334
Live auction
Old Master & Modern Prints and Drawings
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome, wed 16 April 2025
For information:
n.bukowska@bertolamifineart.com
n.bukowska@bertolamifineart.com
Highlights
Lot N. 125
Jacques Callot
(1592 - 1635)
The female beggar with the sticks
Etching. 140 x 91 mm. From the series "Les Mendiants". I state on 2. Lieure 494. Very fine impression on laid paper. Collection signature (not in Lugt) [..]
Estimate
€ 500,00 / 1.000,00
Lot N. 334
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
SE LA PIOGGIA FOSSE DI BITTER CAMPARI
Lithograph, 700 x 500 mm. Futurist manifesto. Fine impression on thin wove paper. In excellent condition.
Estimate
€ 2.000,00 / 4.000,00
Lot N. 296
Pierre Bonnard
(1867 - 1947)
Scène de famille, from "L'Estampe originale"
Lithograph, 585 x 415 mm (sheet). Signed n° 29 in pencil lower right. Blind stamp "L'ESTAMPE ORIGINAL" lower right (Lugt 819). Very nice impression, sheet in [..]
Estimate
€ 2.000,00 / 4.000,00
Lot N. 293
Gustave-Henri Jossot
(1866 - 1951)
The Wave
Black ink lithograph, 590 x 427 mm (sheet). Very fine, rich impression. Sheet with scattered foxing and some tears along edges.
Estimate
€ 1.000,00 / 2.000,00
Lot N. 137
Giovanni Benedetto Castiglione detto il Grechetto
(Genova, 1609 - Mantova, 1664)
The animals entering Noah's ark
Etching, 204 x 400 mm (plate), 286 x 415 mm (sheet). Bartsch XXI.10.1 Splendid and rich proof on laid paper with watermark. Copy with preserved margins. In very [..]
Estimate
€ 1.500,00 / 2.500,00
Lot N. 157
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Piazza del Popolo in Rome
After Cornelis Meijer. Etching, 220 x 423 mm (plate), 407 x 518 mm (sheet). Plate from "L'arte di restituire à Roma" (Rome, 1683). II state on 3. Hollstein 3. [..]
Estimate
€ 1.500,00 / 2.500,00
Lot N. 139
Stefano della Bella (Firenze, 1610 - 1664)
Romae in hortis Medicæis vas marmoreum eximium
Etching, 307 x 277 mm (plate), 342 x 298 mm (sheet). 2nd state of 3. De Vesme 832. Very fine impression with light plate-tone on laid paper with watermark. In [..]
Estimate
€ 1.000,00 / 2.000,00
Lot N. 74
Jan Harmensz. Muller
(1540 - 1617)
Cupid and Psyche, after Bartholomeus Spranger
Engraving, 365 x 522 mm. 2nd state with inscriptions. Bartsch III.286.70, New Hollstein 70. Superb impression on laid paper. Trimmed to the platemark, with the [..]
Estimate
€ 2.000,00 / 4.000,00
Lot N. 166
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), 340 x 470 mm (sheet). 1st state, before the initials [..]
Estimate
€ 4.000,00 / 6.000,00
Lot N. 167
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 mm (sheet). 2nd state of 3. Bromberg 24. Splendid [..]
Estimate
€ 4.000,00 / 6.000,00
Lot N. 168
Canal Giovanni Antonio Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), 372 x 495 mm (sheet). 3rd state of 3, with the addition [..]
Estimate
€ 2.000,00 / 3.000,00
Lot N. 177
Bernardo Bellotto detto Canaletto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression on laid paper. In very good condition, except [..]
Estimate
€ 3.000,00 / 6.000,00
1
Classical scene of sacrifice with royal procession
17th century Roman school
Ink and traces of pencil on laid paper with watermark, 146 x 279 mm.
1
Classical scene of sacrifice with royal procession
17th century Roman school
Ink and traces of pencil on laid paper with watermark, 146 x 279 mm.
2
Study of the Battle of Lepanto from the fresco at Palazzo Colonna
Roman artist late 17th century
Brown and black ink on laid paper with watermark (three moons), 288 x 488 mm
2
Study of the Battle of Lepanto from the fresco at Palazzo Colonna
Roman artist late 17th century
Brown and black ink on laid paper with watermark (three moons), 288 x 488 mm
3
Sketch of a sailing ship with detail of the figurehead
18th century Central Italian artist
Brown ink and pen on laid paper, 200 x 245 mm (sheet), 285 x 420 mm (with passe-partout). On the verso a handwritten [..]
3
Sketch of a sailing ship with detail of the figurehead
18th century Central Italian artist
Brown ink and pen on laid paper, 200 x 245 mm (sheet), 285 x 420 mm (with passe-partout). On the verso a handwritten [..]
4
Sketches for personal mottos
anonymous 17th century artist
Ink on laid paper with watermark, 136 x 183 mm. From the academic tradition of the "pale della Crusca" [..]
4
Sketches for personal mottos
anonymous 17th century artist
Ink on laid paper with watermark, 136 x 183 mm. From the academic tradition of the "pale della Crusca" [..]
5
Study of multiple figures in conversation
Italian artist late 17th century
Brown ink and watercolour on laid paper, 96 x 178 mm
5
Study of multiple figures in conversation
Italian artist late 17th century
Brown ink and watercolour on laid paper, 96 x 178 mm
6
Front: Study for the Baptism of Christ and Various Figures | Back: Various Anatomical Studies
Anonymous Italian artist of the 17th century
Ink on laid paper with watermark, approx. 200 x 272 mm.
6
Front: Study for the Baptism of Christ and Various Figures | Back: Various Anatomical Studies
Anonymous Italian artist of the 17th century
Ink on laid paper with watermark, approx. 200 x 272 mm.
7
Giandomenico Tiepolo
(1727 - 1804)
Sphere of
Two horses fallen in battle
Brown ink and watercolour on laid paper, 185 x 295 mm
7
Giandomenico Tiepolo
(1727 - 1804)
Sphere of
Two horses fallen in battle
Brown ink and watercolour on laid paper, 185 x 295 mm
8
Deposition
Venetian school of the 18th century
Charcoal, pencil and white lead on brown laid paper, 215 x 265 mm. Collector's mark lower right (Lugt 3446) [..]
8
Deposition
Venetian school of the 18th century
Charcoal, pencil and white lead on brown laid paper, 215 x 265 mm. Collector's mark lower right (Lugt 3446) [..]
9
Outdoor banquet scene
Venetian school of the 18th century
Ink, watercolour and traces of pencil on laid paper, 217 x 175 mm.
9
Outdoor banquet scene
Venetian school of the 18th century
Ink, watercolour and traces of pencil on laid paper, 217 x 175 mm.
10
Study for the decoration of a ceiling with angels and God the Father
Genoese school of the 18th century
Ink, watercolour and traces of black and red pencil on laid paper with watermark (letters BM), 320 x 225 mm. On [..]
10
Study for the decoration of a ceiling with angels and God the Father
Genoese school of the 18th century
Ink, watercolour and traces of black and red pencil on laid paper with watermark (letters BM), 320 x 225 mm. On [..]
11
Apollo with the Muses
18th century Italian artist
Ink, watercolour, white lead and traces of pencil on light blue backed paper, 125 x 220 mm.
11
Apollo with the Muses
18th century Italian artist
Ink, watercolour, white lead and traces of pencil on light blue backed paper, 125 x 220 mm.
12
Two figures in conversation in an interior
Anonymous 18th century artist
Brown ink, watercolour and traces of pencil on laid paper, 240 x 161 mm.
12
Two figures in conversation in an interior
Anonymous 18th century artist
Brown ink, watercolour and traces of pencil on laid paper, 240 x 161 mm.
13
Vito d'Anna
(Palermo, 1718 - 1769)
Attributed to
Decoration for a ceiling with a theory of angels and God the Father
Brown ink, watercolour and traces of pencil on laid paper with watermark, 195 x 264 mm
13
Vito d'Anna
(Palermo, 1718 - 1769)
Attributed to
Decoration for a ceiling with a theory of angels and God the Father
Brown ink, watercolour and traces of pencil on laid paper with watermark, 195 x 264 mm
14
Six sheets with studies of various birds
Anonymous artist late 18th century
Watercolor on thin laid paper, maximum size 175 x 240 mm.
14
Six sheets with studies of various birds
Anonymous artist late 18th century
Watercolor on thin laid paper, maximum size 175 x 240 mm.
15
Study from an ancient frieze (?)
19th century Italian artist
Ink, pen and watercolour on backed laid paper, 180 x 302 mm. Monogram AMZ lower left.
15
Study from an ancient frieze (?)
19th century Italian artist
Ink, pen and watercolour on backed laid paper, 180 x 302 mm. Monogram AMZ lower left.
16
Hector Giacomelli
(1822 - 1904)
Drawing for an illustration of Guliver
18th century artist
Ink on unlaid paper, 200 x 175 mm (sheet); 268 x 200 mm (support). Signed with monogram HC
16
Hector Giacomelli
(1822 - 1904)
Drawing for an illustration of Guliver
18th century artist
Ink on unlaid paper, 200 x 175 mm (sheet); 268 x 200 mm (support). Signed with monogram HC
17
Ceslaus of Krakow
Anonymous Italian artist of the 18th century
Brown ink on laid paper, 206 x 145 mm. In the background, the scene recalls the legend of the defense of Wroclaw [..]
17
Ceslaus of Krakow
Anonymous Italian artist of the 18th century
Brown ink on laid paper, 206 x 145 mm. In the background, the scene recalls the legend of the defense of Wroclaw [..]
18
Allegory of Justice
Neapolitan artist of the 18th century
Ink, watercolour and traces of pencil on thin laid paper with watermark, 198 x 292 mm
18
Allegory of Justice
Neapolitan artist of the 18th century
Ink, watercolour and traces of pencil on thin laid paper with watermark, 198 x 292 mm
19
Study for a satyr
Emilian artist of the 18th century
Sanguine on laid paper, with ancient backing, 327 x 237 mm.
19
Study for a satyr
Emilian artist of the 18th century
Sanguine on laid paper, with ancient backing, 327 x 237 mm.
Paper
20
View with arches and figures
18th century Venetian artist
Brown wash with traces of pencil on thick laid paper, 135 x 180 mm.
20
View with arches and figures
18th century Venetian artist
Brown wash with traces of pencil on thick laid paper, 135 x 180 mm.
21
The grape harvest
18th century French artist
Pen and black ink on laid paper, backed, 243 x 375 mm.
21
The grape harvest
18th century French artist
Pen and black ink on laid paper, backed, 243 x 375 mm.
22
Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with river
Pencil, ink and wash on laid paper, 147 x 240 mm. Framed (34 x 43 x 2 cm).
22
Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with river
Pencil, ink and wash on laid paper, 147 x 240 mm. Framed (34 x 43 x 2 cm).
23
Country landscape with boats
Dutch artist of the 18th-19th century
Ink on wove paper, 107 x 163 mm. Undecipherable signature lower right.
23
Country landscape with boats
Dutch artist of the 18th-19th century
Ink on wove paper, 107 x 163 mm. Undecipherable signature lower right.
25
Landscape with temple and obelisk in the background
Neoclassical artist
Ink and watercolor on laid paper, 148 x 208 mm
25
Landscape with temple and obelisk in the background
Neoclassical artist
Ink and watercolor on laid paper, 148 x 208 mm
26
Recto: Color study for a landing | Verso: Ink sketch for a landing
Neoclassical artist
Front: brown ink and watercolour on paper, back: brown ink and traces of pencil, 132 x 220 mm.
26
Recto: Color study for a landing | Verso: Ink sketch for a landing
Neoclassical artist
Front: brown ink and watercolour on paper, back: brown ink and traces of pencil, 132 x 220 mm.
27
Escape of a tubercle bacillus from the Berin University
19th century Italian artist
Pen, ink and traces of pencil on wove paper, 220 x 320 mm. On the back an inscription attributing the drawing [..]
27
Escape of a tubercle bacillus from the Berin University
19th century Italian artist
Pen, ink and traces of pencil on wove paper, 220 x 320 mm. On the back an inscription attributing the drawing [..]
28
Architectural view with figures
19th century Emilian artist
Pencil on vellum mounted on heavier paper, 335 x 340 mm.
28
Architectural view with figures
19th century Emilian artist
Pencil on vellum mounted on heavier paper, 335 x 340 mm.
29
Drawing album: Rome and surroundings
Grand Tour artist
Brown ink, pen, watercolor and pencil on thirty one sheets of wove paper, 125 x 90 mm. Leather binding.
29
Drawing album: Rome and surroundings
Grand Tour artist
Brown ink, pen, watercolor and pencil on thirty one sheets of wove paper, 125 x 90 mm. Leather binding.
30
Sketchbook: Military Portraits
Artist of the early 19th century
Pencil on blue laid paper, 195 x 145 mm. Leather binding. The album contains twenty one drawings.
30
Sketchbook: Military Portraits
Artist of the early 19th century
Pencil on blue laid paper, 195 x 145 mm. Leather binding. The album contains twenty one drawings.
31
Statue of Eros in front of the Temple of Diana at Villa Albani, Rome
1826, anonymous Grand Tour artist
Pencil on vellum paper, mounted on wove paper, 250 x 195 mm.
31
Statue of Eros in front of the Temple of Diana at Villa Albani, Rome
1826, anonymous Grand Tour artist
Pencil on vellum paper, mounted on wove paper, 250 x 195 mm.
32
Preparatory study for capture scene
19th century Italian artist
Pencil and watercolor on wove paper, 138 x 222 mm
32
Preparatory study for capture scene
19th century Italian artist
Pencil and watercolor on wove paper, 138 x 222 mm
34
Group of five loose sheets with a mythological theme
Pencil on laid paper, a) cm. 11x16.5; b) cm. 14x19; c) cm. 13.5x18; d) cm. 21x28; e) cm. 20.5x28.5.
34
Group of five loose sheets with a mythological theme
Pencil on laid paper, a) cm. 11x16.5; b) cm. 14x19; c) cm. 13.5x18; d) cm. 21x28; e) cm. 20.5x28.5.
35
Series of eight sketches with various subjects
Late 19th century artist
Pencil and ink on different papers, maximum size 270 x 245 mm.
35
Series of eight sketches with various subjects
Late 19th century artist
Pencil and ink on different papers, maximum size 270 x 245 mm.
36
Group of five drawings of different subjects
Lot of five drawings: Study for two figures , brown ink and pencil traces on laid paper, 155 x 210 mm Massacre [..]
36
Group of five drawings of different subjects
Lot of five drawings: Study for two figures , brown ink and pencil traces on laid paper, 155 x 210 mm Massacre [..]
37
Hans Burgkmair il Vecchio
(1473 - 1531)
Five Bear Hunters, from "Triumphs of Maximilian"
Woodcut, 390 x 345 mm. Plate no. 14 of a set of 139 known plates that make up a monumental frieze depicting an [..]
37
Hans Burgkmair il Vecchio
(1473 - 1531)
Five Bear Hunters, from "Triumphs of Maximilian"
Woodcut, 390 x 345 mm. Plate no. 14 of a set of 139 known plates that make up a monumental frieze depicting an [..]
38
Hans Burgkmair il Vecchio
(1473 - 1531)
Wolfgang von Polheim, duelling master, from from "Triumphs of Maximilian"
Woodcut, 390 x 365 mm. Plate no. 44 of a set of 139 plates that make up a monumental frieze, depicting an allegorical [..]
38
Hans Burgkmair il Vecchio
(1473 - 1531)
Wolfgang von Polheim, duelling master, from from "Triumphs of Maximilian"
Woodcut, 390 x 365 mm. Plate no. 44 of a set of 139 plates that make up a monumental frieze, depicting an allegorical [..]
39
Hans Burgkmair il Vecchio
(1473 - 1531)
Lute and Viola Music, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 17 and 18 of a set of 139 plates that make up a monumental [..]
39
Hans Burgkmair il Vecchio
(1473 - 1531)
Lute and Viola Music, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 17 and 18 of a set of 139 plates that make up a monumental [..]
40
Hans Burgkmair il Vecchio
(1473 - 1531)
Landsknechts, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 91-93 of a set of 139 plates that make up a monumental [..]
40
Hans Burgkmair il Vecchio
(1473 - 1531)
Landsknechts, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 91-93 of a set of 139 plates that make up a monumental [..]
41
Albrecht Durer
(1471 - 1528)
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple
Engraving, 118 x 74 mm. Meder 18; Bartsch VII.40.18. Very nice impression (Meder a?). Trimmed example, with [..]
41
Albrecht Durer
(1471 - 1528)
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple
Engraving, 118 x 74 mm. Meder 18; Bartsch VII.40.18. Very nice impression (Meder a?). Trimmed example, with [..]
42
Albrecht Durer
(1471 - 1528)
The Last Supper
From "The Little Passion". Woodcut, 127 x 99 mm. Meder 133. Fine impression of the third edition (Meder IIIb?), [..]
42
Albrecht Durer
(1471 - 1528)
The Last Supper
From "The Little Passion". Woodcut, 127 x 99 mm. Meder 133. Fine impression of the third edition (Meder IIIb?), [..]
43
Albrecht Durer
(1471 - 1528)
Jesus before Caiaphas
From "The Little Passion". Woodcut, 128 x 98 mm. Meder 138. Fine impression of the third edition (Meder IIIc), [..]
43
Albrecht Durer
(1471 - 1528)
Jesus before Caiaphas
From "The Little Passion". Woodcut, 128 x 98 mm. Meder 138. Fine impression of the third edition (Meder IIIc), [..]
44
Albrecht Durer
(1471 - 1528)
Jesus before Annas
From "The Little Passion". Woodcut, 128 x98 mm. Meder 144. Impression of the third edition (Meder IIIb/c?), [..]
44
Albrecht Durer
(1471 - 1528)
Jesus before Annas
From "The Little Passion". Woodcut, 128 x98 mm. Meder 144. Impression of the third edition (Meder IIIb/c?), [..]
45
Albrecht Durer
(1471 - 1528)
Pilate washes his hands
From "The Little Passion". Woodcut, 129 x 10 mm. Meder 145. Fine impression of the third edition (Meder IIId?), [..]
45
Albrecht Durer
(1471 - 1528)
Pilate washes his hands
From "The Little Passion". Woodcut, 129 x 10 mm. Meder 145. Fine impression of the third edition (Meder IIId?), [..]
46
Albrecht Durer
(1471 - 1528)
Crucifixion
From "The Little Passion". Woodcut, 130 x 103 mm (sheet). Meder 149; Bartsch VII.120.40. A fine example of [..]
46
Albrecht Durer
(1471 - 1528)
Crucifixion
From "The Little Passion". Woodcut, 130 x 103 mm (sheet). Meder 149; Bartsch VII.120.40. A fine example of [..]
47
Monogrammista GA detto Maestro del Trabocchetto
Base in the Temple of Jupiter under the Capitol in Rome
Engraving, 335 x 217 mm (plate), approx. 564 x 435 mm (sheet). With the address of Hendrik van Schoel (c. 1565-1622). [..]
47
Monogrammista GA detto Maestro del Trabocchetto
Base in the Temple of Jupiter under the Capitol in Rome
Engraving, 335 x 217 mm (plate), approx. 564 x 435 mm (sheet). With the address of Hendrik van Schoel (c. 1565-1622). [..]
48
Monogrammista IK
Landam
Woodcut, 283 x 189 mm (sheet). Plate from Wappen des heyligen Römischen Reichs Teutscher Nation (Frankfurt: [..]
48
Monogrammista IK
Landam
Woodcut, 283 x 189 mm (sheet). Plate from Wappen des heyligen Römischen Reichs Teutscher Nation (Frankfurt: [..]
49
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Massacre of the Innocents
Misleading copy in the same direction after Marcantonio. Burin, 278 x 430 mm. Delaborde 8 (attributed to Marco [..]
49
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Massacre of the Innocents
Misleading copy in the same direction after Marcantonio. Burin, 278 x 430 mm. Delaborde 8 (attributed to Marco [..]
50
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Ancient bas-reliefs
Almost complete series, with 7 of the 8 engravings of the "Ancient bas-reliefs" series. Engraving, approx. 115 [..]
50
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Ancient bas-reliefs
Almost complete series, with 7 of the 8 engravings of the "Ancient bas-reliefs" series. Engraving, approx. 115 [..]
51
Marco Dente detto Marco da Ravenna
(1493 - 1527)
The Abduction of Helen, after Raphael
Engraving, 310 x 443 mm. 2nd state of 3, with the address of Antonio Salamanca. Bartsch XIV.171.210. Printed [..]
51
Marco Dente detto Marco da Ravenna
(1493 - 1527)
The Abduction of Helen, after Raphael
Engraving, 310 x 443 mm. 2nd state of 3, with the address of Antonio Salamanca. Bartsch XIV.171.210. Printed [..]
52
Hans Sebald Beham
(1500 - 1550)
Two couples and a Jester
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. Very fine, fresh [..]
52
Hans Sebald Beham
(1500 - 1550)
Two couples and a Jester
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. Very fine, fresh [..]
53
Nicolò Boldrini
(1510 - 1570)
St. Jerome in the Desert, after Titian
Woodcut, 395 x 532 mm. Rosand & Muraro, Titian and the Venetian Woodcut, 1976, n.22. Printed on laid paper. [..]
53
Nicolò Boldrini
(1510 - 1570)
St. Jerome in the Desert, after Titian
Woodcut, 395 x 532 mm. Rosand & Muraro, Titian and the Venetian Woodcut, 1976, n.22. Printed on laid paper. [..]
54
Giorgio Ghisi detto il Mantovano (1520-1582)
Cupid and Psyche, after Giulio Romano
Engraving, 352 x 235 mm. I state of 4, prior to any publisher's address. Lewis 50, Bartsch XV.403.45. Very fine [..]
54
Giorgio Ghisi detto il Mantovano (1520-1582)
Cupid and Psyche, after Giulio Romano
Engraving, 352 x 235 mm. I state of 4, prior to any publisher's address. Lewis 50, Bartsch XV.403.45. Very fine [..]
55
Jacques Androuet Du Cerceau
(1586)
Grotesques
Lot of three prints. Etching, 232 x 167; 240 x 167; 260 x 167 mm. Fine impression on laid paper. Two sheets [..]
55
Jacques Androuet Du Cerceau
(1586)
Grotesques
Lot of three prints. Etching, 232 x 167; 240 x 167; 260 x 167 mm. Fine impression on laid paper. Two sheets [..]
56
The Virgin and Child
Anonymous 16th century engraver
Engraving, 317 x 220 mm. Fine impression, printed on laid paper with watermark. In very good condition.
56
The Virgin and Child
Anonymous 16th century engraver
Engraving, 317 x 220 mm. Fine impression, printed on laid paper with watermark. In very good condition.
57
Cesare Vecellio
Assumption of the Virgin
Woodcut, 457 x355 mm. Passavant (as Cesare Vecellio) VI.233.51. Printed on laid paper with watermark. Trace [..]
57
Cesare Vecellio
Assumption of the Virgin
Woodcut, 457 x355 mm. Passavant (as Cesare Vecellio) VI.233.51. Printed on laid paper with watermark. Trace [..]
58
Simon Goulart
(1543 - 1628)
Synod of Dordt
1619
Caricature of the Synod of Dordt in 1618-1619. Etching, 292 x 212 mm. Fine impression on thin laid paper with [..]
58
Simon Goulart
(1543 - 1628)
Synod of Dordt
1619
Caricature of the Synod of Dordt in 1618-1619. Etching, 292 x 212 mm. Fine impression on thin laid paper with [..]
59
Maarten de Vos
(Anversa, 1532 - 1603)
After
Acts of mercy
Lot of four plates from a series of seven, taken from the "Theatrum Biblicum" published by Visscher in Amsterdam. [..]
59
Maarten de Vos
(Anversa, 1532 - 1603)
After
Acts of mercy
Lot of four plates from a series of seven, taken from the "Theatrum Biblicum" published by Visscher in Amsterdam. [..]
60
Etienne Dupérac
(1604)
I vestigi dell'antichità di Roma raccolti et ritratti in perspettiva...
Lot of thirteen plates from the work "I vestigi dell'antichità di Roma raccolti et ritratti in perspettiva". Etching, [..]
60
Etienne Dupérac
(1604)
I vestigi dell'antichità di Roma raccolti et ritratti in perspettiva...
Lot of thirteen plates from the work "I vestigi dell'antichità di Roma raccolti et ritratti in perspettiva". Etching, [..]
61
Philip Galle
(1537 - 1612)
Triumph of Time | Triumph of Fame | Triumph of Virtue | Triumph of Christ
After Martin van Heemskerk. Lot of four plates from the series "The Six Triumphs of Petrarch". Engraving, 193 [..]
61
Philip Galle
(1537 - 1612)
Triumph of Time | Triumph of Fame | Triumph of Virtue | Triumph of Christ
After Martin van Heemskerk. Lot of four plates from the series "The Six Triumphs of Petrarch". Engraving, 193 [..]
62
Philip Galle
(1537 - 1612)
Fishing with nets in the Arno, After Giovanni Stradano
From the series "Venationes Ferarum, Avium, Piscium". Engraving, 215 x 297 mm (plate), 255 x 345 mm (sheet). New [..]
62
Philip Galle
(1537 - 1612)
Fishing with nets in the Arno, After Giovanni Stradano
From the series "Venationes Ferarum, Avium, Piscium". Engraving, 215 x 297 mm (plate), 255 x 345 mm (sheet). New [..]
63
Philip Galle
(1537 - 1612)
Lot's drunkenness
After Anton von Blockland. From the series "The Story of Lot". Engraving, 218 x 286 mm (sheet). New Hollstein [..]
63
Philip Galle
(1537 - 1612)
Lot's drunkenness
After Anton von Blockland. From the series "The Story of Lot". Engraving, 218 x 286 mm (sheet). New Hollstein [..]
64
Cornelis Galle I
(1576 - 1650)
Ecce Homo, after Correggio
Etching and engraving, 315 x 226 mm (sheet). A clear, nicely inked example, printed on thin laid paper with [..]
64
Cornelis Galle I
(1576 - 1650)
Ecce Homo, after Correggio
Etching and engraving, 315 x 226 mm (sheet). A clear, nicely inked example, printed on thin laid paper with [..]
65
Monogrammista A
Flora | Pomona
Lot of two prints after Frans Floris - reverse copies after Cornelis Cort, published by Jan Claesz Visscher. [..]
65
Monogrammista A
Flora | Pomona
Lot of two prints after Frans Floris - reverse copies after Cornelis Cort, published by Jan Claesz Visscher. [..]
66
Paolo Farinati
(Verona, 1524 - 1606)
Mary Magdalene in the desert
Aquaforte, 200 x 138 mm. Bartsch XVI.164.2. Very nice impression on laid paper with watermark. Trimmed, with [..]
66
Paolo Farinati
(Verona, 1524 - 1606)
Mary Magdalene in the desert
Aquaforte, 200 x 138 mm. Bartsch XVI.164.2. Very nice impression on laid paper with watermark. Trimmed, with [..]
67
Enea Vico
(1523 - 1567)
The Magnanimity of Scipio Africanus
Engraving, 388 x 543 mm (sheet). Bartsch XV.30.3 A fine example with light plate-tone and wide margins, printed [..]
67
Enea Vico
(1523 - 1567)
The Magnanimity of Scipio Africanus
Engraving, 388 x 543 mm (sheet). Bartsch XV.30.3 A fine example with light plate-tone and wide margins, printed [..]
68
Étienne Delaune
(1583)
Adlocution
1570
Engraving, 68 x 77 mm. Robert-Dumesnil IX.35.66 Fine impression on laid paper. Tiny lack in the upper right [..]
68
Étienne Delaune
(1583)
Adlocution
1570
Engraving, 68 x 77 mm. Robert-Dumesnil IX.35.66 Fine impression on laid paper. Tiny lack in the upper right [..]
69
Étienne Delaune
(1583)
The Martyrdom of Saint Felicitas of Rome | Trajan crowned by Victory
Lot of two engravings: The Martyrdom of Saint Felicitas of Rome Engraving, 83 x 130 mm. Robert-Dumesnil IX.92.306. [..]
69
Étienne Delaune
(1583)
The Martyrdom of Saint Felicitas of Rome | Trajan crowned by Victory
Lot of two engravings: The Martyrdom of Saint Felicitas of Rome Engraving, 83 x 130 mm. Robert-Dumesnil IX.92.306. [..]
70
Pieter Jalhea Furnius
(Liegi)
The Parable of the Weeds (Matthew 24-30)
After Gerard van Groeningen. Lot of three plates from "Theatrum Biblicum...". Engraving, approx. 201 x 248 mm [..]
70
Pieter Jalhea Furnius
(Liegi)
The Parable of the Weeds (Matthew 24-30)
After Gerard van Groeningen. Lot of three plates from "Theatrum Biblicum...". Engraving, approx. 201 x 248 mm [..]
71
Ambrosius Francken
(1618)
Jesus at the home of Martha and Mary
Engraving, 205 x 253 mm (plate), 325 x 385 mm (sheet). Plate from "Theatrum Biblicum...", published by Visscher [..]
71
Ambrosius Francken
(1618)
Jesus at the home of Martha and Mary
Engraving, 205 x 253 mm (plate), 325 x 385 mm (sheet). Plate from "Theatrum Biblicum...", published by Visscher [..]
72
Pieter Jalhea Furnius
(Liegi)
Cornelia, the Mother of the Gracchi
After Giovanni Stradano, from the series "Stories of Famous Roman Women". Engraving, 219 x 295 mm. Hollstein 19; [..]
72
Pieter Jalhea Furnius
(Liegi)
Cornelia, the Mother of the Gracchi
After Giovanni Stradano, from the series "Stories of Famous Roman Women". Engraving, 219 x 295 mm. Hollstein 19; [..]
73
Girolamo Fagiuoli
(1574)
Wounded Hector Carried into Troy, da Francesco Primaticcio
Engraving, 255 x 387 mm. Bartsch XV.415.1 (Ghisi); Bellini (Ghisi) 5; Nagler II.2115, 2914. Trimmed but with [..]
73
Girolamo Fagiuoli
(1574)
Wounded Hector Carried into Troy, da Francesco Primaticcio
Engraving, 255 x 387 mm. Bartsch XV.415.1 (Ghisi); Bellini (Ghisi) 5; Nagler II.2115, 2914. Trimmed but with [..]
74
Jan Harmensz. Muller
(1540 - 1617)
Cupid and Psyche, after Bartholomeus Spranger
Engraving, 365 x 522 mm. 2nd state with inscriptions. Bartsch III.286.70, New Hollstein 70. Superb impression [..]
74
Jan Harmensz. Muller
(1540 - 1617)
Cupid and Psyche, after Bartholomeus Spranger
Engraving, 365 x 522 mm. 2nd state with inscriptions. Bartsch III.286.70, New Hollstein 70. Superb impression [..]
75
Jan (Johannes) Sadeler
(1550 - 1600)
Madonna of Reggio, after Lelio Orsi
Engraving, 148 x 105 mm (sheet). Hollstein 291. A fine example on laid paper. Trimmed to the platemark, but [..]
75
Jan (Johannes) Sadeler
(1550 - 1600)
Madonna of Reggio, after Lelio Orsi
Engraving, 148 x 105 mm (sheet). Hollstein 291. A fine example on laid paper. Trimmed to the platemark, but [..]
76
Jan (Johannes) Sadeler
(1550 - 1600)
The Journey of the Magi
Lot of three prints. Engraving, approx. 212 x 255 mm (each plate), 320 x 395 mm (each sheet). From "Theatrum Biblicum...". [..]
76
Jan (Johannes) Sadeler
(1550 - 1600)
The Journey of the Magi
Lot of three prints. Engraving, approx. 212 x 255 mm (each plate), 320 x 395 mm (each sheet). From "Theatrum Biblicum...". [..]
77
Hieronymus Wierix
(1553 - 1619)
Fortitude | Temperance
After Giovanni Stradano. From the series "Virtutum theologicarum et cardinalium". Engraving, approx. 185 x 132 [..]
77
Hieronymus Wierix
(1553 - 1619)
Fortitude | Temperance
After Giovanni Stradano. From the series "Virtutum theologicarum et cardinalium". Engraving, approx. 185 x 132 [..]
78
Antonius Wierix II
(1552)
The Sermon of St. John the Baptist, after Maerten de Vos
Engraving, 210 x 298 mm (plate), 325 x 375 mm (sheet). Taken from the series "Theatrum Biblicum, hoc est, Historiae [..]
78
Antonius Wierix II
(1552)
The Sermon of St. John the Baptist, after Maerten de Vos
Engraving, 210 x 298 mm (plate), 325 x 375 mm (sheet). Taken from the series "Theatrum Biblicum, hoc est, Historiae [..]
79
Hendrik Goltzius
(1558 - 1617)
Crucifixion
From the series of twelve plates of "The Passion of Christ". Engraving, 196 x 130 mm. Hollstein 30. Nice impression [..]
79
Hendrik Goltzius
(1558 - 1617)
Crucifixion
From the series of twelve plates of "The Passion of Christ". Engraving, 196 x 130 mm. Hollstein 30. Nice impression [..]
80
Hendrik Goltzius
(1558 - 1617)
Gaius Mucius Scaevola
Engraving, 345 x 230 mm. Bartsch III.35.98; Hollstein 164. Impression on laid paper. Trimmed, missing the lower [..]
80
Hendrik Goltzius
(1558 - 1617)
Gaius Mucius Scaevola
Engraving, 345 x 230 mm. Bartsch III.35.98; Hollstein 164. Impression on laid paper. Trimmed, missing the lower [..]
81
Hendrik Goltzius
(1558 - 1617)
Workshop of
The Iron Age | The Giants | Lycaon turned into a wolf
Lot of three prints from the series "Ovid's Metamorphoses". Engraving, approx. 176 x 255 mm (each plate); approx. [..]
81
Hendrik Goltzius
(1558 - 1617)
Workshop of
The Iron Age | The Giants | Lycaon turned into a wolf
Lot of three prints from the series "Ovid's Metamorphoses". Engraving, approx. 176 x 255 mm (each plate); approx. [..]
82
Hendrik Goltzius
(1558 - 1617)
The Martyrdom of Saint Simon and Saint Jude Thaddeus, after Martin de Vos
Engraving, 210 x 285 mm (plate), 325 x 400 mm (sheet). II state, after the cancellation of the address “Aux 4 [..]
82
Hendrik Goltzius
(1558 - 1617)
The Martyrdom of Saint Simon and Saint Jude Thaddeus, after Martin de Vos
Engraving, 210 x 285 mm (plate), 325 x 400 mm (sheet). II state, after the cancellation of the address “Aux 4 [..]
83
Hendrik Goltzius
(1558 - 1617)
Martyrdom of Saint Matthias, after Martin de Vos
Engraving, 205 x 280 mm (plate), 325 x 400 mm (sheet). II state, after the removal of the address “Aux 4 vents" [..]
83
Hendrik Goltzius
(1558 - 1617)
Martyrdom of Saint Matthias, after Martin de Vos
Engraving, 205 x 280 mm (plate), 325 x 400 mm (sheet). II state, after the removal of the address “Aux 4 vents" [..]
84
Hendrik Goltzius
(1558 - 1617)
St. Paul bitten by a viper, after Giovanni Stradano
Engraving, 195 x 262 mm (plate), 240 x 312 mm (sheet). From the series “Acts of the Apostles”, published by Philippe [..]
84
Hendrik Goltzius
(1558 - 1617)
St. Paul bitten by a viper, after Giovanni Stradano
Engraving, 195 x 262 mm (plate), 240 x 312 mm (sheet). From the series “Acts of the Apostles”, published by Philippe [..]
85
Hendrik Goltzius
(1558 - 1617)
Johannes Medices Parmensi bello..., after Giovanni Stradano
Engraving, 220 x 293 mm (plate), 250 x 365 mm (sheet). Plate from the series "Mediceae Familiae rerum feliciter [..]
85
Hendrik Goltzius
(1558 - 1617)
Johannes Medices Parmensi bello..., after Giovanni Stradano
Engraving, 220 x 293 mm (plate), 250 x 365 mm (sheet). Plate from the series "Mediceae Familiae rerum feliciter [..]
86
Jan van der Straet Giovanni Stradano
(1523 - 1605)
After
The Siege of Milan
Engraving, 215 x 294 mm (plate), 250 x 363 mm (sheet). Plate from the series "Mediceae Familiae Rerum Feliciter [..]
86
Jan van der Straet Giovanni Stradano
(1523 - 1605)
After
The Siege of Milan
Engraving, 215 x 294 mm (plate), 250 x 363 mm (sheet). Plate from the series "Mediceae Familiae Rerum Feliciter [..]
87
Jan van der Straet Giovanni Stradano
(1523 - 1605)
After
Battle of the Adda River
Engraving, 220 x 295 mm (plate), 250 x 363 mm (sheet). Plate from the series "Mediceae Familiae Rerum Feliciter [..]
87
Jan van der Straet Giovanni Stradano
(1523 - 1605)
After
Battle of the Adda River
Engraving, 220 x 295 mm (plate), 250 x 363 mm (sheet). Plate from the series "Mediceae Familiae Rerum Feliciter [..]
88
Nicolas de Bruyn
(1571 - 1656)
Virginia | Veturia | Lucretia
Lot of three prints from the series "Portraits of heroines of ancient history". Engraving, approx. 195 x 115 mm [..]
88
Nicolas de Bruyn
(1571 - 1656)
Virginia | Veturia | Lucretia
Lot of three prints from the series "Portraits of heroines of ancient history". Engraving, approx. 195 x 115 mm [..]
89
Jan Collaert
(1560 - 1618)
Magdalene washing the feet of Christ in the House of Simon, after Maarten de Vos.
Engraving, 200 x 280 mm (plate), 325 x 380 mm (sheet). From the series "Theatrum Biblicum...". New Hollstein (The [..]
89
Jan Collaert
(1560 - 1618)
Magdalene washing the feet of Christ in the House of Simon, after Maarten de Vos.
Engraving, 200 x 280 mm (plate), 325 x 380 mm (sheet). From the series "Theatrum Biblicum...". New Hollstein (The [..]
90
Crispijn de Passe I
(1637)
The parable of Lazarus and the rich man, after Martin de Vos
Engraving and etching, 247 x 290 mm (sheet). Very nice impression on thin laid paper with watermark (Moon). [..]
90
Crispijn de Passe I
(1637)
The parable of Lazarus and the rich man, after Martin de Vos
Engraving and etching, 247 x 290 mm (sheet). Very nice impression on thin laid paper with watermark (Moon). [..]
91
Crispijn de Passe I
(1637)
Five senses
Complete series of five prints. Etching and engraving, 185 x 226, 183 x 235, 182 x 231, 185 x 227, 181 x 236 mm [..]
91
Crispijn de Passe I
(1637)
Five senses
Complete series of five prints. Etching and engraving, 185 x 226, 183 x 235, 182 x 231, 185 x 227, 181 x 236 mm [..]
92
Philippe Thomassin
(1562 - 1622)
Vita et miracula S. Catharinae Senen triplici idiomate Latino, Italo ac Hyspano descripta humani generis redemptoridicata
1608
Complete series of thirty-four plates. Engraving and etching, approx. 268 x 200 mm (each sheet). Bruwaert 284. [..]
92
Philippe Thomassin
(1562 - 1622)
Vita et miracula S. Catharinae Senen triplici idiomate Latino, Italo ac Hyspano descripta humani generis [..]
1608
Complete series of thirty-four plates. Engraving and etching, approx. 268 x 200 mm (each sheet). Bruwaert 284. [..]
93
Matthias Greuter
(1638)
Diana and Callisto, after Titian
Engraving, 468 x 370 mm (plate), 537 x 390 mm (sheet). Nagler (Monogrammist MGF) IV.1855. Fine impression with [..]
93
Matthias Greuter
(1638)
Diana and Callisto, after Titian
Engraving, 468 x 370 mm (plate), 537 x 390 mm (sheet). Nagler (Monogrammist MGF) IV.1855. Fine impression with [..]
94
Agostino Carracci
(1557 - 1602)
The Madonna of Saint Jerome, after Correggio
Burin, 462 x 330 mm. IV of 4 states, with the address of Doma and Valegio. Bartsch XVIII.87.95; DeGrazia 142. [..]
94
Agostino Carracci
(1557 - 1602)
The Madonna of Saint Jerome, after Correggio
Burin, 462 x 330 mm. IV of 4 states, with the address of Doma and Valegio. Bartsch XVIII.87.95; DeGrazia 142. [..]
95
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice, from "Lascivie"
Engraving, 149 x 103 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. Bartsch XVIII.107.123, [..]
95
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice, from "Lascivie"
Engraving, 149 x 103 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. Bartsch XVIII.107.123, [..]
96
Agostino Carracci
(1557 - 1602)
Sapientia Martem depellante Pax et Abundantia cogaudent, by Tintoretto
Engraving, 245 x 322 mm. III state out of 4. Bohlin 148; Bartsch XVIII.105.118. Impression printed on laid paper, [..]
96
Agostino Carracci
(1557 - 1602)
Sapientia Martem depellante Pax et Abundantia cogaudent, by Tintoretto
Engraving, 245 x 322 mm. III state out of 4. Bohlin 148; Bartsch XVIII.105.118. Impression printed on laid paper, [..]
97
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
After
Saint Roch Giving Alms
Anonymous Italian engraver of the 17th century
Etching, 286 x 447 mm. Borea, Annibale Carracci and his engravers, 4. Rare. Fine impression on laid paper. Trimmed, [..]
97
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
After
Saint Roch Giving Alms
Anonymous Italian engraver of the 17th century
Etching, 286 x 447 mm. Borea, Annibale Carracci and his engravers, 4. Rare. Fine impression on laid paper. Trimmed, [..]
98
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Chamaenerion
Engraving and etching, 520 x 405 mm (sheet). Find, hand-colored impression, with very light plate-tone. From [..]
98
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Chamaenerion
Engraving and etching, 520 x 405 mm (sheet). Find, hand-colored impression, with very light plate-tone. From [..]
99
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Amerius pleno rubro flore
Engraving and etching, 520 x 405 mm (sheet). A fine hand-coloured impression from the first edition of 1613, [..]
99
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Amerius pleno rubro flore
Engraving and etching, 520 x 405 mm (sheet). A fine hand-coloured impression from the first edition of 1613, [..]
100
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Caryophyllus sylvestris flore laciniato carneo
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
100
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Caryophyllus sylvestris flore laciniato carneo
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
101
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Cataputia vulgaris
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
101
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Cataputia vulgaris
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
102
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Linaria aurea
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
102
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Linaria aurea
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
103
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Ageratum
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression. Printed on [..]
103
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Ageratum
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression. Printed on [..]
104
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
After
Nicolas Beatrizet
(1573)
Based on
The Fall of Phaeton
17th century copy of the famous print by Nicolas Beatrizet (1515 - 1566 ca.) after Michelangelo, published by [..]
104
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
After
Nicolas Beatrizet
(1573)
Based on
The Fall of Phaeton
17th century copy of the famous print by Nicolas Beatrizet (1515 - 1566 ca.) after Michelangelo, published by [..]
105
Cherubino Alberti
(1553 - 1615)
Nuda Veritas
Etching, 650 x 470 mm (sheet). Bartsch XVII.74.67. Fine impression printed on a large portion of 17th century [..]
105
Cherubino Alberti
(1553 - 1615)
Nuda Veritas
Etching, 650 x 470 mm (sheet). Bartsch XVII.74.67. Fine impression printed on a large portion of 17th century [..]
106
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Large [..]
106
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Large [..]
107
Giacomo Lauro
(1560 - 1645)
Palazzi diversi nel'alma cità di Roma et altre
1655
Lot of five engravings from the work "Palazzi diversi nel'alma cità di Roma et altre. Ad instanza di Giambattista [..]
107
Giacomo Lauro
(1560 - 1645)
Palazzi diversi nel'alma cità di Roma et altre
1655
Lot of five engravings from the work "Palazzi diversi nel'alma cità di Roma et altre. Ad instanza di Giambattista [..]
108
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Trimmed, [..]
108
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Trimmed, [..]
109
Francesco Villamena
(1566 - 1626)
Battle of Las Navas de Tolosa, after Antonio Tempesta
Etching, 380 x 505 mm. Leuschner, Eckhard, and Philippe Rouillard. “Metamorphoses of a Plate: 'The Battle of Las [..]
109
Francesco Villamena
(1566 - 1626)
Battle of Las Navas de Tolosa, after Antonio Tempesta
Etching, 380 x 505 mm. Leuschner, Eckhard, and Philippe Rouillard. “Metamorphoses of a Plate: 'The Battle of Las [..]
110
Francesco Villamena
(1566 - 1626)
Caesar Baronius
Etching, 342 x 210 mm (plate), 410 x 270 mm (sheet). Very nice impression on laid paper with watermark. Sheet [..]
110
Francesco Villamena
(1566 - 1626)
Caesar Baronius
Etching, 342 x 210 mm (plate), 410 x 270 mm (sheet). Very nice impression on laid paper with watermark. Sheet [..]
111
Ventura Salimbeni
(Siena, 1568 - 1613)
The Marriage of the Virgin
Etching, 210 x 146 mm. State not described, with part of the address "St. Fo. Ro." erased and the addition of [..]
111
Ventura Salimbeni
(Siena, 1568 - 1613)
The Marriage of the Virgin
Etching, 210 x 146 mm. State not described, with part of the address "St. Fo. Ro." erased and the addition of [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ratio | Letitia
Lot of two prints. Etching, approx. 150 x 105 mm (each sheet). Fine impressions on laid paper. Trimmed and ba [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ratio | Letitia
Lot of two prints. Etching, approx. 150 x 105 mm (each sheet). Fine impressions on laid paper. Trimmed and ba [..]
113
Odoardo Fialetti
(1573 - 1638)
Bear hunting
Etching, 150 x 237 mm (plate), 238 x 331 mm (sheet). Bartsch XVII.276.36 Very nice impression on laid paper. [..]
113
Odoardo Fialetti
(1573 - 1638)
Bear hunting
Etching, 150 x 237 mm (plate), 238 x 331 mm (sheet). Bartsch XVII.276.36 Very nice impression on laid paper. [..]
114
Jan van Londerseel
(1578)
Landscape with Christ in the Wheat Fields, after David Vinckboons
Etching, 350 x 480 mm (plate), 444 x 567 mm (sheet). Fine impression on laid paper with watermark (Arms of Strasbourg, [..]
114
Jan van Londerseel
(1578)
Landscape with Christ in the Wheat Fields, after David Vinckboons
Etching, 350 x 480 mm (plate), 444 x 567 mm (sheet). Fine impression on laid paper with watermark (Arms of Strasbourg, [..]
115
Lucas Kilian
(Augsburg, 1579 - 1637)
The Entombment , after Tintoretto
Engraving, 345 x 200 mm. LeBlanc 17. Fine, fresh impression on laid paper with fragment of watermark. Trimmed [..]
115
Lucas Kilian
(Augsburg, 1579 - 1637)
The Entombment , after Tintoretto
Engraving, 345 x 200 mm. LeBlanc 17. Fine, fresh impression on laid paper with fragment of watermark. Trimmed [..]
116
Lucas Kilian
(Augsburg, 1579 - 1637)
St Mathew
After Matthaus Gundelach. Engraving, 278 x 198 mm. LeBlanc 22. Fine impression, but with some ink loss on the [..]
116
Lucas Kilian
(Augsburg, 1579 - 1637)
St Mathew
After Matthaus Gundelach. Engraving, 278 x 198 mm. LeBlanc 22. Fine impression, but with some ink loss on the [..]
117
Boëtius Adamsz. Bolswert
(1580 - 1633)
Lazare, veni foras, after Peter Paul Rubens
Engraving, 655 x 505 mm (plate), approx. 690 x 525 mm (sheet). Hollstein 6. Very fine, rich impression with [..]
117
Boëtius Adamsz. Bolswert
(1580 - 1633)
Lazare, veni foras, after Peter Paul Rubens
Engraving, 655 x 505 mm (plate), approx. 690 x 525 mm (sheet). Hollstein 6. Very fine, rich impression with [..]
118
Boëtius Adamsz. Bolswert
(1580 - 1633)
Pan playing the flute, after Jacob Jordaens
Engraving, 343 x 432 mm (plate); 360 x 452 mm (sheet). Hollstein 285. A fine example from an 18th-century edition [..]
118
Boëtius Adamsz. Bolswert
(1580 - 1633)
Pan playing the flute, after Jacob Jordaens
Engraving, 343 x 432 mm (plate); 360 x 452 mm (sheet). Hollstein 285. A fine example from an 18th-century edition [..]
119
Boëtius Adamsz. Bolswert
(1580 - 1633)
The Rainbow Landscape, after Rubens
Engraving, 339 x 450 mm. IV state of 5, with the excudit of the publisher Gillis Hendricx. Hollstein 314. Printed [..]
119
Boëtius Adamsz. Bolswert
(1580 - 1633)
The Rainbow Landscape, after Rubens
Engraving, 339 x 450 mm. IV state of 5, with the excudit of the publisher Gillis Hendricx. Hollstein 314. Printed [..]
120
Schelte Adamsz. Bolswert
(1659)
The Goat Amalthea with the Infant Jupiter, after Jacob Jordaens
Engraving, 360 x 469 mm (plate); 505 x 610 mm (sheet). II state of 3, with Blooteling's address and before the [..]
120
Schelte Adamsz. Bolswert
(1659)
The Goat Amalthea with the Infant Jupiter, after Jacob Jordaens
Engraving, 360 x 469 mm (plate); 505 x 610 mm (sheet). II state of 3, with Blooteling's address and before the [..]