316
Live auction
Old and Modern Prints, Drawings and Maps
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome, thu 14 November 2024
For information:
n.bukowska@bertolamifineart.com
n.bukowska@bertolamifineart.com
1
Geoffroy Dumonstier
(Saint-รtienne-du-Rouvray, 1500 - Parigi, 1573)
Attributed to
To clothe the naked
Pen and ink on laid paper, traces of pencil, 96 x 185 mm. With collectors' marks of Giuseppe Vallardi (L.1223) [..]
1
Geoffroy Dumonstier
(Saint-รtienne-du-Rouvray, 1500 - Parigi, 1573)
Attributed to
To clothe the naked
Pen and ink on laid paper, traces of pencil, 96 x 185 mm. With collectors' marks of Giuseppe Vallardi (L.1223) [..]
2
Study for a Saint
Lombard or Emilian school of the 16th century
Pen, brown ink, wash and traces of sanguine on laid paper, 170 x 150 mm. Collectors' marks of Pacini (ca. 1860-1880) [..]
2
Study for a Saint
Lombard or Emilian school of the 16th century
Pen, brown ink, wash and traces of sanguine on laid paper, 170 x 150 mm. Collectors' marks of Pacini (ca. 1860-1880) [..]
3
Study of two figures
Anonymous artist, 16th century
Pen, wash, brown ink and black ink, 131 x 150 mm. With collector's mark Carlo Prayer (L.2044).
3
Study of two figures
Anonymous artist, 16th century
Pen, wash, brown ink and black ink, 131 x 150 mm. With collector's mark Carlo Prayer (L.2044).
4
Conversion of St. Paul
Lombard-Emilian school of the 16th century
Sanguine on laid paper, 248 x 205 mm.
4
Conversion of St. Paul
Lombard-Emilian school of the 16th century
Sanguine on laid paper, 248 x 205 mm.
5
Saint Bernard of Siena with two kneeling figures
Emilian school of the 16th century
Pen and brown ink on laid paper, 233 x 160 mm. Backed on a sheet of paper.
5
Saint Bernard of Siena with two kneeling figures
Emilian school of the 16th century
Pen and brown ink on laid paper, 233 x 160 mm. Backed on a sheet of paper.
6
Studies for grotesques
Anonymous 16th/17th century
Lot of 3 sheets. Polychrome pigments and gold leaf on parchment, 315 x 95, 340 x 94, 427 x 92 mm.
6
Studies for grotesques
Anonymous 16th/17th century
Lot of 3 sheets. Polychrome pigments and gold leaf on parchment, 315 x 95, 340 x 94, 427 x 92 mm.
7
Profane Allegories
Italian School of the 17th Century
Brown ink, pen and blue wash on twelve sheets of thin laid paper, approx. 110 x 175 mm (each sheet). Some sheets [..]
7
Profane Allegories
Italian School of the 17th Century
Brown ink, pen and blue wash on twelve sheets of thin laid paper, approx. 110 x 175 mm (each sheet). Some sheets [..]
8
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Circle of
Christ and the Samaritan Woman at the Well
Pencil on paper See G.GIMIGNANI, Christ and the Samaritan Woman (Vienna, Dorotheum, 10-17-2017; Alexis Bordes [..]
8
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Circle of
Christ and the Samaritan Woman at the Well
Pencil on paper See G.GIMIGNANI, Christ and the Samaritan Woman (Vienna, Dorotheum, 10-17-2017; Alexis Bordes [..]
9
Domenico Zampieri Domenichino
(Bologna, 1581 - Napoli, 1641)
After
Saint Mark and Saint Matthew
Roman school, second half of the 17th century
Sanguine and pencil on laid paper with watermark (Heawood 1623, Rome, second half of the 17th century) Two [..]
9
Domenico Zampieri Domenichino
(Bologna, 1581 - Napoli, 1641)
After
Saint Mark and Saint Matthew
Roman school, second half of the 17th century
Sanguine and pencil on laid paper with watermark (Heawood 1623, Rome, second half of the 17th century) Two [..]
10
Study for a naked man
Anonymous 17th century artist
Sanguine on laid paper with watermark, 312 x 230 mm.
10
Study for a naked man
Anonymous 17th century artist
Sanguine on laid paper with watermark, 312 x 230 mm.
11
Scuola napoletana, XVII secolo
The Virgin intercedes for the souls in Purgatory
Neapolitan school, late 18th century
Pen, brown ink and black pastel on laid paper prepared with a fragment of watermark (Fleur-de-Lis inscribed [..]
11
Scuola napoletana, XVII secolo
The Virgin intercedes for the souls in Purgatory
Neapolitan school, late 18th century
Pen, brown ink and black pastel on laid paper prepared with a fragment of watermark (Fleur-de-Lis inscribed [..]
13
Study for Saint Peter ?
Anonymous 17th century artist
Pen and ink on laid paper, 195 x 108 mm. Backed on another sheet of paper.
13
Study for Saint Peter ?
Anonymous 17th century artist
Pen and ink on laid paper, 195 x 108 mm. Backed on another sheet of paper.
14
Artista olandese, XVII secolo
Landscape with three bulls
Dutch artist, 17th century
Ink on brown laid paper, cm. 16.5x23.8. With frame
14
Artista olandese, XVII secolo
Landscape with three bulls
Dutch artist, 17th century
Ink on brown laid paper, cm. 16.5x23.8. With frame
Paper
15
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle
Ink, wash and white lead on paper. 190 x 280 mm. Backed on a cardboard, with frame
15
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle
Ink, wash and white lead on paper. 190 x 280 mm. Backed on a cardboard, with frame
Paper
16
Pastoral scenes with animals
French School of the 17th century
Lot of 4 drawings. Pen and brown ink, on beige paper, approx. 45 x 145 mm each. With coeval passe-partout.
16
Pastoral scenes with animals
French School of the 17th century
Lot of 4 drawings. Pen and brown ink, on beige paper, approx. 45 x 145 mm each. With coeval passe-partout.
18
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Still life with fruits, game birds and a hare
Ink and watercolor on cardboard, applied on board, 245 x 364 mm. With frame
18
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Still life with fruits, game birds and a hare
Ink and watercolor on cardboard, applied on board, 245 x 364 mm. With frame
Cardboard
19
Immaculate Conception
Anonymous 17th century artist
Sanguine on laid paper with watermark, 467 x 290 mm.
19
Immaculate Conception
Anonymous 17th century artist
Sanguine on laid paper with watermark, 467 x 290 mm.
20
Saint John the Baptist
Central Italian school, 17th-18th century
Pencil, ink and watercolour on laid paper, 218 x 120 mm. With the collector's stamp of Countess Margherita Cavranzola [..]
20
Saint John the Baptist
Central Italian school, 17th-18th century
Pencil, ink and watercolour on laid paper, 218 x 120 mm. With the collector's stamp of Countess Margherita Cavranzola [..]
Paper
21
Mythological scene
Italian School of the 17th century
Pen, brown ink on brown laid paper cut into an oval
21
Mythological scene
Italian School of the 17th century
Pen, brown ink on brown laid paper cut into an oval
22
Artista napoletano, XVIII secolo
Two beggars
Pencil and white chalk on brown laid paper, 380 x 315 mm. With frame
22
Artista napoletano, XVIII secolo
Two beggars
Pencil and white chalk on brown laid paper, 380 x 315 mm. With frame
Paper
23
Bartolomé Esteban Murillo
(Siviglia - Cadice, 1682)
in the manner of
Apparition of the Holy Cross
Brown ink, pen and wash on paper, 130 x 191 mm (sheet), 200 x 260 mm (passe-partout). Sheet backed on coeval pa [..]
23
Bartolomé Esteban Murillo
(Siviglia - Cadice, 1682)
in the manner of
Apparition of the Holy Cross
Brown ink, pen and wash on paper, 130 x 191 mm (sheet), 200 x 260 mm (passe-partout). Sheet backed on coeval pa [..]
24
Architectural capriccio with figures
Italian School of the 18th Century
Pen, ink and pencil, and pouncing, on heavy beige paper
24
Architectural capriccio with figures
Italian School of the 18th Century
Pen, ink and pencil, and pouncing, on heavy beige paper
26
Shepherdess with Child and Dogs
18th century French artist
Sanguine and pencil on paper, 131 x 180 mm. Backed on another sheet of paper
26
Shepherdess with Child and Dogs
18th century French artist
Sanguine and pencil on paper, 131 x 180 mm. Backed on another sheet of paper
27
Study of Architecture
18th century French artist
Brown ink, pencil and wash on laid paper, 215 x 154 mm.
27
Study of Architecture
18th century French artist
Brown ink, pencil and wash on laid paper, 215 x 154 mm.
28
Study for Angels' heads
Italian artist of the 17th century
Sanguine on laid paper (fragment of an engraving on the verso), 167 x 204 mm.
28
Study for Angels' heads
Italian artist of the 17th century
Sanguine on laid paper (fragment of an engraving on the verso), 167 x 204 mm.
29
Bellis Silvestris Lin | Parrot Tulip
Watercolor and ink on paper, approx. 370 x 260 mm each sheet. With passe-pasrtout and frame (65 x 52 x 1 cm)
29
Bellis Silvestris Lin | Parrot Tulip
Watercolor and ink on paper, approx. 370 x 260 mm each sheet. With passe-pasrtout and frame (65 x 52 x 1 cm)
30
Bouquet with tulips and peonies
1790
Tempera on parchment, approx. 21 x 166 mm. Signed and dated. With passe-partout and frame (35 x 30 x 1 cm)
30
Bouquet with tulips and peonies
1790
Tempera on parchment, approx. 21 x 166 mm. Signed and dated. With passe-partout and frame (35 x 30 x 1 cm)
31
View of San Gimignano
late 18th-early 19th century
Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3 [..]
31
View of San Gimignano
late 18th-early 19th century
Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3 [..]
32
PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
Charcoal and white lead on paper, 474 x 375 mm.
32
PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
Charcoal and white lead on paper, 474 x 375 mm.
33
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
Pencil and gouache on ivory laid paper, traces of other sketches on the back
33
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
Pencil and gouache on ivory laid paper, traces of other sketches on the back
34
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
Pencil and chalk, on brown paper
34
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
Pencil and chalk, on brown paper
35
Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
Pen on brown laid paper
35
Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
Pen on brown laid paper
36
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyลce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad INNOCENTIUM XI
1849
Brown ink and watercolor on unlaid paper, 295 x 572 mm. Drawing signed "Parisiis 1849 Ferdinandius Chotomski [..]
36
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyลce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad [..]
1849
Brown ink and watercolor on unlaid paper, 295 x 572 mm. Drawing signed "Parisiis 1849 Ferdinandius Chotomski [..]
37
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
37
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
38
Studies for the Nudes
Neoclassical artist
Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
38
Studies for the Nudes
Neoclassical artist
Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
39
CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
Pencil and sanguine on wove paper, 255 x 212 mm. With frame (36 x 32 x 2 cm).
39
CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
Pencil and sanguine on wove paper, 255 x 212 mm. With frame (36 x 32 x 2 cm).
40
Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten [..]
40
Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten [..]
41
Portrait of a man with a beard
19th century
Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)
41
Portrait of a man with a beard
19th century
Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)
42
FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
Pencil on wove paper, 254 x 178 mm.
42
FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
Pencil on wove paper, 254 x 178 mm.
43
PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
Colored chalks on blue paper, 450 x 320 mm
43
PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
Colored chalks on blue paper, 450 x 320 mm
45
View of St. Mark Square in Venice
Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
45
View of St. Mark Square in Venice
Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
46
View of the Ancient Appian Way
19th Century
Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
46
View of the Ancient Appian Way
19th Century
Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
Paper
47
Seascape with boats
Flemish school of the 19th century
Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
47
Seascape with boats
Flemish school of the 19th century
Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
49
Study for a standing woman
anonymous 19th century artist
Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
49
Study for a standing woman
anonymous 19th century artist
Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
50
Man in kimono
late 19th century
Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy? In excellent condition, with passe-partout [..]
50
Man in kimono
late 19th century
Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy? In excellent condition, with passe-partout [..]
51
Michael Wolgemut
(1434 - 1519)
Mediolanum
Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle. Fine impression [..]
51
Michael Wolgemut
(1434 - 1519)
Mediolanum
Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle. Fine impression [..]
52
Crucifixion
anonymous master of the early 16th century
Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse. [..]
52
Crucifixion
anonymous master of the early 16th century
Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse. [..]
53
Albrecht Dürer
(1471 - 1528)
The Presentation of Mary at the Temple
Woodcut, 301 x 211 mm. Meder 193. Meder g? impression on laid paper with watermark (shield with diagonal [..]
53
Albrecht Dürer
(1471 - 1528)
The Presentation of Mary at the Temple
Woodcut, 301 x 211 mm. Meder 193. Meder g? impression on laid paper with watermark (shield with diagonal [..]
54
Albrecht Dürer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
Copy in reverse after Albrecht Dรผrer. Engraving, 114 x 71 mm. Meder 4. Very fine, rich impression on thin laid [..]
54
Albrecht Dürer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
Copy in reverse after Albrecht Dรผrer. Engraving, 114 x 71 mm. Meder 4. Very fine, rich impression on thin laid [..]
55
Albrecht Dürer
(1471 - 1528)
Based on
Saint Jerome
Copy in the same direction after Dรผrer. Engraving, 322 x 220 mm. Bartsch VII.77.61. Fine impression on thin [..]
55
Albrecht Dürer
(1471 - 1528)
Based on
Saint Jerome
Copy in the same direction after Dรผrer. Engraving, 322 x 220 mm. Bartsch VII.77.61. Fine impression on thin [..]
56
Marcantonio Raimondi
(1534)
Galatea
after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130. [..]
56
Marcantonio Raimondi
(1534)
Galatea
after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130. [..]
57
Marcantonio Raimondi
(1534)
A man with two trumpets
Engraving, 83 x 120 mm. Bartsch XIV.272.356. Very clear impression on laid paper, with some parts of the engraving [..]
57
Marcantonio Raimondi
(1534)
A man with two trumpets
Engraving, 83 x 120 mm. Bartsch XIV.272.356. Very clear impression on laid paper, with some parts of the engraving [..]
58
Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
58
Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
59
Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60 Late edition, on eighteenth-century laid paper with a fragment [..]
59
Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60 Late edition, on eighteenth-century laid paper with a fragment [..]
60
Marcantonio Raimondi
(1534)
Cleopatra
Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare Sharpimpression, printed on [..]
60
Marcantonio Raimondi
(1534)
Cleopatra
Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare Sharpimpression, printed on [..]
61
Marcantonio Raimondi
(1534)
Based on
Alexander the Great Preserving the Works of Homer in Achilles' Sarcophagus
copy in the same direction after Marcantonio, with inscription on the tablet: Rafael Vrb. inve. Engraving, 260 [..]
61
Marcantonio Raimondi
(1534)
Based on
Alexander the Great Preserving the Works of Homer in Achilles' Sarcophagus
copy in the same direction after Marcantonio, with inscription on the tablet: Rafael Vrb. inve. Engraving, 260 [..]
62
Marcantonio Raimondi
(1534)
School of
The Sacrifice of Cain and Abel
after Raphael. Engraving, 256 x 455 mm. Before Lafreri's address. Bartsch XV.9.4. Fine impression on laid [..]
62
Marcantonio Raimondi
(1534)
School of
The Sacrifice of Cain and Abel
after Raphael. Engraving, 256 x 455 mm. Before Lafreri's address. Bartsch XV.9.4. Fine impression on laid [..]
63
Monogrammista MC
Saint Rocco and Saint Sebastian
Woodcut, 195 x 151 mm. Fresh impression on laid paper. The sheet is uniformly browned but in good condition, [..]
63
Monogrammista MC
Saint Rocco and Saint Sebastian
Woodcut, 195 x 151 mm. Fresh impression on laid paper. The sheet is uniformly browned but in good condition, [..]
64
Maestro AF
Martin Luther and John the Constant kneeling before Christ
copy with additions after Lucas Cranach the Younger. Woodcut, 108 x 145 mm. Printed on laid paper. Trimmed. [..]
64
Maestro AF
Martin Luther and John the Constant kneeling before Christ
copy with additions after Lucas Cranach the Younger. Woodcut, 108 x 145 mm. Printed on laid paper. Trimmed. [..]
65
Leonhard Beck
(1542)
Marching Knights
Woodcut, 240 x 204 mm. From the 1775 edition of "Der Weisskinig". Fine impression printed on thin laid paper [..]
65
Leonhard Beck
(1542)
Marching Knights
Woodcut, 240 x 204 mm. From the 1775 edition of "Der Weisskinig". Fine impression printed on thin laid paper [..]
66
Emperor on horseback
anonymous 15th century engraver
Woodcut, 388 x 272 mm. Impression on laid paper, backed on another sheet of paper. With signs of foxing.
66
Emperor on horseback
anonymous 15th century engraver
Woodcut, 388 x 272 mm. Impression on laid paper, backed on another sheet of paper. With signs of foxing.
67
Albrecht Altdorfer
(1538)
Salvador Mundi
1512
Engraving, 77 x 44 mm. Bartsch VIII.45.10. New Hollstein 11. Very fine impression on thin laid paper. Trimmed [..]
67
Albrecht Altdorfer
(1538)
Salvador Mundi
1512
Engraving, 77 x 44 mm. Bartsch VIII.45.10. New Hollstein 11. Very fine impression on thin laid paper. Trimmed [..]
68
Albrecht Altdorfer
(1538)
Christ descends into Limbo
Woodcut, 72 x 49 mm. Bartsch VIII.75.34, New Hollstein w.34. Fine impression on laid paper. Trimmed but with [..]
68
Albrecht Altdorfer
(1538)
Christ descends into Limbo
Woodcut, 72 x 49 mm. Bartsch VIII.75.34, New Hollstein w.34. Fine impression on laid paper. Trimmed but with [..]
69
Genealogy of Christ (Young Salmon with his family)
anonymous 16th century engraver
After Michelangelo's fresco in the Sistine Chapel. Engraving, 154 x 196 mm. 1st state of 2. BM V,2.25. Fine [..]
69
Genealogy of Christ (Young Salmon with his family)
anonymous 16th century engraver
After Michelangelo's fresco in the Sistine Chapel. Engraving, 154 x 196 mm. 1st state of 2. BM V,2.25. Fine [..]
70
Agostino Veneziano (Agostino dei Musi)
Ornamental panel with four putti and a woman
Engraving, 205 x 144 mm. I state of 2, before Antonio Salamanca's address. Bartsch XIV.396.564. Fine, sharp [..]
70
Agostino Veneziano (Agostino dei Musi)
Ornamental panel with four putti and a woman
Engraving, 205 x 144 mm. I state of 2, before Antonio Salamanca's address. Bartsch XIV.396.564. Fine, sharp [..]
71
Agostino Veneziano (Agostino dei Musi)
Heracles as a child with Alcmena and Amphitryon
Engraving, 240 x 177 mm. State with the address of Antonio Salamanca. Bartsch XIV.236.315 Printed on laid paper, [..]
71
Agostino Veneziano (Agostino dei Musi)
Heracles as a child with Alcmena and Amphitryon
Engraving, 240 x 177 mm. State with the address of Antonio Salamanca. Bartsch XIV.236.315 Printed on laid paper, [..]
72
Agostino Veneziano (Agostino dei Musi)
Maestro del Dado (1530-1560 fl.)
Story of Cupid and Psyche
lot of 11 plates from a series of 32, nine of which were engraved by Maestro del Dado and two by Agostino Veneziano [..]
72
Agostino Veneziano (Agostino dei Musi)
Maestro del Dado (1530-1560 fl.)
Story of Cupid and Psyche
lot of 11 plates from a series of 32, nine of which were engraved by Maestro del Dado and two by Agostino Veneziano [..]
73
Maestro del Dado (1530-1560 fl.)
The Sacrifice to Priapus
Engraving, 160 x 287 mm (plate), 254 x 374 mm (sheet). IV state of 4, with the address of Philippe Thomassin [..]
73
Maestro del Dado (1530-1560 fl.)
The Sacrifice to Priapus
Engraving, 160 x 287 mm (plate), 254 x 374 mm (sheet). IV state of 4, with the address of Philippe Thomassin [..]
74
Maestro del Dado (1530-1560 fl.)
Apollo and Daphne
after Baldassare Peruzzi. Engraving, 237 x 184 mm (plate), 390 x 257 mm. Bartsch XV.198.21. Fine impression [..]
74
Maestro del Dado (1530-1560 fl.)
Apollo and Daphne
after Baldassare Peruzzi. Engraving, 237 x 184 mm (plate), 390 x 257 mm. Bartsch XV.198.21. Fine impression [..]
75
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Birth of Venus
after Raphael. Engraving, 258 x 172 mm. Bartsch XIV.243.323 Fine and sharp impression on laid paper with an [..]
75
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Birth of Venus
after Raphael. Engraving, 258 x 172 mm. Bartsch XIV.243.323 Fine and sharp impression on laid paper with an [..]
76
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Galatea flees from Polyphemus
Lot of two impressions. Bartsch XIV.182.224: A) Engraving, 108 x 168 mm. Fine impression printed on thin laid [..]
76
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Galatea flees from Polyphemus
Lot of two impressions. Bartsch XIV.182.224: A) Engraving, 108 x 168 mm. Fine impression printed on thin laid [..]
77
Marco Dente detto Marco da Ravenna
(1493 - 1527)
A Satyr and a Ram Clashing
Engraving, 112 x 180 mm. State with the address of Salamanca at the bottom right. Bartsch XIV.181.221 Sharp [..]
77
Marco Dente detto Marco da Ravenna
(1493 - 1527)
A Satyr and a Ram Clashing
Engraving, 112 x 180 mm. State with the address of Salamanca at the bottom right. Bartsch XIV.181.221 Sharp [..]
78
Lucas van Leyden
(1533)
Based on
Mary Magdalene
copy in reverse after Lucas of Leyden, applied on the frontispiece of Ortelius' Theatrum geographiae veteris. [..]
78
Lucas van Leyden
(1533)
Based on
Mary Magdalene
copy in reverse after Lucas of Leyden, applied on the frontispiece of Ortelius' Theatrum geographiae veteris. [..]
79
Giulio Bonasone
The Vision of Saint Jerome
after Parmigianino. Engraving, 358 x 241 mm. 2nd state with inscriptions. Bartsch XV.127.62, Massari 12a. With [..]
79
Giulio Bonasone
The Vision of Saint Jerome
after Parmigianino. Engraving, 358 x 241 mm. 2nd state with inscriptions. Bartsch XV.127.62, Massari 12a. With [..]
80
Giulio Bonasone
The Entombment
after Titian. Etching, 292 x 180 mm. Bartsch XV.120.44. Fine impression on contemporary laid paper with watermark [..]
80
Giulio Bonasone
The Entombment
after Titian. Etching, 292 x 180 mm. Bartsch XV.120.44. Fine impression on contemporary laid paper with watermark [..]
81
Hans Sebald Beham
(1500 - 1550)
Judith with the head of Holofernes
Engraving, 79 x 48 mm. IV state of 4. Bartsch VIII.120.12. Fine impression on thin laid paper. Trimmed to the [..]
81
Hans Sebald Beham
(1500 - 1550)
Judith with the head of Holofernes
Engraving, 79 x 48 mm. IV state of 4. Bartsch VIII.120.12. Fine impression on thin laid paper. Trimmed to the [..]
82
Jacopo Caraglio
(1565)
Hercules and Cacus
from a series of six Herculean subjects after Rosso Fiorentino. Engraving, 224 x 181 mm (plate), 284 x 227 [..]
82
Jacopo Caraglio
(1565)
Hercules and Cacus
from a series of six Herculean subjects after Rosso Fiorentino. Engraving, 224 x 181 mm (plate), 284 x 227 [..]
83
Jacopo Caraglio
(1565)
Hercules fights the centaurs
Engraving, 216 x 178 mm. Bartsch XV.86.47. Trimmed to the platemark and backed with another sheet od paper, [..]
83
Jacopo Caraglio
(1565)
Hercules fights the centaurs
Engraving, 216 x 178 mm. Bartsch XV.86.47. Trimmed to the platemark and backed with another sheet od paper, [..]
84
Jacopo Caraglio
(1565)
Apollo
after Rosso Fiorentino. Engraving, 214 x 111 mm (plate), 287 x 205 mm (sheet). From the series of 20 engravings [..]
84
Jacopo Caraglio
(1565)
Apollo
after Rosso Fiorentino. Engraving, 214 x 111 mm (plate), 287 x 205 mm (sheet). From the series of 20 engravings [..]
85
Heinrich Aldegrever
(1502 - 1561)
Hercules kills the dragon Ladon
Engraving, 94 x 69 mm. Bartsch VIII.392.90 Printed on thin laid paper, trimmed, missing the lower margin [..]
85
Heinrich Aldegrever
(1502 - 1561)
Hercules kills the dragon Ladon
Engraving, 94 x 69 mm. Bartsch VIII.392.90 Printed on thin laid paper, trimmed, missing the lower margin [..]
86
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
after Giulio Romano. Burin, 212 x 141 mm. Bartsch XV.381.12. Late edition printed on wove paper. Scotch tape [..]
86
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
after Giulio Romano. Burin, 212 x 141 mm. Bartsch XV.381.12. Late edition printed on wove paper. Scotch tape [..]
87
Adamo Scultori
(1530 - 1585)
Cupid with Weapons of Mars
Engraving, 145 x 112 mm (plate), 170 x 128 mm (sheet). Bartsch XV. 422.17 Sharp impression, printed on laid [..]
87
Adamo Scultori
(1530 - 1585)
Cupid with Weapons of Mars
Engraving, 145 x 112 mm (plate), 170 x 128 mm (sheet). Bartsch XV. 422.17 Sharp impression, printed on laid [..]
88
Adamo Scultori
(1530 - 1585)
Allegory of Autumn: Three Men Sacrificing a Pig
altre Giulio Romano. Engraving, 118 x 161 mm. Bartsch XV.428.104. Printed on laid paper with large watermark [..]
88
Adamo Scultori
(1530 - 1585)
Allegory of Autumn: Three Men Sacrificing a Pig
altre Giulio Romano. Engraving, 118 x 161 mm. Bartsch XV.428.104. Printed on laid paper with large watermark [..]
89
Diana Scultori (Diana Mantovana)
(1547 - 1612)
Holy Family with St. John the Baptist
after Raffaellino da Reggio. Engraving, 287 x 213 mm. Recently described state after the first and before [..]
89
Diana Scultori (Diana Mantovana)
(1547 - 1612)
Holy Family with St. John the Baptist
after Raffaellino da Reggio. Engraving, 287 x 213 mm. Recently described state after the first and before [..]
90
Diana Scultori (Diana Mantovana)
(1547 - 1612)
Latona giving birth to Apollo and Diana on the island of Delos
Engraving, 264 x 391 mm (sheet). Late edition with the address of Carlo Losi (1773). Bartsch XV.449.39, Bellini [..]
90
Diana Scultori (Diana Mantovana)
(1547 - 1612)
Latona giving birth to Apollo and Diana on the island of Delos
Engraving, 264 x 391 mm (sheet). Late edition with the address of Carlo Losi (1773). Bartsch XV.449.39, Bellini [..]
91
Nicolas Beatrizet
(1573)
Massacre of the Innocents
Misleading copy of the engraving by Marco da Ravenna after Baccio Bandinelli. Engraving, 405 x 572 [..]
91
Nicolas Beatrizet
(1573)
Massacre of the Innocents
Misleading copy of the engraving by Marco da Ravenna after Baccio Bandinelli. Engraving, 405 x 572 [..]
92
Nicolas Beatrizet
(1573)
Based on
Pantheum Romanum nunc Marie Cognomento Rotumde vulgo notum...
Copy in reverse after Beatrizet, with the address of Giovanni Giacomo de Rossi. Engraving, 358 x 457 mm (plate), [..]
92
Nicolas Beatrizet
(1573)
Based on
Pantheum Romanum nunc Marie Cognomento Rotumde vulgo notum...
Copy in reverse after Beatrizet, with the address of Giovanni Giacomo de Rossi. Engraving, 358 x 457 mm (plate), [..]
93
Battista Franco
(1510 - 1561)
Allegory of Wisdom
Etching, 204 x 197 mm (sheet). 2nd state with the inscriptions. Bartsch XVI.137.56. On the reverse collector's [..]
93
Battista Franco
(1510 - 1561)
Allegory of Wisdom
Etching, 204 x 197 mm (sheet). 2nd state with the inscriptions. Bartsch XVI.137.56. On the reverse collector's [..]
94
Battista Franco
(1510 - 1561)
Religion consoles a poor man
Etching, 204 x 197 mm (sheet). Single state. Bartsch XVI.138.58. On the reverse, collector's marks of Raffaele [..]
94
Battista Franco
(1510 - 1561)
Religion consoles a poor man
Etching, 204 x 197 mm (sheet). Single state. Bartsch XVI.138.58. On the reverse, collector's marks of Raffaele [..]
95
Battista Franco
(1510 - 1561)
Saint Peter and Saint John Heal a Cripple
after Raphael. Etching, 273 x 410 mm. III state? with the inscription "Franco forma." erased. Bartsch XVI.124.15. [..]
95
Battista Franco
(1510 - 1561)
Saint Peter and Saint John Heal a Cripple
after Raphael. Etching, 273 x 410 mm. III state? with the inscription "Franco forma." erased. Bartsch XVI.124.15. [..]
96
Antonio Lafreri
(1512 - 1577)
Obelisci Vaticani
from Speculum Romanae Magnificentiae. Engraving, 518 x 382 mm (sheet). Fine impression on laid paper with watermark. [..]
96
Antonio Lafreri
(1512 - 1577)
Obelisci Vaticani
from Speculum Romanae Magnificentiae. Engraving, 518 x 382 mm (sheet). Fine impression on laid paper with watermark. [..]
97
Gerard de Jode
(1591)
Nabal's Feast
after Maarten de Vos (Antwerp, 1532 - 1603). Engraving, 193 x 256 mm (plate), 280 x 375 mm (sheet). Published [..]
97
Gerard de Jode
(1591)
Nabal's Feast
after Maarten de Vos (Antwerp, 1532 - 1603). Engraving, 193 x 256 mm (plate), 280 x 375 mm (sheet). Published [..]
98
Gerard de Jode
(1591)
The Parable of the Wedding Feast
after Ambrosius Francken (1544 - 1618). Engraving, 210 x 273 mm (plate), 280 x 355 mm (sheet). Published by Gerard [..]
98
Gerard de Jode
(1591)
The Parable of the Wedding Feast
after Ambrosius Francken (1544 - 1618). Engraving, 210 x 273 mm (plate), 280 x 355 mm (sheet). Published by Gerard [..]
99
Étienne Delaune
(1583)
Hunting bears, wild boars, wolves and birds
Lot of 4 engravings from a series of 6. Engraving, approx. 67 x 220 mm (each sheet). State III of 3, with numbering [..]
99
Étienne Delaune
(1583)
Hunting bears, wild boars, wolves and birds
Lot of 4 engravings from a series of 6. Engraving, approx. 67 x 220 mm (each sheet). State III of 3, with numbering [..]
100
Giorgio Ghisi detto il Mantovano (1520-1582)
Three Muses and a Putto with a Lyre | Three Muses and a Gesticulating Putto:
Lot of two engravings from a series of five, after Primaticcio. Engraving, approx. 293 x 165 mm (each sheet). [..]
100
Giorgio Ghisi detto il Mantovano (1520-1582)
Three Muses and a Putto with a Lyre | Three Muses and a Gesticulating Putto:
Lot of two engravings from a series of five, after Primaticcio. Engraving, approx. 293 x 165 mm (each sheet). [..]
101
Giorgio Ghisi detto il Mantovano (1520-1582)
in the style of
Neptune
Engraving, 237 x 152 mm. I state of 3. Lewis โ Rejected Works 2, Bartsch XV.397.31. Fine, fresh [..]
101
Giorgio Ghisi detto il Mantovano (1520-1582)
in the style of
Neptune
Engraving, 237 x 152 mm. I state of 3. Lewis โ Rejected Works 2, Bartsch XV.397.31. Fine, fresh [..]
102
Giorgio Ghisi detto il Mantovano (1520-1582)
The Mocking of the Prisoners
after Giulio Romano. Engraving, 436 x 567 mm (plate), 480 x 730 mm (sheet). 3rd state of 3, with De Rossi's address. [..]
102
Giorgio Ghisi detto il Mantovano (1520-1582)
The Mocking of the Prisoners
after Giulio Romano. Engraving, 436 x 567 mm (plate), 480 x 730 mm (sheet). 3rd state of 3, with De Rossi's address. [..]
103
Enea Vico
(1523 - 1567)
Punishment of the Courtesan Who Had Mocked Virgil
Engraving, 181 x 280 mm (sheet). 2nd state of 2, with the address of Salamanca. Bartsch XV.304.46. Fine [..]
103
Enea Vico
(1523 - 1567)
Punishment of the Courtesan Who Had Mocked Virgil
Engraving, 181 x 280 mm (sheet). 2nd state of 2, with the address of Salamanca. Bartsch XV.304.46. Fine [..]
104
Enea Vico
(1523 - 1567)
Tarquin and Lucretia
Engraving, 279 x 414 mm. 2nd state of 2, with two dogs in the center, erased. Bartsch XV.287.15. Printed on [..]
104
Enea Vico
(1523 - 1567)
Tarquin and Lucretia
Engraving, 279 x 414 mm. 2nd state of 2, with two dogs in the center, erased. Bartsch XV.287.15. Printed on [..]
105
Pieter van der Heyden
The Adoration of the Shepherds
Engraving, 381 x 240 mm. 2nd state of 2, with Charpentier's address. Hollstein 3. Fine impression on thin laid [..]
105
Pieter van der Heyden
The Adoration of the Shepherds
Engraving, 381 x 240 mm. 2nd state of 2, with Charpentier's address. Hollstein 3. Fine impression on thin laid [..]
106
Philip Galle
(1537 - 1612)
Mors quae purpleos rรฉgรฉs...
after Martin van Heemskerk, first plate of the series "The Four Ends of Mankind". Engraving, diam. 230 mm approx. [..]
106
Philip Galle
(1537 - 1612)
Mors quae purpleos rรฉgรฉs...
after Martin van Heemskerk, first plate of the series "The Four Ends of Mankind". Engraving, diam. 230 mm approx. [..]
107
Philip Galle
(1537 - 1612)
Johannes Medices adolescens... (the clash of Castel Sant'Angelo)
by Giovanni Stradano. Burin, 222 x 295 mm (plate), 250 x 362 mm (sheet). Plate taken from "Mediceae Familiae [..]
107
Philip Galle
(1537 - 1612)
Johannes Medices adolescens... (the clash of Castel Sant'Angelo)
by Giovanni Stradano. Burin, 222 x 295 mm (plate), 250 x 362 mm (sheet). Plate taken from "Mediceae Familiae [..]
108
Jost Amman
(1539 - 1591)
Saint Jerome
Woodcut, 159 x 122 mm (sheet). The New Hollstein German 138.61. Fine impression on thin laid paper with a fragment [..]
108
Jost Amman
(1539 - 1591)
Saint Jerome
Woodcut, 159 x 122 mm (sheet). The New Hollstein German 138.61. Fine impression on thin laid paper with a fragment [..]
109
Jan (Johannes) Sadeler
(1550 - 1600)
Landscape with hare hunting
after Paul Brill. Engraving, 205 x 272 mm (plate), 275 x 370 mm (sheet). Hollstein 580. Fine and sharp impression [..]
109
Jan (Johannes) Sadeler
(1550 - 1600)
Landscape with hare hunting
after Paul Brill. Engraving, 205 x 272 mm (plate), 275 x 370 mm (sheet). Hollstein 580. Fine and sharp impression [..]
110
Jan (Johannes) Sadeler
(1550 - 1600)
Landscape with castle on rock on the river bank
after Paul Brill. Burin, 200 x 272 mm (plate), 275 x 370 mm (sheet). Hollstein 578. Very nice and sharp impression [..]
110
Jan (Johannes) Sadeler
(1550 - 1600)
Landscape with castle on rock on the river bank
after Paul Brill. Burin, 200 x 272 mm (plate), 275 x 370 mm (sheet). Hollstein 578. Very nice and sharp impression [..]
111
Aegidius Sadeler II
(1568, 1629)
Martyrdom of Saint Sebastian
Published by Marco Sadeler. Engraving, 461 x 327 mm. Hollstein 95. Fine impression on thin laid paper. Overall [..]
111
Aegidius Sadeler II
(1568, 1629)
Martyrdom of Saint Sebastian
Published by Marco Sadeler. Engraving, 461 x 327 mm. Hollstein 95. Fine impression on thin laid paper. Overall [..]
112
Johannes van Doetecum I
(1605)
Based on
Lucas van Doetecum
(1554)
Based on
An open portico supported by Corinthian columns
Copy in the same direction after Lucas and Johannes van Doetecum. Etching, 213 x 265 mm (sheet). Fresh, vivid [..]
112
Johannes van Doetecum I
(1605)
Based on
Lucas van Doetecum
(1554)
Based on
An open portico supported by Corinthian columns
Copy in the same direction after Lucas and Johannes van Doetecum. Etching, 213 x 265 mm (sheet). Fresh, vivid [..]
113
Cherubino Alberti
(1553 - 1615)
Archangel Raphael guides Tobias
1575
after Pellegrino Tibaldi. Etching, 311 x 197 mm. State before Van Aelst's address. Bartsch XVII.70.58 Fine [..]
113
Cherubino Alberti
(1553 - 1615)
Archangel Raphael guides Tobias
1575
after Pellegrino Tibaldi. Etching, 311 x 197 mm. State before Van Aelst's address. Bartsch XVII.70.58 Fine [..]
114
Cherubino Alberti
(1553 - 1615)
AUTUMNUS
Engraving, 245 x 157 mm (plate), 342 x 227 mm (sheet). Bartsch XVII.84.103 Fine impression with plate-tone, [..]
114
Cherubino Alberti
(1553 - 1615)
AUTUMNUS
Engraving, 245 x 157 mm (plate), 342 x 227 mm (sheet). Bartsch XVII.84.103 Fine impression with plate-tone, [..]
115
Pedro de la Piata
Weeping woman with a baby
Etching, 132 x 193 mm. Superb plate-tone impression, printed on laid paper. With small margins of about 2 mm [..]
115
Pedro de la Piata
Weeping woman with a baby
Etching, 132 x 193 mm. Superb plate-tone impression, printed on laid paper. With small margins of about 2 mm [..]
116
Ludovico Carracci
(Bologna, 1555 - Bologna , 1619)
Madonna with Child and Angels
Etching, 168 x 118 mm. State III of 3. Bartsch V.44.2, De Grazia 3. Fine impression on laid paper with watermark [..]
116
Ludovico Carracci
(Bologna, 1555 - Bologna , 1619)
Madonna with Child and Angels
Etching, 168 x 118 mm. State III of 3. Bartsch V.44.2, De Grazia 3. Fine impression on laid paper with watermark [..]
117
Agostino Carracci
(1557 - 1602)
Satyr whipping a Nymph
from the Lascivie series. Engraving, 153 x 110 mm (sheet). Bartsch XVIII.109.133, De Grazia 186. Fine, sharp [..]
117
Agostino Carracci
(1557 - 1602)
Satyr whipping a Nymph
from the Lascivie series. Engraving, 153 x 110 mm (sheet). Bartsch XVIII.109.133, De Grazia 186. Fine, sharp [..]
118
Agostino Carracci
(1557 - 1602)
Satyr and a sleeping Nymph
from the Lascivie series. engraving, 162 x 113 mm (sheet). Bartsch XVIII.108.128, De Grazia 184. Fine, sharp [..]
118
Agostino Carracci
(1557 - 1602)
Satyr and a sleeping Nymph
from the Lascivie series. engraving, 162 x 113 mm (sheet). Bartsch XVIII.108.128, De Grazia 184. Fine, sharp [..]
119
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice
from the Lascivie series. Engraving, 159 x 112 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. [..]
119
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice
from the Lascivie series. Engraving, 159 x 112 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. [..]
120
Agostino Carracci
(1557 - 1602)
Venus or Galatea
Etching, 147 x 107 mm. Bartsch XVIII.108.129, De Grazia 181. Printed on laid paper. Trimmed to the platemark [..]
120
Agostino Carracci
(1557 - 1602)
Venus or Galatea
Etching, 147 x 107 mm. Bartsch XVIII.108.129, De Grazia 181. Printed on laid paper. Trimmed to the platemark [..]