316
Live auction
Old and Modern Prints, Drawings and Maps
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome, thu 21 November 2024
For information:
n.bukowska@bertolamifineart.com
n.bukowska@bertolamifineart.com
240
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
1786
Lot of 20 engravings from "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, 315 x 430 mm [..]
240
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
1786
Lot of 20 engravings from "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, 315 x 430 mm [..]
241
View of Grand Cairo (Egypt)
Etching and engraving, 297 x 442 mm. Optical view, vue d'optique, of Cairo, Egypt. Published by Paul-André Basset [..]
241
View of Grand Cairo (Egypt)
Etching and engraving, 297 x 442 mm. Optical view, vue d'optique, of Cairo, Egypt. Published by Paul-André Basset [..]
242
Le Festin de Tifflis donne par le grand visir au grand caire en Turquie
1777
Etching and aquatint, 289 x 404 mm. Optical view, vue d'optique, depicting a feast in Tiflis, Tbilisi, Georgia. [..]
242
Le Festin de Tifflis donne par le grand visir au grand caire en Turquie
1777
Etching and aquatint, 289 x 404 mm. Optical view, vue d'optique, depicting a feast in Tiflis, Tbilisi, Georgia. [..]
243
Thomas Bowles III
(1767)
The remains of the great Temple in Palmyra seen from the west
Etching, 295 x 373 mm. Hand-colored, printed on laid paper. Trimmed, without margins on the right, left, and [..]
243
Thomas Bowles III
(1767)
The remains of the great Temple in Palmyra seen from the west
Etching, 295 x 373 mm. Hand-colored, printed on laid paper. Trimmed, without margins on the right, left, and [..]
244
James Cole
(1715)
Last Judgement
1790 ca.
after Martin Rota's print depicting Michelangelo's fresco in the Sistine Chapel. Etching, 312 x 230 mm. Trimmed, [..]
244
James Cole
(1715)
Last Judgement
1790 ca.
after Martin Rota's print depicting Michelangelo's fresco in the Sistine Chapel. Etching, 312 x 230 mm. Trimmed, [..]
245
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Altra Veduta del tempio della Sibilla in Tivoli
Etching, approx. 455 x 680 mm. 1st state of 4, before numbering. Hind 63. Fine impression. Uniformly browned [..]
245
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Altra Veduta del tempio della Sibilla in Tivoli
Etching, approx. 455 x 680 mm. 1st state of 4, before numbering. Hind 63. Fine impression. Uniformly browned [..]
246
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'Arco di Tito
Etching, approx. 400 x 600 mm. 1st state of 5. Hind 55. Fine impression with bright tones. Sheet with wear along [..]
246
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'Arco di Tito
Etching, approx. 400 x 600 mm. 1st state of 5. Hind 55. Fine impression with bright tones. Sheet with wear along [..]
247
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Sepolcro di Pisone Liciniano su antica via Appia
Etching, approx. 430 x 620 mm (sheet). 1st state of 3, before numbering. Hind 72. Fresh and crisp impression [..]
247
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Sepolcro di Pisone Liciniano su antica via Appia
Etching, approx. 430 x 620 mm (sheet). 1st state of 3, before numbering. Hind 72. Fresh and crisp impression [..]
248
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Lorenzo fuor delle mura
Etching, 382 x 667 mm (plate), 460 x 740 mm (sheet). 2nd state of V, with address and price. Hind 12. Printed [..]
248
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Lorenzo fuor delle mura
Etching, 382 x 667 mm (plate), 460 x 740 mm (sheet). 2nd state of V, with address and price. Hind 12. Printed [..]
249
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Colonna Trajana
Etching, 545 x 410 mm (plate), 800 x 560 mm (sheet). 3rd state of 7, with the Author's address, Palazzo Tomati. [..]
249
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Colonna Trajana
Etching, 545 x 410 mm (plate), 800 x 560 mm (sheet). 3rd state of 7, with the Author's address, Palazzo Tomati. [..]
250
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna del Sepolcro di S. Costanza, fabbricato da Costantino Magno, ed erroneamente detta il tempio di Bacco
Etching, 415 x 555 mm (plate), 512 x 727 mm (sheet). State 3rd of 6, with alternated title, author's address [..]
250
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna del Sepolcro di S. Costanza, fabbricato da Costantino Magno, ed erroneamente detta il [..]
Etching, 415 x 555 mm (plate), 512 x 727 mm (sheet). State 3rd of 6, with alternated title, author's address [..]
251
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Dogana di Terra a Piazza di Pietra
Etching, 396 x 598 mm (plate), 468 x 645 mm (sheet). State III of 6, with the author's address and price. Fine [..]
251
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Dogana di Terra a Piazza di Pietra
Etching, 396 x 598 mm (plate), 468 x 645 mm (sheet). State III of 6, with the author's address and price. Fine [..]
252
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza di Monte Cavallo
Etching, 390 x 542 mm (plate), 530 x 768 mm (sheet). State III of 6, with address and price: Author, Strada Felice. [..]
252
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza di Monte Cavallo
Etching, 390 x 542 mm (plate), 530 x 768 mm (sheet). State III of 6, with address and price: Author, Strada Felice. [..]
253
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno detta Basilica di S. Paolo fuori delle mura
Etching, 425 x 610 mm (plate), 512 x 736 mm (sheet). State III of 7, with the author's address and price. Hind [..]
253
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno detta Basilica di S. Paolo fuori delle mura
Etching, 425 x 610 mm (plate), 512 x 736 mm (sheet). State III of 7, with the author's address and price. Hind [..]
254
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Paolofuor delle Mura
Etching, approx. 410 x 615 mm. State not verifiable. Hind 6. Crisp impression on thick laid paper. Sheet glued [..]
254
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Paolofuor delle Mura
Etching, approx. 410 x 615 mm. State not verifiable. Hind 6. Crisp impression on thick laid paper. Sheet glued [..]
255
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta degli Avanzi del Foro di Nerva
Etching, approx. 410 x 620 mm. State not verifiable (but before the VI state). Hind 42. Crisp impression. [..]
255
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta degli Avanzi del Foro di Nerva
Etching, approx. 410 x 620 mm. State not verifiable (but before the VI state). Hind 42. Crisp impression. [..]
256
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Paolo fuor delle mura
Etching, 405 x 618 mm (plate), 458 x 687 mm (sheet). State IV of 6, with the author's address erased. Hind 6. [..]
256
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Paolo fuor delle mura
Etching, 405 x 618 mm (plate), 458 x 687 mm (sheet). State IV of 6, with the author's address erased. Hind 6. [..]
257
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori le Mura
Etching, 504 x 754 mm (sheet). Focillon 266. Printed on two sheets of joined laid paper with watermark ("Bracciano" [..]
257
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori le Mura
Etching, 504 x 754 mm (sheet). Focillon 266. Printed on two sheets of joined laid paper with watermark ("Bracciano" [..]
258
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Crisp, well-executed [..]
258
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Crisp, well-executed [..]
259
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Ichnographia viciniae reliquiarum Theatri Pompejani
Engraving, 430 x 140 mm (plate), 554 mm (sheet). Focillon 447. Fine impression on laid paper. Sheet in very [..]
259
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Ichnographia viciniae reliquiarum Theatri Pompejani
Engraving, 430 x 140 mm (plate), 554 mm (sheet). Focillon 447. Fine impression on laid paper. Sheet in very [..]
260
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Due urne cinerarie
Etching, 529 x 386 mm (plate), 695 x 515 mm (sheet). Focillon 628, Wilton-Ely 915. A fine example in [..]
260
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Due urne cinerarie
Etching, 529 x 386 mm (plate), 695 x 515 mm (sheet). Focillon 628, Wilton-Ely 915. A fine example in [..]
261
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Vaso antico di marmo adornato di finissimi intagli ed arabeschi
Etching, 533 x 389 mm (plate), 815 x 590 mm (sheet). Focillon 627, Wilton-Ely 914. From the series “Vasi, [..]
261
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Vaso antico di marmo adornato di finissimi intagli ed arabeschi
Etching, 533 x 389 mm (plate), 815 x 590 mm (sheet). Focillon 627, Wilton-Ely 914. From the series “Vasi, [..]
262
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Osservazioni"
Etching, approx. 80 x 56 cm. Focillon 982. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
262
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Architectural capriccio from "Osservazioni"
Etching, approx. 80 x 56 cm. Focillon 982. Fine impression on laid paper with BRACCIANO watermark (Hind 6). [..]
263
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
OVID · XV METAMORPH / RERVMQUE · NOVATRIX / EX · ALIIS · ALIAS · REDDIT · NATVRA · / FIGVRAS
Etching, 785 x 565 mm, plate taken from "Osservazioni di Gio. Battista Piranesi sopra la lettre de Monsieur Mariette [..]
263
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
OVID · XV METAMORPH / RERVMQUE · NOVATRIX / EX · ALIIS · ALIAS · REDDIT · NATVRA · / FIGVRAS
Etching, 785 x 565 mm, plate taken from "Osservazioni di Gio. Battista Piranesi sopra la lettre de Monsieur Mariette [..]
264
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
A DORIC COLONNADE OF INVENTION
Etching, 785 x 565 mm, plate taken from "Observations by Gio. Battista Piranesi sopra la lettre de Monsieur [..]
264
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
A DORIC COLONNADE OF INVENTION
Etching, 785 x 565 mm, plate taken from "Observations by Gio. Battista Piranesi sopra la lettre de Monsieur [..]
265
Franz Xaver Habermann
(1721 - 1796)
Vue du Mohle a Neaples avec le neoveau chateaux
Optical view of the port of Naples, after Johann Wilhelm Baur. Etching, 322 x 428 mm (plate), 355 x 485 mm (sheet). [..]
265
Franz Xaver Habermann
(1721 - 1796)
Vue du Mohle a Neaples avec le neoveau chateaux
Optical view of the port of Naples, after Johann Wilhelm Baur. Etching, 322 x 428 mm (plate), 355 x 485 mm (sheet). [..]
266
René (Robert) Gaillard
(Parigi, 1722 - 1785)
Galilée (Portrait of Galileo Galilei)
after Gerard Dow. Etching and stipple printed in colour, 365 x 270 mm (plate), 485 x 350 mm (sheet). LeBlanc [..]
266
René (Robert) Gaillard
(Parigi, 1722 - 1785)
Galilée (Portrait of Galileo Galilei)
after Gerard Dow. Etching and stipple printed in colour, 365 x 270 mm (plate), 485 x 350 mm (sheet). LeBlanc [..]
267
Cucule verde | Picchio verde | Picchio del Capo | Galabula
Lot of four plates from "Natural History of Birds" by Saverio Manetti. Etching and engraving, approx. 440 x 345 [..]
267
Cucule verde | Picchio verde | Picchio del Capo | Galabula
Lot of four plates from "Natural History of Birds" by Saverio Manetti. Etching and engraving, approx. 440 x 345 [..]
268
Domenico Cunego
(Verona, 1724 - Roma, 1803)
Amphitheatre of Benevento
after Charles Louis Clérisseau. Etching and engraving, approx. 450 x 595 mm. Nice impression. Sheet with [..]
268
Domenico Cunego
(Verona, 1724 - Roma, 1803)
Amphitheatre of Benevento
after Charles Louis Clérisseau. Etching and engraving, approx. 450 x 595 mm. Nice impression. Sheet with [..]
269
Jean Baptiste Greuze
(Tournus, 1725 - Parigi, 1805)
After
Four portraits
Lot of 4 engravings by Jean Baptiste Greuze. Etching in reddish ink, approx. 270 x 175 mm (each sheet). Very [..]
269
Jean Baptiste Greuze
(Tournus, 1725 - Parigi, 1805)
After
Four portraits
Lot of 4 engravings by Jean Baptiste Greuze. Etching in reddish ink, approx. 270 x 175 mm (each sheet). Very [..]
270
Francesco Bartolozzi
(1728 - 1815)
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. . . In His Majesty's Collection
1812
Lot of 16 plates engraved by Francesco Bartolozzi and other engravers, taken from "Original Designs of the Most [..]
270
Francesco Bartolozzi
(1728 - 1815)
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. [..]
1812
Lot of 16 plates engraved by Francesco Bartolozzi and other engravers, taken from "Original Designs of the Most [..]
271
Sir William Hamilton
(1730 - 1803)
Decoration from an Etruscan vase
Aquatint, 297 x 416 mm (plate), 475 x 720 mm (sheet). Plate from "Collection Of Etruscan, Greek, And Roman Antiquities...". [..]
271
Sir William Hamilton
(1730 - 1803)
Decoration from an Etruscan vase
Aquatint, 297 x 416 mm (plate), 475 x 720 mm (sheet). Plate from "Collection Of Etruscan, Greek, And Roman Antiquities...". [..]
272
Paul Sandby
(1809)
The Opening of the Carnival in Rome
1780
after David Allan's drawing. Aquatint and etching, approx. 360 x 535 mm. Gunn 278. Very nice impression on [..]
272
Paul Sandby
(1809)
The Opening of the Carnival in Rome
1780
after David Allan's drawing. Aquatint and etching, approx. 360 x 535 mm. Gunn 278. Very nice impression on [..]
273
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Equestrian portrait of Marcus Aurelius
Aquatint, 193 x 147 mm (plate), 202 x 159 mm (sheet). Fine impression on laid paper with a fragment of watermark. [..]
273
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Equestrian portrait of Marcus Aurelius
Aquatint, 193 x 147 mm (plate), 202 x 159 mm (sheet). Fine impression on laid paper with a fragment of watermark. [..]
274
William Wynne Ryland
(1733 - 1783)
Study for a female nude
after Michelangelo. Manière de crayon, 266 x 195 mm (plate), 355 x 280 mm (sheet). Nice impression on laid paper. [..]
274
William Wynne Ryland
(1733 - 1783)
Study for a female nude
after Michelangelo. Manière de crayon, 266 x 195 mm (plate), 355 x 280 mm (sheet). Nice impression on laid paper. [..]
275
Jakob Schmutzer
(1733 - 1811)
Franz Edmund Weirotter | Paul Petrovitch
Lot of two engravings: Jacob Schmutzer (1733-1811) Franz Edmund Weirotter Etching, 405 x 245 mm (sheet). [..]
275
Jakob Schmutzer
(1733 - 1811)
Franz Edmund Weirotter | Paul Petrovitch
Lot of two engravings: Jacob Schmutzer (1733-1811) Franz Edmund Weirotter Etching, 405 x 245 mm (sheet). [..]
276
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Balthasar Anton Dunker
(1746 - 1807)
View of the Church of St. Peter in Rome from the Ponte Molle
Etching and engraving, 415 x 570 mm (plate), 470 x 580 mm (sheet). Very nice proof on laid paper. Sheet with [..]
276
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Balthasar Anton Dunker
(1746 - 1807)
View of the Church of St. Peter in Rome from the Ponte Molle
Etching and engraving, 415 x 570 mm (plate), 470 x 580 mm (sheet). Very nice proof on laid paper. Sheet with [..]
277
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Prospetto meridionale del Palazzo della Villa Albani
after Francesco Panini. Etching and engraving, 475 x 672 mm (plate), 503 x 690 mm (sheet). Marini 204. A fine [..]
277
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Prospetto meridionale del Palazzo della Villa Albani
after Francesco Panini. Etching and engraving, 475 x 672 mm (plate), 503 x 690 mm (sheet). Marini 204. A fine [..]
278
Jean Jacques de Boissieu
(1736 - 1810)
Landscapes
Lot of four prints. Etching and drypoint, approx. 265 x 405 (each sheet). Printed on laid paper. Sheets in [..]
278
Jean Jacques de Boissieu
(1736 - 1810)
Landscapes
Lot of four prints. Etching and drypoint, approx. 265 x 405 (each sheet). Printed on laid paper. Sheets in [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
by Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, with [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
by Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, with [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
after Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
after Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, [..]
280
John Hall
(1739 - 1797)
William Penn's Treaty with Indians, when he founded the Province of Pensylvania in North America
by Benjamin West. Engraving, 500 x 630 mm (sheet). A fine, fresh copy on heavy laid paper. Sheet with stains, [..]
280
John Hall
(1739 - 1797)
William Penn's Treaty with Indians, when he founded the Province of Pensylvania in North America
by Benjamin West. Engraving, 500 x 630 mm (sheet). A fine, fresh copy on heavy laid paper. Sheet with stains, [..]
281
Stefano Mulinari
(Firenze)
Bust of a young woman
1870
after a drawing preserved in the Cabinet of Drawings and Prints of the Uffizi, formerly attributed to Leonardo [..]
281
Stefano Mulinari
(Firenze)
Bust of a young woman
1870
after a drawing preserved in the Cabinet of Drawings and Prints of the Uffizi, formerly attributed to Leonardo [..]
282
Stefano Mulinari
(Firenze)
The Presentation of Jesus at the Temple
after Federico Zuccaro. Aquatint in brownish ink, 335 x 485 mm. From "Original drawings by excellent painters [..]
282
Stefano Mulinari
(Firenze)
The Presentation of Jesus at the Temple
after Federico Zuccaro. Aquatint in brownish ink, 335 x 485 mm. From "Original drawings by excellent painters [..]
283
Pierre Lélu
(1741 - 1810)
The Massacre of the Innocents
1790
after Marcantonio Raimondi. Etching and drawing in pen and brown ink, 440 x 298 mm. In fair condition, trimmed [..]
283
Pierre Lélu
(1741 - 1810)
The Massacre of the Innocents
1790
after Marcantonio Raimondi. Etching and drawing in pen and brown ink, 440 x 298 mm. In fair condition, trimmed [..]
284
Richard Earlom
(London, 1743 - 1822)
Bathsheba bringing Abishag to David
after Adriaen van der Werff. Mezzotint, 625 x 455 mm (plate), 670 x 507 mm (sheet). Rubinstein "Richard Earlom [..]
284
Richard Earlom
(London, 1743 - 1822)
Bathsheba bringing Abishag to David
after Adriaen van der Werff. Mezzotint, 625 x 455 mm (plate), 670 x 507 mm (sheet). Rubinstein "Richard Earlom [..]
285
Richard Earlom
(London, 1743 - 1822)
Orpheus | The exposition of Cyrus
Lot of two engravings after Giovanni Benedetto Castiglione: a) Orpheus Mezzotint, 283 x 369 mm (plate), 292 [..]
285
Richard Earlom
(London, 1743 - 1822)
Orpheus | The exposition of Cyrus
Lot of two engravings after Giovanni Benedetto Castiglione: a) Orpheus Mezzotint, 283 x 369 mm (plate), 292 [..]
286
Dominique Montagù
Giovanni Maria Cassini (1745-1824)
Ancient and modern views of Rome
Lot of 14 plates: 8 plates from "New collection of the best ancient and modern views of Rome drawn and engraved [..]
286
Dominique Montagù
Giovanni Maria Cassini (1745-1824)
Ancient and modern views of Rome
Lot of 14 plates: 8 plates from "New collection of the best ancient and modern views of Rome drawn and engraved [..]
287
Thomas Milton
(1743 - 1827)
City of Rosetta
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
287
Thomas Milton
(1743 - 1827)
City of Rosetta
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
288
Thomas Milton
(1743 - 1827)
Principal Square in Grand Cairo, with Murad Bey's Palace
1811
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
288
Thomas Milton
(1743 - 1827)
Principal Square in Grand Cairo, with Murad Bey's Palace
1811
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
289
Thomas Milton
(1743 - 1827)
Part of the new city of Alexandria, with the Light House
1802
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
289
Thomas Milton
(1743 - 1827)
Part of the new city of Alexandria, with the Light House
1802
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
290
Thomas Milton
(1743 - 1827)
Theatre at Ephesus
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). Nice, hand-colored copy. [..]
290
Thomas Milton
(1743 - 1827)
Theatre at Ephesus
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). Nice, hand-colored copy. [..]
291
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm. Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by [..]
291
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm. Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by [..]
292
Benedetto Eredi
(Ravenna - 1815)
La casta Susanna
after Matteo Rosselli. Etching, 365 x 450 mm. Copy with nice contemporary coloring, printed on laid paper. Sheet [..]
292
Benedetto Eredi
(Ravenna - 1815)
La casta Susanna
after Matteo Rosselli. Etching, 365 x 450 mm. Copy with nice contemporary coloring, printed on laid paper. Sheet [..]
293
William Hamilton
(1751 - 1801)
After
Twelve months
Lot of 12 prints engraved by Gennaro Bartoli (active mid-19th century). Engraving and etching, approx. 320 x [..]
293
William Hamilton
(1751 - 1801)
After
Twelve months
Lot of 12 prints engraved by Gennaro Bartoli (active mid-19th century). Engraving and etching, approx. 320 x [..]
294
Gilbert Stuart
(Rhode Island, 1754 - Boston, 1828)
After
George Washington
Engraving by John Halpin after Gilbert Stuart's painting now in the Old State House in Hartford, Connecticut. [..]
294
Gilbert Stuart
(Rhode Island, 1754 - Boston, 1828)
After
George Washington
Engraving by John Halpin after Gilbert Stuart's painting now in the Old State House in Hartford, Connecticut. [..]
295
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
Vue de Caserte | Vue de Persano
Lot of two engravings after Jacob Philipp Hackert's paintings, today in the collection of the Royal Palace of [..]
295
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
Vue de Caserte | Vue de Persano
Lot of two engravings after Jacob Philipp Hackert's paintings, today in the collection of the Royal Palace of [..]
296
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
1.ere vue des ruines du Pont d'Auguste sur la Nera à Narni
AFTER Jacob Philipp Hackert (Prenzlau 1737 – Florence 1807). Etching and engraving, 430 x 578 mm (sheet). Rare [..]
296
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
1.ere vue des ruines du Pont d'Auguste sur la Nera à Narni
AFTER Jacob Philipp Hackert (Prenzlau 1737 – Florence 1807). Etching and engraving, 430 x 578 mm (sheet). Rare [..]
297
Thomas Rowlandson
(1757 - 1827)
(the German doctor) Franz Joseph Gall discusses with colleagues, inside an anatomical room
Etching with contemporary colouring, 225 x 280 mm. In good condition, with yellowing and widespread foxing, [..]
297
Thomas Rowlandson
(1757 - 1827)
(the German doctor) Franz Joseph Gall discusses with colleagues, inside an anatomical room
Etching with contemporary colouring, 225 x 280 mm. In good condition, with yellowing and widespread foxing, [..]
298
Thomas Rowlandson
(1757 - 1827)
Home and Abroad | Abroad and at Home
Etching, approx. 140 x 193 mm (each piece). Original print cut into two pieces, printed on wove paper with [..]
298
Thomas Rowlandson
(1757 - 1827)
Home and Abroad | Abroad and at Home
Etching, approx. 140 x 193 mm (each piece). Original print cut into two pieces, printed on wove paper with [..]
299
James Gillray
(1756 - 1815)
Ladies dress, as it will soon be.
Etching, 326 x 241 mm. Printed on heavy wove paper. In general good condition except for scattered stains and [..]
299
James Gillray
(1756 - 1815)
Ladies dress, as it will soon be.
Etching, 326 x 241 mm. Printed on heavy wove paper. In general good condition except for scattered stains and [..]
300
Raffaello Morghen
(Firenze, 1758 - 1833)
The Madonna della Sedia
after Raphael. Etching and engraving, 438 x 382 mm (sheet). Fine impression on laid paper. Sheet with margins [..]
300
Raffaello Morghen
(Firenze, 1758 - 1833)
The Madonna della Sedia
after Raphael. Etching and engraving, 438 x 382 mm (sheet). Fine impression on laid paper. Sheet with margins [..]
301
Raffaello Morghen
(Firenze, 1758 - 1833)
Theology
after Raphael. Etching, 417 x 380 mm (plate), 457 x 431 mm (sheet). LeBlanc 95. A fine example on laid paper [..]
301
Raffaello Morghen
(Firenze, 1758 - 1833)
Theology
after Raphael. Etching, 417 x 380 mm (plate), 457 x 431 mm (sheet). LeBlanc 95. A fine example on laid paper [..]
302
Raffaello Morghen
(Firenze, 1758 - 1833)
Domenica Volpato Morghen | Fortunata Sulgher Fantastic | Carlo Lodovico and Maria Luisa
Lot of three engravings: a) Domenica Volpato Morghen (portrait of his wife) after Angelica Kauffman Etching, [..]
302
Raffaello Morghen
(Firenze, 1758 - 1833)
Domenica Volpato Morghen | Fortunata Sulgher Fantastic | Carlo Lodovico and Maria Luisa
Lot of three engravings: a) Domenica Volpato Morghen (portrait of his wife) after Angelica Kauffman Etching, [..]
303
Carlo Lasinio
(1759 - 1855)
Venus
after Titian. Engraving and etching, 266 x 199 mm. Fine impression in red ink, printed on laid paper with watermark. [..]
303
Carlo Lasinio
(1759 - 1855)
Venus
after Titian. Engraving and etching, 266 x 199 mm. Fine impression in red ink, printed on laid paper with watermark. [..]
304
Pierre Jacques Gaultier
Antiquities of Herculaneum
after Pietro la Vega. Etching, 237 x 380 mm (plate), 380 x 520 mm (sheet). Fresh impression with beautiful contemporary [..]
304
Pierre Jacques Gaultier
Antiquities of Herculaneum
after Pietro la Vega. Etching, 237 x 380 mm (plate), 380 x 520 mm (sheet). Fresh impression with beautiful contemporary [..]
305
Mauro Gandolfi
(Bologna, 1764 - Bologna, 1834)
Tradidit caput holofernis ancillae suae
after Bronzino's painting today in the Gallery of Palazzo Pitti in Florence. Etching, 523 x 372 mm. State IV [..]
305
Mauro Gandolfi
(Bologna, 1764 - Bologna, 1834)
Tradidit caput holofernis ancillae suae
after Bronzino's painting today in the Gallery of Palazzo Pitti in Florence. Etching, 523 x 372 mm. State IV [..]
306
Louis-Pierre Baltard
(1764 - 1846)
View of the Capuchin monastery in Termini | View of the Tiber near Ripetta
Lot of two etchings. Etchings, 141 x 215 mm (each plate), approx. 280 x 370 mm (each sheet). Both very nice [..]
306
Louis-Pierre Baltard
(1764 - 1846)
View of the Capuchin monastery in Termini | View of the Tiber near Ripetta
Lot of two etchings. Etchings, 141 x 215 mm (each plate), approx. 280 x 370 mm (each sheet). Both very nice [..]
307
Jacques-Charles Bonnard
(1765 - 1818)
Villa Aldobrandini
Lot of 3 plates depicting Villa Aldobrandini in Frascati. Engraving and etching, 480 x 355 mm (each sheet). Includes [..]
307
Jacques-Charles Bonnard
(1765 - 1818)
Villa Aldobrandini
Lot of 3 plates depicting Villa Aldobrandini in Frascati. Engraving and etching, 480 x 355 mm (each sheet). Includes [..]
308
Jacques-Charles Bonnard
(1765 - 1818)
Plan de la Villa Negroni | Vue du Casin de la Villa Negroni
Lot of two etchings and an explanatory sheet. Etching, 477 x 355 mm (each sheet). Printed on laid paper. In very [..]
308
Jacques-Charles Bonnard
(1765 - 1818)
Plan de la Villa Negroni | Vue du Casin de la Villa Negroni
Lot of two etchings and an explanatory sheet. Etching, 477 x 355 mm (each sheet). Printed on laid paper. In very [..]
309
Jacques-Charles Bonnard
(1765 - 1818)
General plan of the Villa d'Este and its gardens | View of the Grand Bassin of the Aréthuse fountain...
Lot of two prints. Etching, 477 x 355 mm (each sheet). Printed on laid paper. In very good condition except for [..]
309
Jacques-Charles Bonnard
(1765 - 1818)
General plan of the Villa d'Este and its gardens | View of the Grand Bassin of the Aréthuse fount [..]
Lot of two prints. Etching, 477 x 355 mm (each sheet). Printed on laid paper. In very good condition except for [..]
310
Jacques-Charles Bonnard
(1765 - 1818)
Caprarola
Lot of two prints. Engraving and etching, 552 x 380 mm (each sheet). Very fine impressions on wove paper, in good [..]
310
Jacques-Charles Bonnard
(1765 - 1818)
Caprarola
Lot of two prints. Engraving and etching, 552 x 380 mm (each sheet). Very fine impressions on wove paper, in good [..]
311
Cross section of a column
Etching and engraving, 375 x 480 mm. Very fine impression printed on laid paper. Sheet in very good condition, [..]
311
Cross section of a column
Etching and engraving, 375 x 480 mm. Very fine impression printed on laid paper. Sheet in very good condition, [..]
312
Gaetano Zancon
(Bassano, 1771 - Milano, 1816)
View of a Rock in the Outskirts of Bolzano in Tyrol | View of the Chiusa Pass in Tyrol
Lot of two prints after Pietro Marchioretto. Aquatint, 255 x 335 mm and 315 x 450 mm (sheets). Fine, rich impressions [..]
312
Gaetano Zancon
(Bassano, 1771 - Milano, 1816)
View of a Rock in the Outskirts of Bolzano in Tyrol | View of the Chiusa Pass in Tyrol
Lot of two prints after Pietro Marchioretto. Aquatint, 255 x 335 mm and 315 x 450 mm (sheets). Fine, rich impressions [..]
313
Giuseppe Longhi
(Monza, 1766 - Milano, 1831)
Eugène de Beauharnais vice-roi d'Italie
1813
after Francois Gérard's painting today preserved at the Musée National des Chateaux de Versailles et de Trianon. [..]
313
Giuseppe Longhi
(Monza, 1766 - Milano, 1831)
Eugène de Beauharnais vice-roi d'Italie
1813
after Francois Gérard's painting today preserved at the Musée National des Chateaux de Versailles et de Trianon. [..]
314
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Carri di Fieno, trasportati dalla campagna in Roma, per riporla nei Fienili, nel mese di Giugno
1821
Etching, 320 x 410 mm (plate), approx. 460 x 625 mm (sheet). Plate from "Various costumes invented and engraved [..]
314
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Carri di Fieno, trasportati dalla campagna in Roma, per riporla nei Fienili, nel mese di Giugno
1821
Etching, 320 x 410 mm (plate), approx. 460 x 625 mm (sheet). Plate from "Various costumes invented and engraved [..]
315
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Salta la quaglia, divertimento popolare di Roma, usato dai Ragazzi nei giorni di Festa
1821
Etching, 320 x 410 mm (plate), approx. 460 x 625 mm (sheet). Plate from "Various costumes invented and engraved [..]
315
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Salta la quaglia, divertimento popolare di Roma, usato dai Ragazzi nei giorni di Festa
1821
Etching, 320 x 410 mm (plate), approx. 460 x 625 mm (sheet). Plate from "Various costumes invented and engraved [..]
316
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Ballo dell'Orso | Li Piferari in Roma – Costumi del Regno di Napoli
1809
Etching, approx. 210 x 306 mm (plate), approx. 260 x 340 mm (sheet). Printed on laid paper, some parts hand-watercoloured. [..]
316
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Ballo dell'Orso | Li Piferari in Roma – Costumi del Regno di Napoli
1809
Etching, approx. 210 x 306 mm (plate), approx. 260 x 340 mm (sheet). Printed on laid paper, some parts hand-watercoloured. [..]
317
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Venditore di Torroni, in Napoli | Venditore di sorbetti, in Napoli | Acquajolo, nella città di Napoli | Venditore di Nocchie, dette Antrite, in Napoli | Uomo, e Donna di Santangelo Limosani, Contado di Molise | Donna del Paese di Pettorano, Pescatore del Lago Fucino Provincia dell'Aquila Abruzzo Ultra
Lot of 6 engravings from the series "Raccolta di cinquanta costumi li piu interessanti delle citta, terre, e [..]
317
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Venditore di Torroni, in Napoli | Venditore di sorbetti, in Napoli | Acquajolo, nella città di Napoli [..]
Lot of 6 engravings from the series "Raccolta di cinquanta costumi li piu interessanti delle citta, terre, e [..]
318
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Lot of three plates from the story of the brigand Massaroni
1823
Etching, 267 x 363 mm each. Sheets in good condition with slight foxing, glued along the upper margins on modern [..]
318
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Lot of three plates from the story of the brigand Massaroni
1823
Etching, 267 x 363 mm each. Sheets in good condition with slight foxing, glued along the upper margins on modern [..]
319
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Luigi Rossini
(1790 - 1857)
Veduta generale del Gran Tempio della Pace
Etching, approx. 430 x 645 mm. From "LE ANTICHITA' ROMANE OSSIA RACCOLTA DELLE PIU INTERESSANTI VEDUTE DI ROMA [..]
319
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Luigi Rossini
(1790 - 1857)
Veduta generale del Gran Tempio della Pace
Etching, approx. 430 x 645 mm. From "LE ANTICHITA' ROMANE OSSIA RACCOLTA DELLE PIU INTERESSANTI VEDUTE DI ROMA [..]
320
Francisco Preciado De La Vega
Attributed to
Ornamental panel
Etching, 141 x 94 mm (plate), 170 x 115 mm (sheet). Inscribed at bottom: Francisco La Vega Beautiful impression [..]
320
Francisco Preciado De La Vega
Attributed to
Ornamental panel
Etching, 141 x 94 mm (plate), 170 x 115 mm (sheet). Inscribed at bottom: Francisco La Vega Beautiful impression [..]
321
Tommaso De Vivo
(Orta di Atella - Napoli, 1884)
Uccisione dell’imperatore costante | Pacuvio scongiura il suo figlio a non uccidere Annibale | La statua di Verre viene rovesciata
Lot of three prints. Etching, 420 x 495 mm. Printed on wove papers. In good general condition.
321
Tommaso De Vivo
(Orta di Atella - Napoli, 1884)
Uccisione dell’imperatore costante | Pacuvio scongiura il suo figlio a non uccidere Annibale | La statua [..]
Lot of three prints. Etching, 420 x 495 mm. Printed on wove papers. In good general condition.
322
Henri Merke
(1799)
A Tiger killed by a poisoned arrow
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
322
Henri Merke
(1799)
A Tiger killed by a poisoned arrow
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
323
Henri Merke
(1799)
Decoy Elephants leaving the Male fastened to a Tree
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
323
Henri Merke
(1799)
Decoy Elephants leaving the Male fastened to a Tree
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
324
Henri Merke
(1799)
The Ganges breaking its banks, with fishing &c
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
324
Henri Merke
(1799)
The Ganges breaking its banks, with fishing &c
1806
from the Oriental Field Sports series, after drawings by Samuel Howitt and Thomas Williamson. Hand-coloured [..]
325
Friedrich Salathé
(1793 - 1858)
Turin
after Carlo Bossoli. Aquatint, 244 x 370 mm. Fine impression on chine-collé, applied on unlaid paper. In good [..]
325
Friedrich Salathé
(1793 - 1858)
Turin
after Carlo Bossoli. Aquatint, 244 x 370 mm. Fine impression on chine-collé, applied on unlaid paper. In good [..]
326
Gregorio Cleter
(1813 - 1873)
Monumenti della Via Appia dalla Porta Capena al miglio XI. Quali si trovano nel 1858
Etching, 590 x 690 mm. Sheet with trace of central vertical fold and browning. Overall in good condition.
326
Gregorio Cleter
(1813 - 1873)
Monumenti della Via Appia dalla Porta Capena al miglio XI. Quali si trovano nel 1858
Etching, 590 x 690 mm. Sheet with trace of central vertical fold and browning. Overall in good condition.
327
Salvatore Busuttil
(1798 - 1854)
Corpus Domini. Diretta da uno de’ Cerimonieri di Sua Santità Gregorio XVI. Roma, Deodato Minelli
1838
Lot of 32 plates from "Corpus Domini". Etching, 327 x 478 mm. Plates in fair condition, with traces of water [..]
327
Salvatore Busuttil
(1798 - 1854)
Corpus Domini. Diretta da uno de’ Cerimonieri di Sua Santità Gregorio XVI. Roma, Deodato Minelli
1838
Lot of 32 plates from "Corpus Domini". Etching, 327 x 478 mm. Plates in fair condition, with traces of water [..]
328
Jean-Baptiste Camille Corot (1796-1875)
Orphée entrainant Eurydike
Cliché-verre, 129 x 178 mm (plate); 420 x 310 mm (sheet). Delteil 77 Late impression on wove paper. Sheet in [..]
328
Jean-Baptiste Camille Corot (1796-1875)
Orphée entrainant Eurydike
Cliché-verre, 129 x 178 mm (plate); 420 x 310 mm (sheet). Delteil 77 Late impression on wove paper. Sheet in [..]
329
Jean-Baptiste Camille Corot (1796-1875)
Souvenir de Toscane
Etching, 123 x 183 mm (plate); 420 x 310 mm (sheet). Delteil 1 Late edition on wove paper. Sheet in very good [..]
329
Jean-Baptiste Camille Corot (1796-1875)
Souvenir de Toscane
Etching, 123 x 183 mm (plate); 420 x 310 mm (sheet). Delteil 1 Late edition on wove paper. Sheet in very good [..]
330
Pierre-Etienne-Théodore Rousseau
(1812 - 1867)
Le Cerisier de la plante a Biau
Cliché verre, 255 x 315 mm (sheet). Delteil 5 Later impression on wove paper. Sheet in very good condition, [..]
330
Pierre-Etienne-Théodore Rousseau
(1812 - 1867)
Le Cerisier de la plante a Biau
Cliché verre, 255 x 315 mm (sheet). Delteil 5 Later impression on wove paper. Sheet in very good condition, [..]
331
Pierre-Etienne-Théodore Rousseau
(1812 - 1867)
Le plaine de la Plante a Biau
Cliché verre, 255 x 315 mm (sheet). Delteil 6 Late impression on wove paper. Sheet in very good condition, except [..]
331
Pierre-Etienne-Théodore Rousseau
(1812 - 1867)
Le plaine de la Plante a Biau
Cliché verre, 255 x 315 mm (sheet). Delteil 6 Late impression on wove paper. Sheet in very good condition, except [..]
332
CHARLES-FRANÇOIS DAUBIGNY
(Parigi, 1817 - 1878)
La machine hydralique
1862
Cliché-verre, 208 x 344 mm (plate), 237 x 358 mm (sheet). Delteil 147 Fine impression on wove paper. Sheet in [..]
332
CHARLES-FRANÇOIS DAUBIGNY
(Parigi, 1817 - 1878)
La machine hydralique
1862
Cliché-verre, 208 x 344 mm (plate), 237 x 358 mm (sheet). Delteil 147 Fine impression on wove paper. Sheet in [..]
333
CHARLES-FRANÇOIS DAUBIGNY
(Parigi, 1817 - 1878)
La Fenaison
1862
Cliché-verre, 211 x 344 mm (plate), 227 x 356 mm (sheet). Delteil 142 Impression on wove paper. Sheet in very [..]
333
CHARLES-FRANÇOIS DAUBIGNY
(Parigi, 1817 - 1878)
La Fenaison
1862
Cliché-verre, 211 x 344 mm (plate), 227 x 356 mm (sheet). Delteil 142 Impression on wove paper. Sheet in very [..]
334
Jean François Millet
(1814 - 1875)
The Bouillie
Etching, 280 x 189 mm (sheet). State V of 6. Delteil 17. Fresh impression on modern laid paper. Sheet in excellent [..]
334
Jean François Millet
(1814 - 1875)
The Bouillie
Etching, 280 x 189 mm (sheet). State V of 6. Delteil 17. Fresh impression on modern laid paper. Sheet in excellent [..]
335
Bracelet ball game in Naples
after Antonio Joli's painting preserved in the Certosa Museum of San Martino in Naples. Etching, 378 x 670 mm [..]
335
Bracelet ball game in Naples
after Antonio Joli's painting preserved in the Certosa Museum of San Martino in Naples. Etching, 378 x 670 mm [..]
336
Filippo Troiani
(1830)
The School of Athletes (Mosaic in the Gymnasium of the Baths of Caracalla)
Lithograph, 950 x 610 mm. Fine impression on wove paper. Sheet in very good condition except for a tear on the [..]
336
Filippo Troiani
(1830)
The School of Athletes (Mosaic in the Gymnasium of the Baths of Caracalla)
Lithograph, 950 x 610 mm. Fine impression on wove paper. Sheet in very good condition except for a tear on the [..]
337
View of Bologna
mid 19th century
Lithograph, 330 x 475 mm (sheet). Published by Angiolini and C. ( active Bologna mid-19th century). Very nice [..]
337
View of Bologna
mid 19th century
Lithograph, 330 x 475 mm (sheet). Published by Angiolini and C. ( active Bologna mid-19th century). Very nice [..]
338
The Great East River Bridge. To connect the cities of New York & Brooklyn
Currier & Ives 1872
Lithograph, 317 x 430 mm. A fine copy on wove paper. In good condition, except for light stains and creases.
338
The Great East River Bridge. To connect the cities of New York & Brooklyn
Currier & Ives 1872
Lithograph, 317 x 430 mm. A fine copy on wove paper. In good condition, except for light stains and creases.
339
Telemaco Signorini
(Firenze, 1835 - 1901)
Spring
Etching on chine-collé, 150 x 208 mm (plate), 290 x 382 mm (sheet). Very nice impression. Sheet in very good [..]
339
Telemaco Signorini
(Firenze, 1835 - 1901)
Spring
Etching on chine-collé, 150 x 208 mm (plate), 290 x 382 mm (sheet). Very nice impression. Sheet in very good [..]
340
Paul Rajon
(1843 - 1888)
Ninette
Etching in reddish ink, approx. 295 x 200 mm (sheet). Fine impression on wove paper. With passe-partout and [..]
340
Paul Rajon
(1843 - 1888)
Ninette
Etching in reddish ink, approx. 295 x 200 mm (sheet). Fine impression on wove paper. With passe-partout and [..]
341
Léon Augustin Lhermitte (1844-1925)
The Vendange
1877
Etching, 195 x 275 cm (plate), 240 x 335 mm (sheet). Beautiful, fresh impression on paper. With passe-partout [..]
341
Léon Augustin Lhermitte (1844-1925)
The Vendange
1877
Etching, 195 x 275 cm (plate), 240 x 335 mm (sheet). Beautiful, fresh impression on paper. With passe-partout [..]
342
Celestino Turletti
(1845 - 1904)
The family
1888
from the painting by Niccolò Cannicci. Etching, 270 x 435 mm (plate), 485 x 700 mm (sheet). Beautiful impression [..]
342
Celestino Turletti
(1845 - 1904)
The family
1888
from the painting by Niccolò Cannicci. Etching, 270 x 435 mm (plate), 485 x 700 mm (sheet). Beautiful impression [..]
343
Celestino Turletti
(1845 - 1904)
Education | Martyrs of Grammar
Lot of die engravings. Etching, 415 x 310 mm and 430 x 308 mm (sheet). In good condition.
343
Celestino Turletti
(1845 - 1904)
Education | Martyrs of Grammar
Lot of die engravings. Etching, 415 x 310 mm and 430 x 308 mm (sheet). In good condition.
344
FRANCESCO PAOLO MICHETTI
(Tocco da Casauria, 1851 - Francavilla al Mare, 1929)
The child in the basket
1878
Etching, 240 x 157 mm (plate), 420 x 325 mm (sheet). Cadart edition. Beautiful impression on modern laid paper. [..]
344
FRANCESCO PAOLO MICHETTI
(Tocco da Casauria, 1851 - Francavilla al Mare, 1929)
The child in the basket
1878
Etching, 240 x 157 mm (plate), 420 x 325 mm (sheet). Cadart edition. Beautiful impression on modern laid paper. [..]
345
Max Klinger
(1857 - 1920)
Writing lesson
Etching, 330 x 265 mm (plate), 575 x 440 mm (sheet). Very nice, fresh impression on chine-collé. Thick paper [..]
345
Max Klinger
(1857 - 1920)
Writing lesson
Etching, 330 x 265 mm (plate), 575 x 440 mm (sheet). Very nice, fresh impression on chine-collé. Thick paper [..]
346
Max Horte
(1865)
Campo de' Fiori square in Rome
1901 approx.
Etching, approx. 265 x 315 mm (plate). Published by Louis Fort in Paris. Beautiful impression in very [..]
346
Max Horte
(1865)
Campo de' Fiori square in Rome
1901 approx.
Etching, approx. 265 x 315 mm (plate). Published by Louis Fort in Paris. Beautiful impression in very [..]
347
Pierre Bonnard
(1867 - 1947)
Toilet
1927
Etching, 217 x 158 mm (plate), 260 x 200 mm (sheet). Fresh, clear impression with light plate-tone on unlaid [..]
347
Pierre Bonnard
(1867 - 1947)
Toilet
1927
Etching, 217 x 158 mm (plate), 260 x 200 mm (sheet). Fresh, clear impression with light plate-tone on unlaid [..]
348
Giovanni Giacometti
(1868 - 1933)
Field work
1911
Woodcut, 200 x 200 mm (matrix), 320 x 250 mm (sheet). Signed in blue pencil lower right. Stauffer 23 Black print [..]
348
Giovanni Giacometti
(1868 - 1933)
Field work
1911
Woodcut, 200 x 200 mm (matrix), 320 x 250 mm (sheet). Signed in blue pencil lower right. Stauffer 23 Black print [..]
349
Giovanni Giacometti
(1868 - 1933)
The night
1921
Woodcut, 200 x 230 mm (matrix), 420 x 300 mm (sheet). Dated "1.I.21" and signed in blue pencil lower [..]
349
Giovanni Giacometti
(1868 - 1933)
The night
1921
Woodcut, 200 x 230 mm (matrix), 420 x 300 mm (sheet). Dated "1.I.21" and signed in blue pencil lower [..]
350
Aleardo Terzi
(Palermo, 1870 - Castelletto sopra Ticino, 1943)
Lunar Harmony
1905
Two-color woodcut on brown paper, 194 x 253 mm. From "Novissima. Annual register of art and letters" [..]
350
Aleardo Terzi
(Palermo, 1870 - Castelletto sopra Ticino, 1943)
Lunar Harmony
1905
Two-color woodcut on brown paper, 194 x 253 mm. From "Novissima. Annual register of art and letters" [..]
351
MARIANO FORTUNY Y MADRAZO
(Granada, 1871 - Venezia, 1949)
Villa Borghese
Etching, 174 x 113 mm (plate), 310 x 225 mm (sheet). Beautiful and rare impression on unlaid paper. In excellent [..]
351
MARIANO FORTUNY Y MADRAZO
(Granada, 1871 - Venezia, 1949)
Villa Borghese
Etching, 174 x 113 mm (plate), 310 x 225 mm (sheet). Beautiful and rare impression on unlaid paper. In excellent [..]
352
MARIANO FORTUNY Y MADRAZO
(Granada, 1871 - Venezia, 1949)
Muleteer
Etching on chine-collé paper, 106 x 67 mm (plate), 236 x 175 mm (sheet). Beautiful, clear and deep impression [..]
352
MARIANO FORTUNY Y MADRAZO
(Granada, 1871 - Venezia, 1949)
Muleteer
Etching on chine-collé paper, 106 x 67 mm (plate), 236 x 175 mm (sheet). Beautiful, clear and deep impression [..]
353
Angelo Rossini
(Roma, 1871 - 1939)
Venetian Canal
Colour etching, 735 x 485 mm (plate), 790 x 530 mm (sheet). Signed and titled in pencil. In excellent condition [..]
353
Angelo Rossini
(Roma, 1871 - 1939)
Venetian Canal
Colour etching, 735 x 485 mm (plate), 790 x 530 mm (sheet). Signed and titled in pencil. In excellent condition [..]
354
Laurenzio Laurenzi
(1878 - 1946)
The Capitoline Hill seen from the Forum of Augusti
Etching, 375 x 495 mm (plate), 595 x 750 mm (sheet). Signed in pencil, edition 3/40 Very nice and very fresh [..]
354
Laurenzio Laurenzi
(1878 - 1946)
The Capitoline Hill seen from the Forum of Augusti
Etching, 375 x 495 mm (plate), 595 x 750 mm (sheet). Signed in pencil, edition 3/40 Very nice and very fresh [..]
355
Laurenzio Laurenzi
(1878 - 1946)
The Curia with the Arch of Septimius Severus and the Church of SS Luca and Martino – Rome – Year XI EF
Etching, 375 x 495 mm (plate), 595 x 750 mm (sheet). Signed in pencil, edition 3/40 Very fine, fresh impression [..]
355
Laurenzio Laurenzi
(1878 - 1946)
The Curia with the Arch of Septimius Severus and the Church of SS Luca and Martino – Rome – Year XI [..]
Etching, 375 x 495 mm (plate), 595 x 750 mm (sheet). Signed in pencil, edition 3/40 Very fine, fresh impression [..]
356
Sigmund Lipinsky
(1873 - 1940)
Ex Libris for Adolf Wilhelm
1921
Etching, 125 x 61 mm (plate), 230 x 160 mm (sheet). Beautiful, clear and fresh impression with light plate tone, [..]
356
Sigmund Lipinsky
(1873 - 1940)
Ex Libris for Adolf Wilhelm
1921
Etching, 125 x 61 mm (plate), 230 x 160 mm (sheet). Beautiful, clear and fresh impression with light plate tone, [..]
357
Luigi Bompard
(1879 - 1953)
The Dew
1905
Multi-color woodcut, 217 x 265 mm. From "Novissima. Annual register of art and letters" Rome 1905. [..]
357
Luigi Bompard
(1879 - 1953)
The Dew
1905
Multi-color woodcut, 217 x 265 mm. From "Novissima. Annual register of art and letters" Rome 1905. [..]
358
Luigi Bompard
(1879 - 1953)
Female figure
Brown ink drypoint, 202 x 100 mm (plate), 330 x 238 mm (sheet). Signed on the plate. Fine impression on thick [..]
358
Luigi Bompard
(1879 - 1953)
Female figure
Brown ink drypoint, 202 x 100 mm (plate), 330 x 238 mm (sheet). Signed on the plate. Fine impression on thick [..]