Bartholomeus Breenbergh
(1598 - 1657)
Theatrical mask
Etching, 74 x 61 mm. Fine proof with thin margins beyond the platemark In excellent condition.
123
Bartholomeus Breenbergh
(1598 - 1657)
Theatrical mask
Etching, 74 x 61 mm. Fine proof with thin margins beyond the platemark In excellent condition.
124
Ercole Bazzicaluva
(1641)
Cavalry scene in a landscape with trees
Etching, 128 x 254 mm. Bartsch XX.71.3. Very nice impression printed on laid paper. Trimmed and glued in three [..]
124
Ercole Bazzicaluva
(1641)
Cavalry scene in a landscape with trees
Etching, 128 x 254 mm. Bartsch XX.71.3. Very nice impression printed on laid paper. Trimmed and glued in three [..]
125
Jacques Callot
(1592 - 1635)
The female beggar with the sticks
Etching. 140 x 91 mm. From the series "Les Mendiants". I state on 2. Lieure 494. Very fine impression [..]
125
Jacques Callot
(1592 - 1635)
The female beggar with the sticks
Etching. 140 x 91 mm. From the series "Les Mendiants". I state on 2. Lieure 494. Very fine impression [..]
126
Jacques Callot
(1592 - 1635)
The male beggar with the sticks
Etching. 138 x 89 mm. From the series "Les Mendiants". I state of 2. Lieure 488. Fine impression on laid paper. [..]
126
Jacques Callot
(1592 - 1635)
The male beggar with the sticks
Etching. 138 x 89 mm. From the series "Les Mendiants". I state of 2. Lieure 488. Fine impression on laid paper. [..]
127
Jacques Callot
(1592 - 1635)
Based on
Martyr of Saint Sebastian
1630 approx.
Contemporary copy after Jacques Callot. Etching, 165 x 324 mm. Lieure 670 copy 6 (dated to the 19th century). [..]
127
Jacques Callot
(1592 - 1635)
Based on
Martyr of Saint Sebastian
1630 approx.
Contemporary copy after Jacques Callot. Etching, 165 x 324 mm. Lieure 670 copy 6 (dated to the 19th century). [..]
128
Jacques Callot
(1592 - 1635)
Based on
Crossing the Red Sea
Contemporary copy after Jacques Callot. Etching, 126 x 232 mm (plate), 252 x 337 mm (sheet). Not in Lieure. [..]
128
Jacques Callot
(1592 - 1635)
Based on
Crossing the Red Sea
Contemporary copy after Jacques Callot. Etching, 126 x 232 mm (plate), 252 x 337 mm (sheet). Not in Lieure. [..]
129
Clement de Jonghe
(1625 - 1677)
Impruneta Fair, by Jacques Callot
Etching, 432 x 660 mm. Fine impression on laid paper. Uniformly browned sheet, reinforced on the back in the [..]
129
Clement de Jonghe
(1625 - 1677)
Impruneta Fair, by Jacques Callot
Etching, 432 x 660 mm. Fine impression on laid paper. Uniformly browned sheet, reinforced on the back in the [..]
130
Claude Mellan
(1598 - 1688)
Allegory of the Roman College, after Pietro da Cortona
Engraving, 265 x 357 mm. Printed on laid paper, trimmed to the plateamark. Traces of two vertical and two horizontal [..]
130
Claude Mellan
(1598 - 1688)
Allegory of the Roman College, after Pietro da Cortona
Engraving, 265 x 357 mm. Printed on laid paper, trimmed to the plateamark. Traces of two vertical and two horizontal [..]
131
Brunetti Orazio
(Roma)
The Return of the Prodigal Son
Engraving, 198 x 263 mm (plate), 280 x 415 mm (sheet). Rare and fine impression on laid paper. Proof with large [..]
131
Brunetti Orazio
(Roma)
The Return of the Prodigal Son
Engraving, 198 x 263 mm (plate), 280 x 415 mm (sheet). Rare and fine impression on laid paper. Proof with large [..]
132
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Six landscapes with the story of Adonis
1654
Complete series of six landscapes. Etching, approx. 255 x 335 mm (each sheet). Bartsch II.309.101-106. Fine [..]
132
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Six landscapes with the story of Adonis
1654
Complete series of six landscapes. Etching, approx. 255 x 335 mm (each sheet). Bartsch II.309.101-106. Fine [..]
133
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Passage with angel and Tobias
Lot of three engravings: Herman van Swanevelt (Woerden 1603-Paris 1655) Passage with angel and Tobias Etching, [..]
133
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Passage with angel and Tobias
Lot of three engravings: Herman van Swanevelt (Woerden 1603-Paris 1655) Passage with angel and Tobias Etching, [..]
134
Pietro Testa
(1612 - 1650)
The suicide of Cato
Etching, 291 x 422 mm. I of 5 states, before the Westerhout address. Cropper 116. Very fine impression on laid [..]
134
Pietro Testa
(1612 - 1650)
The suicide of Cato
Etching, 291 x 422 mm. I of 5 states, before the Westerhout address. Cropper 116. Very fine impression on laid [..]
135
Arnold van Westerhout (1651-1725)
Allegory in honor of the arrival of Cardinal Franciotti as bishop of Lucca, after Pietro Testa
Copy in reverse after Testa. Etching, 517 x 395 mm (sheet). Very nice impression on laid paper with watermark. [..]
135
Arnold van Westerhout (1651-1725)
Allegory in honor of the arrival of Cardinal Franciotti as bishop of Lucca, after Pietro Testa
Copy in reverse after Testa. Etching, 517 x 395 mm (sheet). Very nice impression on laid paper with watermark. [..]
136
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Deposition
Etching, 513 x 400 mm. Condition impossible to define due to the lack of the lower part of the plate. Hind 103, [..]
136
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Deposition
Etching, 513 x 400 mm. Condition impossible to define due to the lack of the lower part of the plate. Hind 103, [..]
137
Giovanni Benedetto Castiglione detto il Grechetto
(Genova, 1609 - Mantova, 1664)
The animals entering Noah's ark
Etching, 204 x 400 mm (plate), 286 x 415 mm (sheet). Bartsch XXI.10.1 Splendid and rich proof on laid paper [..]
137
Giovanni Benedetto Castiglione detto il Grechetto
(Genova, 1609 - Mantova, 1664)
The animals entering Noah's ark
Etching, 204 x 400 mm (plate), 286 x 415 mm (sheet). Bartsch XXI.10.1 Splendid and rich proof on laid paper [..]
138
Salvatore Castiglione
(1620 - 1676)
Resurrection of Lazarus
Etching, 111 x 212 mm (sheet). Bartsch XXI.43.1 The only known engraving made by Salvatore Castiglione, brother [..]
138
Salvatore Castiglione
(1620 - 1676)
Resurrection of Lazarus
Etching, 111 x 212 mm (sheet). Bartsch XXI.43.1 The only known engraving made by Salvatore Castiglione, brother [..]
139
Stefano della Bella (Firenze, 1610 - 1664)
Romae in hortis Medicæis vas marmoreum eximium
Etching, 307 x 277 mm (plate), 342 x 298 mm (sheet). 2nd state of 3. De Vesme 832. Very fine impression with [..]
139
Stefano della Bella (Firenze, 1610 - 1664)
Romae in hortis Medicæis vas marmoreum eximium
Etching, 307 x 277 mm (plate), 342 x 298 mm (sheet). 2nd state of 3. De Vesme 832. Very fine impression with [..]
140
François Collignon
(1687)
Suite of the Huit Marines, after Stefano Della Bella
Lot of six etchings from a series of eight, inspired by the port of Livorno. Etching, approx. 123 x 217 mm (each [..]
140
François Collignon
(1687)
Suite of the Huit Marines, after Stefano Della Bella
Lot of six etchings from a series of eight, inspired by the port of Livorno. Etching, approx. 123 x 217 mm (each [..]
141
Bernardino Curti
(Bologna, 1611)
Portrait of Ludovico Cardi, known as Cigoli
Etching, 227 x 166 mm (sheet). Very nice impression with plate-tone, printed on laid paper. Sheet with preserved [..]
141
Bernardino Curti
(Bologna, 1611)
Portrait of Ludovico Cardi, known as Cigoli
Etching, 227 x 166 mm (sheet). Very nice impression with plate-tone, printed on laid paper. Sheet with preserved [..]
142
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Apollo and the Cumaean Sibyl
Etching, 337 x 217 mm (plate), 463 x 350 mm (sheet). I state. Bartsch XX.274.17, Wallace 102. Very fine impression [..]
142
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Apollo and the Cumaean Sibyl
Etching, 337 x 217 mm (plate), 463 x 350 mm (sheet). I state. Bartsch XX.274.17, Wallace 102. Very fine impression [..]
143
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Aeneas' rest
Etching, 345 x 235 mm (plate), 470 x 346 mm (sheet). Bartsch XX.277.23, Wallace 117. Very fine impression [..]
143
Salvator Rosa
(Napoli, 1615 - Napoli , 1673)
Aeneas' rest
Etching, 345 x 235 mm (plate), 470 x 346 mm (sheet). Bartsch XX.277.23, Wallace 117. Very fine impression [..]
144
Giovanni Battista Del Sole
Matilda, after Johann Cristophorus Storer.
Etching, 211 x 262 mm. Fine impression on laid paper. Sheet trimmed to the platemark and evenly oxidized. With [..]
144
Giovanni Battista Del Sole
Matilda, after Johann Cristophorus Storer.
Etching, 211 x 262 mm. Fine impression on laid paper. Sheet trimmed to the platemark and evenly oxidized. With [..]
145
Sébastien Bourdon
(1616 - 1671)
Aegros curare
From the series "Oeuvres de Miséricorde". Etching, 438 x 590 mm. I state of 2, with the author's address at Fauxbourg [..]
145
Sébastien Bourdon
(1616 - 1671)
Aegros curare
From the series "Oeuvres de Miséricorde". Etching, 438 x 590 mm. I state of 2, with the author's address at Fauxbourg [..]
146
Sébastien Bourdon
(1616 - 1671)
Landscape with the Good Samaritan | Landscape with shepherd, sheep and dog
Lot of two prints: Landscape with the parable of the Good Samaritan Etching, 303 x 445 mm (sheet). State II [..]
146
Sébastien Bourdon
(1616 - 1671)
Landscape with the Good Samaritan | Landscape with shepherd, sheep and dog
Lot of two prints: Landscape with the parable of the Good Samaritan Etching, 303 x 445 mm (sheet). State II [..]
147
Jan Ruijscher
A small village seen from a hill
Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). Reworked by Anthonie Waterloo. Hollstein 93. Very nice [..]
147
Jan Ruijscher
A small village seen from a hill
Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). Reworked by Anthonie Waterloo. Hollstein 93. Very nice [..]
148
Jan Ruijscher
Moonlight landscape with cottage
Etching, 106 x 136 mm (plate), 193 x 243 mm (sheet). State II of 3, reworked by Anthonie Waterloo. Hollstein 39. [..]
148
Jan Ruijscher
Moonlight landscape with cottage
Etching, 106 x 136 mm (plate), 193 x 243 mm (sheet). State II of 3, reworked by Anthonie Waterloo. Hollstein 39. [..]
149
Pietro Aquila
(1630 - 1692)
Sacrifice to Diana, after Pietro da Cortona
Etching, 445 x 630 mm. LeBlanc I.53.62. Fine impression printed on laid paper. Trimmed to the platemark, with [..]
149
Pietro Aquila
(1630 - 1692)
Sacrifice to Diana, after Pietro da Cortona
Etching, 445 x 630 mm. LeBlanc I.53.62. Fine impression printed on laid paper. Trimmed to the platemark, with [..]
150
Giuseppe Maria Mitelli
(1634 - 1718)
The Wandering Aeneas, after Annibale Carracci
Lot of two prints from the work "L'Enea Vagante pitture dei Caracci intagliate", with reproductions of the frescoes [..]
150
Giuseppe Maria Mitelli
(1634 - 1718)
The Wandering Aeneas, after Annibale Carracci
Lot of two prints from the work "L'Enea Vagante pitture dei Caracci intagliate", with reproductions of the frescoes [..]
151
Giuseppe Maria Mitelli
(1634 - 1718)
L'asino benche tristo sia stimulato alle volte tira qualce calcio
Etching, 345 x 257 mm (sheet). Bartsch XIX.298.103. Nice impression on thick laid paper. Sheet with wide margins, [..]
151
Giuseppe Maria Mitelli
(1634 - 1718)
L'asino benche tristo sia stimulato alle volte tira qualce calcio
Etching, 345 x 257 mm (sheet). Bartsch XIX.298.103. Nice impression on thick laid paper. Sheet with wide margins, [..]
152
Giuseppe Maria Mitelli
(1634 - 1718)
Chi tutto vuole nulla ha, e di rabbia muore
Etching, 346 x 257 mm (sheet). Bartsch XIX.296.85 Fine impression on thick laid paper. Sheet with wide margins, [..]
152
Giuseppe Maria Mitelli
(1634 - 1718)
Chi tutto vuole nulla ha, e di rabbia muore
Etching, 346 x 257 mm (sheet). Bartsch XIX.296.85 Fine impression on thick laid paper. Sheet with wide margins, [..]
153
Étienne Baudet
(1638 - 1711)
Les Israélites adorant le Veau d'Or, after Nicolas Poussin
Etching, 487 x 661 mm (sheet). LeBlanc I.196.4. An 18th-century edition, with the address of the Parisian publisher [..]
153
Étienne Baudet
(1638 - 1711)
Les Israélites adorant le Veau d'Or, after Nicolas Poussin
Etching, 487 x 661 mm (sheet). LeBlanc I.196.4. An 18th-century edition, with the address of the Parisian publisher [..]
154
Giovanni Battista Falda
(1643 - 1678)
Castello e Fonte dell'Acqua Acetosa (Rome)
Etching, 164 x 290 mm (plate). Fine impression with light plate-tone, printed on laid paper. In very good condition, [..]
154
Giovanni Battista Falda
(1643 - 1678)
Castello e Fonte dell'Acqua Acetosa (Rome)
Etching, 164 x 290 mm (plate). Fine impression with light plate-tone, printed on laid paper. In very good condition, [..]
155
Giovanni Battista Falda
(1643 - 1678)
Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna...
Lot of ten plates from various editions of the work "Il nuovo teatro delle fabriche, et edificii, in prospettiva [..]
155
Giovanni Battista Falda
(1643 - 1678)
Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna...
Lot of ten plates from various editions of the work "Il nuovo teatro delle fabriche, et edificii, in prospettiva [..]
156
Giovanni Battista Falda
(1643 - 1678)
Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente
Lot of ten plates taken from various editions of the work "Le fontane di Roma nelle piazze e luoghi publici della [..]
156
Giovanni Battista Falda
(1643 - 1678)
Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al pre [..]
Lot of ten plates taken from various editions of the work "Le fontane di Roma nelle piazze e luoghi publici della [..]
157
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Piazza del Popolo in Rome
After Cornelis Meijer. Etching, 220 x 423 mm (plate), 407 x 518 mm (sheet). Plate from "L'arte di restituire à [..]
157
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Piazza del Popolo in Rome
After Cornelis Meijer. Etching, 220 x 423 mm (plate), 407 x 518 mm (sheet). Plate from "L'arte di restituire à [..]
158
Joachim von Sandrart
(1606 - 1688)
After
Models of ancient Roman footwear
Lot of two prints. Etching, approx. 323 x 215 mm (each plate), 385 x 255 mm (each sheet). Plates from "Der Teutsche [..]
158
Joachim von Sandrart
(1606 - 1688)
After
Models of ancient Roman footwear
Lot of two prints. Etching, approx. 323 x 215 mm (each plate), 385 x 255 mm (each sheet). Plates from "Der Teutsche [..]
159
Sussanna Maria Sandrart
(Norimberga, 1658 - 1718)
Fountain in Bracciano Castle | Fountain in Piazza Colonna | Fountain at the entrance of Palazzo Aldobrandini | Fountain of the Princes of Palestrina
Lot of four prints. Etching, approx. 230 x 339 mm (plate), approx. 370 x 460 mm (sheet). From "Der Teutsche Academie" [..]
159
Sussanna Maria Sandrart
(Norimberga, 1658 - 1718)
Fountain in Bracciano Castle | Fountain in Piazza Colonna | Fountain at the entrance of Palazzo Aldobrandini [..]
Lot of four prints. Etching, approx. 230 x 339 mm (plate), approx. 370 x 460 mm (sheet). From "Der Teutsche Academie" [..]
160
Elisabetta Piccini detta Suor Isabella
(Venezia, 1644 - 1734)
Annunciation | Apparition of the Angel to David | Risen Christ
Lot of three prints. Engraving and etching, 200 x 287 mm, 197 x 287 mm, 197 x 287 mm. Plates taken from a missal, [..]
160
Elisabetta Piccini detta Suor Isabella
(Venezia, 1644 - 1734)
Annunciation | Apparition of the Angel to David | Risen Christ
Lot of three prints. Engraving and etching, 200 x 287 mm, 197 x 287 mm, 197 x 287 mm. Plates taken from a missal, [..]
161
Cornelis Dusart
(1660 - 1704)
Village Festival
1685
Etching, 268 x 247 mm (plate), 286 x 367 mm (sheet). Bartsch V.476.16, Hollstein 16. Printed on laid paper [..]
161
Cornelis Dusart
(1660 - 1704)
Village Festival
1685
Etching, 268 x 247 mm (plate), 286 x 367 mm (sheet). Bartsch V.476.16, Hollstein 16. Printed on laid paper [..]
162
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza di S.Marco, verso S. Giminiano
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
162
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza di S.Marco, verso S. Giminiano
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
163
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza verso la chiesa di s. Marco
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm. Very [..]
163
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza verso la chiesa di s. Marco
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm. Very [..]
164
Luca Carlevarijs
(1664 - 1730)
Veduta delle Prigioni, Architettura Sansuino
From the series "Le fabriche e vedute di Venezia". Etching, 204 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
164
Luca Carlevarijs
(1664 - 1730)
Veduta delle Prigioni, Architettura Sansuino
From the series "Le fabriche e vedute di Venezia". Etching, 204 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
165
Marco Ricci
(1676 - Venezia, 1729)
Landscape with two figures in a wild
From the series "Aria Marci Ricci pictoris praestantissimi experimenta". Etching, 245 x 352 mm (plate), approx. [..]
165
Marco Ricci
(1676 - Venezia, 1729)
Landscape with two figures in a wild
From the series "Aria Marci Ricci pictoris praestantissimi experimenta". Etching, 245 x 352 mm (plate), approx. [..]
166
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), [..]
166
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), [..]
167
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 [..]
167
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 [..]
168
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), [..]
168
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), [..]
169
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Rare. Very fine impression [..]
169
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Rare. Very fine impression [..]
170
Michele Marieschi
(1710 - 1743)
Forum Maius D. Marci aliter prospectum cum eiusdem Basilica in extrema parte...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 300 x 447 mm (plate), [..]
170
Michele Marieschi
(1710 - 1743)
Forum Maius D. Marci aliter prospectum cum eiusdem Basilica in extrema parte...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 300 x 447 mm (plate), [..]
171
Michele Marieschi
(1710 - 1743)
Foscarorum aedes ad levam...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 312 x 465 mm (plate), [..]
171
Michele Marieschi
(1710 - 1743)
Foscarorum aedes ad levam...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 312 x 465 mm (plate), [..]
172
Michele Marieschi
(1710 - 1743)
Forum olitorium and region prospectum, cum proximis publicis Magistatibus, et ponte Rivoalti...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 465 mm [..]
172
Michele Marieschi
(1710 - 1743)
Forum olitorium and region prospectum, cum proximis publicis Magistatibus, et ponte Rivoalti...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 465 mm [..]
173
Michele Marieschi
(1710 - 1743)
Templum S. Mariae Salutis Cleric. Regul. Congregationis a Somascha...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 468 mm (plate), [..]
173
Michele Marieschi
(1710 - 1743)
Templum S. Mariae Salutis Cleric. Regul. Congregationis a Somascha...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 468 mm (plate), [..]
174
Veduta della Piazza di S. Marco nell'ultimo giorno di Carnevale
anonymous Venetian engraver of the 18th century
Published by Teodoro Viero (1740-1819). Etching, 360 x 492 mm (plate), approx. 420 x 535 mm (sheet). Fine [..]
174
Veduta della Piazza di S. Marco nell'ultimo giorno di Carnevale
anonymous Venetian engraver of the 18th century
Published by Teodoro Viero (1740-1819). Etching, 360 x 492 mm (plate), approx. 420 x 535 mm (sheet). Fine [..]
175
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
175
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
176
Giambattista Brustolon
(1718 - 1796)
A publica Bibliotheca ad majoris Canalis initium prospectus, by Antonio Canal
From the series "Views of Venice". Etching, 323 x 461 mm (plate), 370 x 505 mm approx. (sheet). 1st state of 3, [..]
176
Giambattista Brustolon
(1718 - 1796)
A publica Bibliotheca ad majoris Canalis initium prospectus, by Antonio Canal
From the series "Views of Venice". Etching, 323 x 461 mm (plate), 370 x 505 mm approx. (sheet). 1st state of 3, [..]
177
Bernardo Bellotto detto Canaletto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression [..]
177
Bernardo Bellotto detto Canaletto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression [..]
178
Giacinto Boccanera
(Leonessa, 1666 - Perugia, 1746)
Martyrdom of Saint Blaise of Sebaste
Etching, 390 x 250 mm (plate), 437 x 300 mm (sheet). Rare. Fine and clear impression on laid paper with watermark. [..]
178
Giacinto Boccanera
(Leonessa, 1666 - Perugia, 1746)
Martyrdom of Saint Blaise of Sebaste
Etching, 390 x 250 mm (plate), 437 x 300 mm (sheet). Rare. Fine and clear impression on laid paper with watermark. [..]
179
Giacomo Maria Giovannini
(Bologna, 1667 - Parma)
Herms, after Ludovico Carracci
Lot of two prints. Etching, 377 x 230 mm (plate); 460 x 310 mm (sheet). Plates 17 and 118 from "Il Claustro di [..]
179
Giacomo Maria Giovannini
(Bologna, 1667 - Parma)
Herms, after Ludovico Carracci
Lot of two prints. Etching, 377 x 230 mm (plate); 460 x 310 mm (sheet). Plates 17 and 118 from "Il Claustro di [..]
180
Alessandro Specchi
(1668 - 1729)
Palazzo Pontifico al Vaticano | Palazzo Borghese | Palazzo Barberini | Palazzo Pamphilj al Collegio Romano | Palazzo Colonna
Lot of five plates depicting the palaces of Rome. Etching, 263 x 392 mm (each sheet) Fine impressions on laid [..]
180
Alessandro Specchi
(1668 - 1729)
Palazzo Pontifico al Vaticano | Palazzo Borghese | Palazzo Barberini | Palazzo Pamphilj al Collegio [..]
Lot of five plates depicting the palaces of Rome. Etching, 263 x 392 mm (each sheet) Fine impressions on laid [..]
181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
200
Giuseppe Vasi
(1710 - 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]
200
Giuseppe Vasi
(1710 - 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]
201
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
Lot of sixteen plates from the series "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, approx. [..]
201
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
Lot of sixteen plates from the series "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, approx. [..]
202
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello Sant'Angelo)...
Etching, 535 x 760 mm. 1st state of 4, with the author's address. Roman edition. Hind 30. Very nice impression [..]
202
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello Sant'Angelo)...
Etching, 535 x 760 mm. 1st state of 4, with the author's address. Roman edition. Hind 30. Very nice impression [..]
203
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza del Popolo
Etching, 535 x 755 mm. 3rd state of 7, with the author's address. Roman edition. Hind 14. Very nice impression [..]
203
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza del Popolo
Etching, 535 x 755 mm. 3rd state of 7, with the author's address. Roman edition. Hind 14. Very nice impression [..]
204
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Giovanni Laterano
Etching, 540 x 750 mm. 3rd state of 6, with the author's address. Roman edition. Hind 8. Very nice impression [..]
204
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Giovanni Laterano
Etching, 540 x 750 mm. 3rd state of 6, with the author's address. Roman edition. Hind 8. Very nice impression [..]
205
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio di Cibele a Piazza della Bocca della Verità
Etching, 530 x 750 mm. 2nd state of 5, with the author's address. Roman edition. Hind 47. Fine impression on [..]
205
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio di Cibele a Piazza della Bocca della Verità
Etching, 530 x 750 mm. 2nd state of 5, with the author's address. Roman edition. Hind 47. Fine impression on [..]
206
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno della Basilica di S. Paolo fuori delle Mura
Etching, 418 x 615 mm (plate); 475 x 680 mm (sheet). 3rd state of 7, with address and price: Palazzo Tomati, [..]
206
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno della Basilica di S. Paolo fuori delle Mura
Etching, 418 x 615 mm (plate); 475 x 680 mm (sheet). 3rd state of 7, with address and price: Palazzo Tomati, [..]
207
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Staircase with trophies and two flags, from the series "Carceri"
Etching, 555 x 400 mm (plate), 662 x 495 mm (sheets). State III/3. Hind 8. Fine impression on heavy, wove paper. [..]
207
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Staircase with trophies and two flags, from the series "Carceri"
Etching, 555 x 400 mm (plate), 662 x 495 mm (sheets). State III/3. Hind 8. Fine impression on heavy, wove paper. [..]
208
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
The Giant Wheel, from "Carceri" series
Etching, 560 x 405 mm. State III/3, Hind 9. Trimmed. With frame and glass. The print has not been examined outside [..]
208
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
The Giant Wheel, from "Carceri" series
Etching, 560 x 405 mm. State III/3, Hind 9. Trimmed. With frame and glass. The print has not been examined outside [..]
209
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Sigre. Nicola Zabbaglia Ingegnere della Reverenda Fabbrica di S.Pietro
after Pier Leone Ghezzi. Etching, 300 x 198 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings [..]
209
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Sigre. Nicola Zabbaglia Ingegnere della Reverenda Fabbrica di S.Pietro
after Pier Leone Ghezzi. Etching, 300 x 198 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings [..]
210
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Raccolta di alcuni disegni del Barberi da Cento detto il Guercino...
Etching, 478 x 352 mm (plate), 560 x 405 mm (sheet). Title page from "Collection of some drawings by Barberi da [..]
210
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Raccolta di alcuni disegni del Barberi da Cento detto il Guercino...
Etching, 478 x 352 mm (plate), 560 x 405 mm (sheet). Title page from "Collection of some drawings by Barberi da [..]
211
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Various ornamental fragments
Lot of four plates from the series "Trophies of Octavian Augustus raised for the victory at Actium...": Facciata [..]
211
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Various ornamental fragments
Lot of four plates from the series "Trophies of Octavian Augustus raised for the victory at Actium...": Facciata [..]
212
Giovanni Ottaviani
(1808)
Raphael's loggias in the Vatican: Pillar II and Pillar XIV
Lot of two prints. Etching, approx. 1210 x 460 mm each. Both printed on two sheets joined. Specimens with splendid [..]
212
Giovanni Ottaviani
(1808)
Raphael's loggias in the Vatican: Pillar II and Pillar XIV
Lot of two prints. Etching, approx. 1210 x 460 mm each. Both printed on two sheets joined. Specimens with splendid [..]
213
Giovanni Ottaviani
(1808)
Raphael's loggias in the Vatican: Pillar III
Etching, approx. 1210 x 460 mm. Two sheets joined. Copy with splendid hand coloring, with exact colors as in [..]
213
Giovanni Ottaviani
(1808)
Raphael's loggias in the Vatican: Pillar III
Etching, approx. 1210 x 460 mm. Two sheets joined. Copy with splendid hand coloring, with exact colors as in [..]
214
Giovanni Ottaviani
(1808)
Raphae's Loggias in the Vatican: Pillar IV
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
214
Giovanni Ottaviani
(1808)
Raphae's Loggias in the Vatican: Pillar IV
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
215
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar V
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
215
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar V
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
216
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar VII
Etching, approx. 1210 x 460 mm Two sheets joined. With splendid hand coloring, with exact colors as in the Loggias. [..]
216
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar VII
Etching, approx. 1210 x 460 mm Two sheets joined. With splendid hand coloring, with exact colors as in the Loggias. [..]
217
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar VIII
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
217
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar VIII
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
218
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar XIII
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
218
Giovanni Ottaviani
(1808)
Raphael's Loggias in the Vatican: Pillar XIII
Etching, approx. 1210 x 460 mm. Two sheets joined. With splendid hand coloring, with exact colors as in the [..]
219
Christian Bernhard Rode
(1725 - 1797)
Wounded Dario receives water
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Fine impression on laid paper with a fragment [..]
219
Christian Bernhard Rode
(1725 - 1797)
Wounded Dario receives water
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Fine impression on laid paper with a fragment [..]
220
Giandomenico Tiepolo
(1727 - 1804)
The Triumph of Hercules
Etching, 690 x 507 mm (plate), 705 x 540 mm (sheet). 3rd state of 3. De Vesme 101. Very nice impression on laid [..]
220
Giandomenico Tiepolo
(1727 - 1804)
The Triumph of Hercules
Etching, 690 x 507 mm (plate), 705 x 540 mm (sheet). 3rd state of 3. De Vesme 101. Very nice impression on laid [..]
221
Giandomenico Tiepolo
(1727 - 1804)
Head of a bearded man wearing a turban
After Giovanni Battista Tiepolo. Etching, 118 x 83 mm (plate), 185 x 120 mm (sheet) De Vesme 156. Very nice [..]
221
Giandomenico Tiepolo
(1727 - 1804)
Head of a bearded man wearing a turban
After Giovanni Battista Tiepolo. Etching, 118 x 83 mm (plate), 185 x 120 mm (sheet) De Vesme 156. Very nice [..]
222
Giandomenico Tiepolo
(1727 - 1804)
Head of a man wearing a peasants hat
After Giovanni Battista Tiepolo. Etching, 135 x 105 mm (plate), 150 x 117 mm (sheet) De Vesme 172. Nice impression [..]
222
Giandomenico Tiepolo
(1727 - 1804)
Head of a man wearing a peasants hat
After Giovanni Battista Tiepolo. Etching, 135 x 105 mm (plate), 150 x 117 mm (sheet) De Vesme 172. Nice impression [..]
223
Francesco Bartolozzi
(1728 - 1815)
A family in prayer, after Guercino
Etching, 250 x 322 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
223
Francesco Bartolozzi
(1728 - 1815)
A family in prayer, after Guercino
Etching, 250 x 322 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
224
Francesco Bartolozzi
(1728 - 1815)
The Apparition of the Virgin to Three Saints, after Guercino
Etching, 302 x 413 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
224
Francesco Bartolozzi
(1728 - 1815)
The Apparition of the Virgin to Three Saints, after Guercino
Etching, 302 x 413 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
225
James Nevay
(1811)
Young Woman with a Flower, after Guercino
Etching, 250 x 180 mm (plate), 560 x 405 mm (sheet). Plate the "Collection of some drawings by Barberi da Cento [..]
225
James Nevay
(1811)
Young Woman with a Flower, after Guercino
Etching, 250 x 180 mm (plate), 560 x 405 mm (sheet). Plate the "Collection of some drawings by Barberi da Cento [..]
226
Giovanni Ottaviani
(1808)
The Liberation of a Prisoner, after Guercino
Etching, 302 x 413 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
226
Giovanni Ottaviani
(1808)
The Liberation of a Prisoner, after Guercino
Etching, 302 x 413 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings by Barberi da Cento [..]
227
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Part of the Ancient Appian Way, after Jean Baptiste LePrince
Etching, 275 x 235 mm (plate), 435 x 320 mm (sheet). Plate from the series "Recueil de griffonis, de vues, [..]
227
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Part of the Ancient Appian Way, after Jean Baptiste LePrince
Etching, 275 x 235 mm (plate), 435 x 320 mm (sheet). Plate from the series "Recueil de griffonis, de vues, [..]
228
Louis Félix de la Rue
(1731 - 1765)
Dance of the Satyrs
Etching, 181 x 258 mm. IFF 2. Very nice impression on laid paper. Copy with small margins, in very good condi [..]
228
Louis Félix de la Rue
(1731 - 1765)
Dance of the Satyrs
Etching, 181 x 258 mm. IFF 2. Very nice impression on laid paper. Copy with small margins, in very good condi [..]
229
Jean Honoré Fragonard
(1732 - 1806)
Two Prophets, after Annibale Carracci
After Carracci's painting the choir of Piacenza Cathedral. Etching, 93 x 135 mm. A fine copy on laid paper, [..]
229
Jean Honoré Fragonard
(1732 - 1806)
Two Prophets, after Annibale Carracci
After Carracci's painting the choir of Piacenza Cathedral. Etching, 93 x 135 mm. A fine copy on laid paper, [..]
230
Gaetano Gandolfi
(1734 - 1802)
Standing figure
Etching, 73 x 25 mm (plate); 94 x 36 mm (sheet). De Vesme 14. Very nice impression on laid paper. Old handwritten [..]
230
Gaetano Gandolfi
(1734 - 1802)
Standing figure
Etching, 73 x 25 mm (plate); 94 x 36 mm (sheet). De Vesme 14. Very nice impression on laid paper. Old handwritten [..]
231
Richard Earlom
(London, 1743 - 1822)
A fish market
After Frans Snyders and Jan Boeckhorst. Mezzotint, 415 x 580 mm (plate), 440 x 605 mm (sheet). Very nice impression [..]
231
Richard Earlom
(London, 1743 - 1822)
A fish market
After Frans Snyders and Jan Boeckhorst. Mezzotint, 415 x 580 mm (plate), 440 x 605 mm (sheet). Very nice impression [..]
232
Francisco Goya
(1746 - 1828)
El vergonzoso
Etching and aquatint, 215 x 147 mm (plate), 317 x 237 mm (sheet). Plate no. 54 from the series "Los Caprichos". [..]
232
Francisco Goya
(1746 - 1828)
El vergonzoso
Etching and aquatint, 215 x 147 mm (plate), 317 x 237 mm (sheet). Plate no. 54 from the series "Los Caprichos". [..]
233
Francisco Goya
(1746 - 1828)
Estan calientes
Etching and aquatint, 212 x 152 mm (plate), 255 x 170 mm (sheet). Plate no. 13 from the series "Los Caprichos". [..]
233
Francisco Goya
(1746 - 1828)
Estan calientes
Etching and aquatint, 212 x 152 mm (plate), 255 x 170 mm (sheet). Plate no. 13 from the series "Los Caprichos". [..]
234
Vincenzo Mazzi
(1748)
Scenography: interior of a church
Etching, 277 x 220 mm (sheet). A fine, fresh impression on laid paper, with wide preserved margins. Paper with [..]
234
Vincenzo Mazzi
(1748)
Scenography: interior of a church
Etching, 277 x 220 mm (sheet). A fine, fresh impression on laid paper, with wide preserved margins. Paper with [..]
235
Jean François Janinet
(1752 - 1814)
I.er Ruines Romaines
After Pernet. Three-color aquatint, 320 x 260 mm (sheet). A fine example printed on laid paper with watermark [..]
235
Jean François Janinet
(1752 - 1814)
I.er Ruines Romaines
After Pernet. Three-color aquatint, 320 x 260 mm (sheet). A fine example printed on laid paper with watermark [..]
236
Giovanni Battista Cecchi
Vi Piace o non vi piace?
Engraving and etching, 313 x 290 mm. Fine impression on laid paper. Trimmed, with trace of vertical fold, browning [..]
236
Giovanni Battista Cecchi
Vi Piace o non vi piace?
Engraving and etching, 313 x 290 mm. Fine impression on laid paper. Trimmed, with trace of vertical fold, browning [..]
237
Angelo Uggeri
(1754 - 1837)
Roma MDCC
1817
Etching and engraving, approx. 260 x 395 mm. Framed (44 x 58 x 3 cm). Slightly oxidized paper. It has not been [..]
237
Angelo Uggeri
(1754 - 1837)
Roma MDCC
1817
Etching and engraving, approx. 260 x 395 mm. Framed (44 x 58 x 3 cm). Slightly oxidized paper. It has not been [..]
239
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Battle scene with classical architecture
Aquatint and etching, 623 x 477 mm. Fine impression on laid paper. Trimmed but with very thin margins preserved. [..]
239
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Battle scene with classical architecture
Aquatint and etching, 623 x 477 mm. Fine impression on laid paper. Trimmed but with very thin margins preserved. [..]
240
Nicolas Schenker
(Parigi, 1760 - Ginevra, 1848)
Study with Urinating Putto, after Nicolas Poussin
Maniere de crayon, 524 x 350 mm (sheet). Plate from "Recueil de Têtes et de Figures choisies dans les plus beaux [..]
240
Nicolas Schenker
(Parigi, 1760 - Ginevra, 1848)
Study with Urinating Putto, after Nicolas Poussin
Maniere de crayon, 524 x 350 mm (sheet). Plate from "Recueil de Têtes et de Figures choisies dans les plus beaux [..]